Mylands launch new paint colours to depict landmarks of London

The landmarks of London and all its spectrum of colour are brought to life in a selection of paint finishes for exquisite interiors, inside and out by British paint pioneer Mylands.

Launched this Spring, Mylands' new collection of London-named and inspired colour palette is indeed a tribute to its British heritage and its longstanding association with the capital – home to Mylands since it was established in 1884.  Mylands’ pop-up showroom will take inspiration from the iconic London skyline which is  displayed on their colour card and paint tin.

Featuring 120 timeless shades, Mylands Colours of London palette is a unique celebration of the capital’s history, diversity and beauty ... from the refined and stylish ‘Sloane Square’ to the Thomas Parsons-created ‘Spitalfields’ and the 1960s vibrancy of ‘Lolly Pop’, said Dominic Myland, CEO

Family-owned and run, and now in its fourth generation, Mylands is the last remaining paint manufacturer in London continuing the family tradition of perfection in paint, with sumptuous rich colours and luscious thick formulations.

The global London Design Biennale will take place 4 - 23 September 2018 at Somerset House

“Emotional States” is the chosen theme for the second London Design Biennale to take place at Somerset House situated on the banks of the Thames in the heart of London, from 4 - 23 September 2018.

The inaugural London Design Biennale was held at the Somerset House in 2016.  Photo by Bradley Lloyd Barnes.

Building on the success of the inaugural 2016 London Design Biennale, this second edition global event will be participated by more than 40 countries and territories, including France, Germany, Hong Kong, India, UK and USA.  The UK entry will be curated for a second time by the Victoria & Albert Museum (V&A).

UK entry at the London Design Biennale 2016 at the Somerset House.  Photo by Ed Reeve.

Taking over the entirety of Somerset House, the exhibition will see the world’s nations presenting newly commissioned works in contemporary design, design-led innovation, creativity and research.

India's entry for the 2016 London Design Biennale at Somerset House.  Photo by Ed Reeve.

The theme of ‘Emotional States’ is deem to provoke a broad interpretation across design disciplines, with immersive and engaging installations that interrogate how design affects every aspect of people’s lives – the way we live and how we live – but also influences our very being, emotions and experiences.

Sustainability, migration and conflict, civic responsibility, pollution, water, social equality, and innovative solutions for issues in 21st-century life are some of the big issues of our time being explored.

Just a few months ago, Gallup released their Global EmotionsReport 2017, based on 149,000 interviews across 142 countries, measuring feelings and emotions that traditional economic indicators ignore. This index finds Paraguay as the country with the highest positive emotional experiences, and Yemen the lowest (Syria, previously ranked bottom, was too dangerous to survey).

At the 2016 Year in Focus exhibition at Getty Images London, people of various nations in conflict, civic unrest and various social issues were illustrated through photographs.

The UK is positioned at no 38, alongside Mali, South Africa, USA they were struggling.  In the two years leading to Brexit, there was a 15% decline in the number of people rating their lives ‘thriving’, the largest drop in the history of polling. However, 75% stated that they had smiled and laughed in the previous day.

Thus it will be interesting to see how the various countries will respond to the theme of “Emotional States” at the Biennale event in London in September; their investigation into the relationship between design, strong emotional responses and real social needs.

It is widely expected that the Biennale will see some of the world’s most exciting and ambitious designers, innovators and cultural bodies gather in London to celebrate the universal power of design and explore the role of design in our collective futures. 

Britons spend more on fashion than the French, says report

British fashion shoppers rank eighth on a list of heavy spending consumers in Europe with £1,000 spent annually on clothing and shoes on average, according to an article in Fashion Network reporting on figures obtained from EU statistics agency Eurostat.

Ranking above the UK are Estonia, Portugal, Italy, Austria, Lithuania, Latvia and Luxembourg.  

Putting UK eighth position at the top third of a list of 26 countries, the UK is also ranked much higher than French shoppers who are often regarded as more fashion-concerned.  

The French reportedly spend £600 a year but rank 23rd on the list, above only Hungary, the Czech Republic and Bulgaria.

The gap between neighbouring British and France has widened in the past decade with Britons spending 5.6% of their household budgets on fashion in 2016, which was 0.5% higher than in 2006. The French at the same time spent 3.8% of their household budgets, a fall of 0.8% over the same 10-year period.

Of course, a lot of what Britons buy goes unworn.  The article also pointed out that according to a recent survey by Weight Watchers showed that UK women and men have around £10 billion of unworn clothing in their drawers and wardrobes, or around £200 per adult.

SUPER TEXTURE – the new story from TOM DIXON, launching in Paris Maison et Objet fair

Continuing the exploration into the construction of cloth, British interior products and lighting brand  – TOM DIXON – is launching a range of new cushions under the banner of SUPER TEXTURE showcasing tactile materials, fabrics and techniques that dive deep into the weave, the knits and the knots.

Participating  for the first time in the prestigious Maison& Objet home and interiors trade fair in Paris (19–23 January 2018), TOM DIXON’s new cushions take you on adventures that begin in print, in embroidery and in the hand tufting and looping of wool with young emerging talent.  The new ranges are called ABSTRACT, PAINT and GEO.  

ABSTRACT is the name given to a pair of cushions made using techniques from the rug and carpet industries. Thick, woolly, harder wearing and generally more substantial than most cushions, these are hand tufted in Varanasi, Northern India by extraordinarily skilled craftsmen.

Urban perspective sketches and Hippy Wall hangings of the seventies were the initial inspiration for the variety of textures and blocks of saturated colours that come through in ABSTRACT.

Details of a cityscape watercolour from textile artist Josephine Ortega were blown up in scale and separated on graph paper to create a grid a technique familiar in tapestry pattern, but supersized for this project.

The loops, tufts and the variety of pile heights accentuate the hand-crafted nature of these cushions impossible to create by machine. Made from 100% New Zealand wool, backed with natural linen and generously filled with Danish duck feathers outstanding materiality and a human touch.

PAINT is a set of cushions with a subtle painterly print of abstracted urban landscapes rendered onto super soft canvas.

Tom Dixon commissioned young upcoming British talent Josephine Ortega to create a set of abstracted architectural watercolours based on scenes of British urbanism.

Pigment of pinks and indigo were then ink jet-printed onto a textured canvas of off-white linen to form stackable landscapes. Woven from natural linen mixed with lightweight viscose for a soft and natural feel, PAINT is digitally printed, sewn, stuffed and finished in Britain.

GEO cushions are embroidered by hand and machine on a base of natural linen and cotton mix, then filled with Danish duck feathers; lightweight collection with superior comfort. 

Embroidered graphic illustrations inspired by the natural geologies of rock formations and layered sediment, GEO is restrained yet expressive pattern making across two cushions and a double-sided throw. Celebrating the decorative qualities of natural phenomenon in bold embroidered strokes,

GEO is the no-fuss monochromatic that packs a graphic punch, say Tom Dixon.

TOM DIXON add colour and extra texture to the existing SOFT and BOUCLE ranges.  These are also showcased at the Paris Maison et Objet show.

Two new colours Wine and Khaki join the SOFT range this season. This series of cushions and pouches fashioned from Dutch woven fabric is composed of South-African Angora goat hair historically said to be as valuable as gold itself.

Combined with European craftsmanship and a generous filling of Danish duck feathers this range offers superior pile height, durability, and the ultimate indulgence in comfort and texture.

Khaki and Electric Blue are the latest to the BOUCLE colour palette. The blue is more electric, intense and vibrant. The military inspired khaki has the odd characteristic of acting either as a neutral or a highlight. Uncompromising in quality, it is composed of hand-spun and hand-woven yarn, in the exotic remote mountainous region of Rajasthan with wool sourced from New Zealand.

Lamborghini presents new lifestyle collection and the Super SUV Urus range at Milan Men's Fashion Week Fall/Winter 2018/19

At Milan Men’s Fashion Week for the Autumn/Winter 2018-19 season, it was an opportune time for a collection of clothing and accessories from the super sports car brand Lamborghini to be presented to the gathering of VIPs from fashion, luxury and lifestyle media.

On January 14^th, over a cocktail reception held at a great space on via Tortona 32, Lamborghini presented its Collezione fall-winter 2018-19 along with its Super SUV Urus range.  

Ever since the debut of the Urus concept at a Beijing show in 2012, the world has been coming to terms with the prospect of a Lamborghini SUV, wrote Charlie Turner of TopGear recently.  So this is five years and a £170m investment in the Sant’Agata facility later.

The clothing and accessories were on display, under the title of Authentic Living Riva 1920, and an opportunity to have a close-up view also of the Lamborghini Countach 25° Anniversario, Aventador S and Huracán Performante super sports cars.

The focus of the Collezione clothing range for autumn-winter 2018-19 is to present an anthology of essential wardrobe items for the Lamborghini man: a parka, the event parka, the supercar jacket, the wool-tech blazer, the wool jacket, the field jacket, the soft shell jacket, the techno sweatshirts and the leather touch screen gloves.

It is characterized by the Tailor Tech items, very high quality pieces with high level performance and 24/7 functionality, thanks to similar cutting edge approach to innovative technologies.

The three lines of the Collezione – Informal Luxury, Casual and Pilota Ufficiale – is completed by the Special Editions, the new co-branded special editions dedicated to the Super SUV Urus model, in collaboration with Enzo Bonafè, Hettabretz and Tecknomonster: a unique total look for all occasions, from business to weekend travel.

What more does the modern man want if he's got the super car and the suave clothes?

Lamborghini has also announced a new male cosmetics range, Men’s Code, the result of a partnership with Swiss Prestige Cosmetics which is deemed to share a common commitment to research and excellence.

Meanwhile partnerships with Intertrade Group for the fragrances L and with Mizuno for the running shoes will also continues.

Photo Credit: Stefania M. D'Alessandro for Lamborghini/2018 Getty Images

WHITE fashion trade fair in Milan concluded with an increase of international attendance, report organisers

The January 2018 edition of the WHITE MAN & WOMAN fashion trade fair, staged from 13th January to 15th January 2018, in Milan’s Tortona Fashion District, was deemed a great success.  

Under the banner of quality, the inventive displays projecting an open, creative atmosphere, along with new showroom concepts for the eclectic mix of new fashion forward brands - considered unique hallmark of WHITE - had attracted trade visitors from around the world. 

The organisers concluded that international buyers' attendance had grown by 3% growth.  The largest group of buyers had come from  Japan, Korea, UK, Germany and France respectively.   Visitors from Canada and the United States were also prominently felt.  However attendance from its own Italian market registered a slight drop compared to last January.

Massimiliano Bizzi, Founder of WHITE, said he was pleased with the results and this season's success had been brought about by focusing on the womenswear pre-collections at the trade-fair and with strong connection with the showrooms.  Furthermore, he also said the teaser event WHITE STREET MARKET has opened up new prospects.

Come June 2018,  the next edition will see the first B2C and B2B sportswear & streetwear trade event, and will, for the first time, gather together buyers from across the globe, in Milan who will also be attending Milano Fashion Week, as well as end-users or consumers.

Photos: WHITE/Getty Images

Innovative treatment of wool the highlight of International Woolmark Prize

Wool used in a variety of creative ways, with innovative treatments have won three designers top accolade at the 2017/18 InternationalWoolmark Prize

(L-R) Designers Matthew Miller, Christopher Bevans of DYNE and Ruchika Sachdeva of BODICE - winners of the International Woolmark Prize 2017/2018 on January 9, 2018 in Florence, Italy.
(Photo by Elisabetta Villa/Getty Images for the Woolmark Company) 

Matthew Miller’s winning collection has been described by Vogue Italia Editor-in-Chief
Emanuele Farneti as well-balanced with attractive price points.

Winner of the Menswear 2017/2018 International Woolmark Prize was British designer Matthew Miller.

At a special event during the Pitti Uomo menswear fair at Stazione Leopolda in Florence, Italy on 9^th January, Matthew’s winning collection was described by one of the judges Vogue Italia Editor-in-Chief Emanuele Farneti as well-balanced with attractive price points. “He showed a good combination between innovation, commercial viability and pieces which will be worn by men on the street," said Emanuele.

By taking up the idea of “form follows function” inspired by designer and philosopher Dieter Rams, Matthew added multifunctional elements for different environments, such as the addition of the garment belt system which acts as a way to turn the garment into an accessory in warmer climates.  Miller treated wool in a variety of ways, according to the IWS, including innovative treatments to create water resistant fabrics and has erased the need for plastic fastenings by using recycled material, such as waste marble.  Using Australian Merino wool ranging from 17.5 to 20.5 microns, Matthew developed the inherent character of each piece as his design philosophy.

The event also saw womenswear winner Bodice and Innovation Award winner DYNE awarded for their wool-rich collections.

Ruchika Sachdeva of Bodice produced an elegant collection honouring Australian Merino wool and the artisans of her country, India.

Representing India, Pakistan and the Middle East, Bodice by designer Ruchika Sachdevawas was  praised for her technique and the manufacturing process. 

Inspired by her grandmother who used to upcycle saris into quilts, Bodice addressed the issue of consumer waste in fashion with traditional techniques of recycling and cultural beliefs in the spiritual power of cloth to affect our well-being.   Judge womenswear designer Phillip Lim described Bodice's collection as "completely thoughtful". "From the ingredients and dyes used all the way to the application and everything in between, her collection really represents a modern woman."

Collaborating with hand weavers and encouraging them to take an unorthodox approach to traditional techniques, Ruchika Sachdeva produced an elegant collection honouring Australian Merino wool and the artisans of her country.  Bodice also worked with Bio-Dye in Sawantwadi, central India, which makes all colours from natural sources. The colour palette of navy and forest green mixed with pink and green pastels contains natural dyes and are safe for the skin - a nod to the ancient practices of Ayurveda. Completing the label's holistic approach, Bodice sourced buttons from renewable sources of coconut shell, seashell, and wood.

The collection of DYNE by Christopher Bevans comprised a technical snowboarding wardrobe, complete with an NFC chip in the water-resistant wool jacket to track users in avalanches and
ultimately bridge the gap between the brand and the consumer.

The Innovation Award powered by Future Tech Lab celebrates the collection with the most innovative and creative wool fabrication, process or development was awarded to DYNE by Christopher Bevans who according to the Woolmark Company demonstrated the most exciting approach to help reduce its social and environmental footprint. 

“For me he was definitely the leader in innovation,” said judge Miroslava Duma. “He really thinks about technology every step of the way.”

Inspired by learning to snowboard in the 1980s - in a wool bomber jacket - the DYNE collection  comprises a technical snowboarding wardrobe, complete with an NFC chip in the water-resistant wool jacket to track users in avalanches and ultimately bridge the gap between the brand and the consumer. DYNE describes itself as "liminal, as its garments are designed to operate on both sides of every threshold, and to break the existing barriers of fabric, fit and function."

The collection, crafted from Merino wool ranging between 17 and 19.5 microns, includes zip-up hoodies, track pants, trench coats and pullovers, treated so as to be water-repellent, with reflective overlays and inserts, functional pocket zips, laser-cut details and, in certain instances, two-way stretch.

The menswear and womenswear winners each receives AU$200,000 to help support the development of their business. They will also receive ongoing industry mentor support, Woolmark certification for their winning collection and the opportunity to be stocked in some of the world’s most prestigious department stores and boutiques.  DYNE receives AU$100,000 along with commercial opportunities.

Judges for the awards included Amber Valletta, Elizabeth Von Guttman, Emanuele Farneti, Julie Davies, Livia Firth, Liya Kebede, Miroslava Duma, Nonita Kalra, Phillip Lim, Riccardo Vannetti, Sarah Mower and Stuart McCullough along with representatives from the International Woolmark Prize retail partner network.

(Photos by Elisabetta Villa/Getty Images for the Woolmark Company)

Mixed results for UK retailers as December fails to match November online sales

It is indeed challenging times for clothing and food retailers in the UK these past six months or so, with political uncertainties and depreciating British Pound due to Brexit impacting on confidence and price inflation, not to mention the ever-changing dynamics of consumer shopping habits.

This week the market sees a mixed bag of post-Christmas results from retailers such as Marks & Spencer, Boohoo and Tesco.  According to customer engagement experts Optimove, the landscape of retail around the Christmas period is changing rapidly, with ill-planned discounting strategies hitting hard in a lean holiday season.

Pini Yakuel, CEO of Optimomve, comments: “Customers are beginning to buy online earlier in the Christmas and holiday period.  According to our analysis of customers in the festive season, total order amounts were 32% higher in November than December.

“The growing popularity of Black Friday and Cyber Monday are attracting large orders, but instead of increasing overall sales, this might encourage shoppers to make December purchases earlier at a lower price than they would without the discounts. This December saw a 10% lower order total than in 2016.

“Although heavy discounting can bring in more customers in one instance, retailers must be sure that this adds real value to overall annual revenue. We have found that heavy discounts of more than 30 per cent do not usually encourage customers to make a second purchase from the brand later in the year, unless it is a similarly discounted product.[1] While one-off sales provide some value, brands must focus on getting customers to keep returning to the brand to provide lifetime value."

More on UK Christmas 2017 retail sales analysis, click HERE.

Winners of the 2017/18 International Woolmark Prize Announced

 Just announced during the Pitti Uomo menswear fair at Stazione Leopolda this week in Florence are winners of the 2017/18 International Woolmark Prize.

Models on stage at the International Woolmark Prize 2017/2018 on January 9, 2018 in Florence, Italy.
(Photo by Elisabetta Villa/Getty Images for the Woolmark Company)

(L - R) Matthew Miller (Menswear winner from the UK), Christopher Bevans of Dyne (Inaugural Innovation award winner) and Ruchika Sachdeva  (Womenswear winner representing India, Pakistan and the Middle East ) at the International Woolmark Prize 2017/2018 event on January 9, 2018 in Florence, Italy. 
(Photo by Elisabetta Villa/Getty Images for the Woolmark Company) 

The womenswear, menswear and inaugural Innovation Awardwinners were announced after being judged by an international panel of movers and shakers and influencers of the fashion industry: Amber Valletta, Elizabeth Von Guttman, Emanuele Farneti, Julie Davies, Livia Firth, Liya Kebede, Miroslava Duma, Nonita Kalra, Phillip Lim, Riccardo Vannetti, Sarah Mower and Stuart McCullough along with representatives from the International Woolmark Prize retail partner network.

Emanuele Farneti, Giuseppe Angiolini and Samantha McCoach are seen backstage at the International Woolmark Prize 2017/2018 on January 9, 2018 in Florence, Italy.
(Photo by Elisabetta Villa/Getty Images for the Woolmark Company)

“Today (January 9^th) we saw the world’s best emerging designers present a true celebration of fashion design and innovation, as they shone the spotlight on Australian Merino wool,” said The Woolmark Company Managing Director Stuart McCullough.

 Livia Firth (L) and Six Lee (R) are seen backstage at the International Woolmark Prize 2017/2018 on January 9, 2018 in Florence, Italy. (Photo by Elisabetta Villa/Getty Images for the Woolmark Company) 

“Each year, the competition has been fierce and this year was no different. I would also like to commend the mills and spinners who supplied the labels with luxury fabrics and yarns and assisted in the development of innovative fabrications.”

More than 65 designers from more than 60 countries were nominated for this year’s award, with finalists representing six different regions around the world. The global finalists were SixLee and KYE (Asia), Blair Archibald and Harman Grubiša (Australia & New Zealand), Matthew Miller and Le Kilt (British Isles), L'Homme Rouge and David Laport (Europe), Antar-Agni and Bodice (Indian Subcontinent and Middle East) and DYNE and Zaid Affas (USA).

The menswear and womenswear winners each receives AU$200,000 to help support the development of their business. They also receive ongoing industry mentor support, Woolmark certification for their winning collection and the opportunity to be stocked in some of the world’s most prestigious department stores and boutiques, including Boutique 1, Boon The Shop, David Jones, Harvey Nichols, Hudson's Bay, Lane Crawford, LECLAIREUR, mytheresa.com, ORDRE, Parlour X, Ssense.com, Sugar and Tata CLiQ Luxury.  The Innovation Award winner will receive $100,000 along with commercial opportunities.

 (Backstage photos above and below by Elisabetta Villa/Getty Images for the Woolmark Company)

The Woolmark Company have had the support of Fondazione Pitti Discovery and Pitti Uomo, TONI&GUY hair specialists, makeup by MAC, ORDRE and Future Tech Lab for the 2017/18 International Woolmark Prize global final.

UK Xmas retail sales grew 2.2 percent helped by clothing and food online

As online retail within the UK is predicted to continue to grow albeit faced with the challenges on retail logistics, spending on clothing and food online helped to boost UK retail sales growth of 2.2 percent over the December festive period, according to Mastercard SpendingPulse.

Among the big winners were clothing sales which increased by 13.7 percent year-on-year, however, luxury goods and jewellery were down by 3.4 percent and 5.6 percent, respectively on 2016.

Mastercard also revealed Christmas trading was tough with weaker footfall in the Boxing Day sales, largely due to holiday discounting that started earlier around Black Friday, which impacted the year-on-year results.

According to Scott Abrahams, senior vice president of business development at Mastercard UK and Ireland, there was a mixed performance among retailers although those British retailers with a strong online presence showed optimistic results.

“When looking at the year as a whole, 2017 saw retail sales increase 4 percent. Although Christmas trading was tough and showed a mixed performance among retailers, these results do show that there some areas of optimism for British retailers, particularly those with a strong online presence.”

Meanwhile Westfield, owned by Europe’s largest shopping mall operators, has revealed an increase of visitors over the Christmas period in 2017, registering 14.1 million shoppers at Westfield London and Westfield Stratford City, with an overall year-on-year 1% increase.

Westfield 's shopping malls experienced three peak trading periods in November and December, notably the Black Friday weekend that saw 850,000 visitors, the ‘Super Weekend’ (the last weekend before Christmas) with more than 800,000 visitors bringing the pre-Christmas week trade to 1.85m and the Boxing Day sales period with more than 320,000 visitors.

Myf Ryan, Chief Marketing Officer, Westfield UK and Europe, said by offering a mix of retail, dining, events, leisure and entertainment, Westfield had lured visitors away from the comfort of their home to their shopping malls.  

Over the Christmas period, we offered many unique and immersive experiences to our customers. With over 70 million visitors coming to the centres each year, we are looking forward to creating even more exciting experiences and activities for our customers to enjoy in 2018,” says Ryan.

Festive events created and hosted by Westfield included having pop star Gwen Stefani to switch on the Westfield London Christmas lights with a special festive performance and a “first to the UK ground-breaking technology” Star Wars: Secrets of the Empire hyper reality experience.

Bad experiences with delivery frustrate online shoppers

Bad experiences with delivery have been named by internet users as problems with online shopping, along with issues with collection as well as packaging wastage.

Market retail experts at Mintel reported that 62% of UK delivery users have experienced an issue with a delivery.

Mintel research reveals that a longer than estimated wait for delivery of products (30%) tops delivery users’ frustrations. This is followed by being unable to schedule a delivery for a convenient time (20%), deliveries being left in unsafe areas (18%) and damage to the content or packaging (17%).  Meanwhile, receiving incorrect products (12%) and difficulty arranging a re-delivery (12%) complete the nation’s top five delivery issues. Further down the list, one in 10 (8%) of those who use delivery most often say they have had a problem with unhelpful delivery personnel.

But it isn’t just delivery that is causing consumer angst, as collection is proving a cause for concern too.  Some 38% of Brits who have collected a product in the last 12 months have experienced a problem, with long queues (20%), unhelpful staff (12%) and out-of-stock products (10%) among the most common problems.

Nick Carroll, Senior Retail Analyst at Mintel, said:  “Online retail will continue to grow within the UK and with it the demands put on retail logistics. While instances of problems are lower among those who have collected a product, the issues users have reported seem avoidable from a retailer perspective. While a big positive of click-and-collect, from a multi-channel viewpoint, is that it allows store-based retailers to emphasise their brand traits when an online shopper comes into the store, if customers are faced with long queues, unhelpful staff or unavailable products, then the opportunity is lost and the benefits of coming into store are negated.”

Mintel estimates that the value of collection orders in the UK reached £9.5 billion in 2016, accounting for 18.5% of all online sales, with the market this year estimated to reach £11.8 billion, according to report published November 2017.

When asked which newer innovations in the delivery and collection market consumers would like to see become more widespread, evening home delivery (43%) tops the wish lists of those who use product delivery and collection.  While GPS tracking of orders (35%) and one-hour delivery slots (33%) complete the top three innovation interests.

Overall, 30% of delivery and collection users are interested in same-day delivery, with those aged 16-24 expressing the greatest interest in same-day delivery (41%). Despite this, the majority (87%) of users think that next-day delivery is quick enough for most purchases. Meanwhile, 46% of delivery and collection users say the ability to have products delivered before paying for them is appealing and a forward thinking one in 10 (8%) express an interest in drone delivery.

“Online retail shows no signs of slowing down and neither does the speed in which retailers are attempting to fulfil orders and how quickly consumers expect them to arrive.

“For leading online players, how they fullfil orders can be their defining quality, but there is evidence that speed is not necessarily everything; it is about offering a range of options to be flexible to consumers’ multifaceted demands.” Nick adds.

Meanwhile, 57% of users believe that retailers that sell online should offer a recycling service for old products.

Nick continues: “Consumers are becoming increasingly aware of how their consumption is affecting the environment. Greater online volumes that bring more waste packaging and delivery vehicles to serve the demand may see consumers more actively question how their shopping habits are affecting the environment. 

One way in which online retailers could limit this is to instigate a recycling service for old products. There are examples of store-based retailers who have introduced a recycling service at the store level and the majority of consumers seem to be in favour of online players taking a similar stance. This is a simple move, even if it is a logistical strain for the retailer to take. It could help reduce the impractically of excess packaging around the home, and encourage greater purchasing.” Nick concludes.

In with New Hope for 2018 and Out with 2017.

The Beachy Head Light House off the cliffs of Beachy Head in Eastbourne, East Sussex, UK is often referred to as the Beacon of Hope.  Hope is the word to hold on to in 2018.
Photo by Lucia Carpio, Content Editor of My Fashion Connect Global. © Lucia Carpio 2018.