Thursday 28 September 2023

Turner Prize 2023: Eastbourne of East Sussex celebrates with the Turner Prize at the Towner Gallery

The East Sussex art gallery Towner Eastbourne is celebrating its centenary, and the cherry on the cake for its year-long celebration is its hosting of an exhibition showcasing the work by the four shortlisted artists nominated for the international Turner Prize 2023, the world’s leading prize for contemporary art.

The Turner Prize exhibition, free to view at the Eastbourne Towner, spans galleries and spaces across all three floors of the building.   In the Welcome Space on the ground floor, visitors are urged to see films on the individual artists’ practices, with information on the history of the Turner Prize and details about the rest of Towner’s programme, including artist talks. 

The four shortlisted nominees for Turner 2023 on show at Eastbourne Towner are British artist Barbara Walker; Rory Pilgrim, who works between the UK and The Netherlands;  Jesse Darling, who lives and works in Berlin and London; and London-based Swedish artist Ghislaine Leung.

Joe Hill, Director and CEO of Towner Eastbourne welcomed the Turner Prize 2023 to Eastbourne, as the centrepiece of Towner Eastbourne's Centenary year.  "Founded as 'an art gallery for the people,' the gallery has always championed living artists and has been at the forefront of showcasing and collection contemporary art in the UK, said Hill.  "What better way to celebrate this legacy than to bring one of the world's best-known prizes for the visual arts to the region."

Alex Farquharson, Director of Tate Britain, and chair of the Turner Prize 2023 jury, said. "Jesse Darling, Ghislaine Leung, Rory Pilgrim and Barbara Walker have remarkably varied approaches to creating art that actively responds to and reflects the world around us - engaging with the social, economic, cultural and political issues of our time.  The Turner Prize offers a fascinating snapshot of contemporary British art now, and a key part of its popularity is its ability to spotlight the rich cultural offerings of our towns and cities on its travels to a truly unmissable movement in Turner Prize history.  I look forward to this year's exhibition being enjoyed by East Sussex's residents and visitors alike."

The Turner Prize* exhibition is now open and free to view until April 14th 2024,  spanning galleries and spaces across all three floors of the Towner.   In the Welcome Space on the ground floor, visitors are urged to see films on the individual artists’ practices, with information on the history of the Turner Prize and details about the rest of Towner’s programme, including artist talks. 

The winner of this prestigious prize will be announced at an award ceremony on December 5th, to take place next door in the iconic "Winter Garden", a Grade II listed events building, designed by architect Henry Currey and built by the seventh Duke of Devonshire in 1875. 

Two of Barbara Walker's Proof of Burden portraits (2022) in mixed media with graphite,
conte, charcoal and pastel on paper.

Finalist Barbara Walker works in a range of media and formats, from embossed works on paper to paintings on canvas and large scale charcoal wall drawings.  Growing up in Birmingham, Walker's experiences have shaped a practice concerned with issues of class and power, gender, race, representation and belonging.

Walker was nominated for her presentation entitled Burden of Proof at Sharjah Biennial 15. In this body of work, Walker brings careful attention and visibility to individuals and families affected by the Windrush scandal.

For the exhibition at Towner, Walker's presentation features large scale charcoal figures drawn directly onto the gallery wall, demonstrating the artist has a bold statement and a strong message to make.  On the adjacent walls is a series of works on paper. 

Walker's monochromatic portraits feature people who were impacted by the Windrush scandal and each portrait is layered over by hand-drawn reproductions of documents that evidence their right to remain in the UK. 

These intimate portraits invite the viewer to come face to face with real people whose struggle for legitimacy to remain in the UK and to consider the true consequences of political decision-making and the complexities of diasporic identity.

The jury applauded Walker's ability to use portraits of monumental scale to tell stories of a similarly monumental nature, whilst maintaining a profound tenderness and intimacy across the full scope of her work.

Rory Pilgrim is a multi-disciplinary artist working across song writing, composition, films, texts, drawings, paintings and live performances.  Pilgrim aims to challenge the nature of how we come together, speak, listen and strive for social change through sharing and voicing personal experience.

A still from Rory Pilgrim's RAFTS, 2022, HD Video (1:06:55).
Pilgrim interweaves stories, poems, music and film, to reflect on times of change and struggle
during the Covid-19 pandemic.

Courtesy of andriesse~eyck galerie.

Rory Pilgrim was nominated for the commission RAFTS at Serpentine and Barking Town Hall, and a live performance of the work at Cadogan Hall, London.  Pilgrim's presentation "Rafts (2022" on the first floor at the Towner is a hour-long film featuring a seven-song oratorio narrated by eight residents of Barking and Dagenham in London from Green Shoes Arts, reflecting on what the symbol of a raft means to them through song, music, animation and poetry.  They are joined by singers Declan Rowe John, Robyn Haddon, Kayden Fearon and members of Barking and Dagenham Youth Dance.  The film is a soulful, emotional body of work made during the Covid-19 pandemic and the raft is positioned as a symbol of support keeping us afloat in challenging and precarious circumstances. 

Timed screenings of Rafts and Rafts: Live are presented with paintings, drawings, writings and sculptures in the same room and in the space outside the room that expand on the theme.

Rory Pilgrim's Putting The World To Bed, 2021, on oil, crayon
and nail polish on wooden panel.

The jury praised the film project as a standout example of social practice.  They felt that Pilgrim's beautiful and affecting musical arrangements gave light to their collaborators' voices and that the confidence and vulnerability of the performance reflected the strength of the relationship between artist and community.

Jesse Darling works in sculpture, installation, video, drawing, sound, text and performance, using materlialist poetics to explore and reimagine the everyday technologies that represent how we live.  Darling has often combined industrial materials such as sheet metal and welded steel with everyday objects to explore ideas of the domestic and the institutional, home and state, stability and instability, function and dysfunction, growth and collapse.


Jesse Darling's installation showcase metal pedestrian barriers that appear to have legs that walk across the room

Darling was nominated for his solo No Medals, No Ribbons at Modern Art Oxford and Enclosures at Camden Art Centre in London.  Darling's work encompasses sculptures and installations which evoke the vulnerability of the human body and the precariousness of power structures.  The sculptural works Corpus (Half-staff) and Inter Alia I (both 2022) form a fragmented colonnade in the gallery.  Here, concrete and polystyrene pills are topped wth barbed wire, venetian blinds and net curtains. Pedestrian barriers and prickly anti-bird spikes also echo a hostile and controlling element of the built environment, with a jarring proximity to our domestic everyday.

The jury was struck by Darling's ability to manipulate materials in ways that skillfully express the messy reality of life.  They felt that these exhibitions revealed the breadth and integrity of Darling's practice, exposing the world's underlying fragility and refusing to make oneself appear legible and functioning to others.
Ghislaine Leung, Fountains. Installation View at Simian, Copenhagen, Denmark, 2023. Courtesy the artist and Simian, Copenhagen; and Maxwell Graham, New York; and Cabinet, London.
Photo credit GRAYSC.

Ghislane Leung's practice takes a critical look at the condition of art production, its presentation and circulation.  Leung has developed a process of art making that results in "score-based artworks".  The "scores" are text-based instructions or descriptions that are realised by the gallery team in close conversation with the artist.

Ghislane Leung's Fountain

Leung was nominated for her solo exhibition Fountains at Simian, Copenhagen.  Leung's work takes the form of "scores" - sets of instructions which test the boundaries of the gallery space.  Fountains (2022) is an artwork created from a score that simply states "a fountain installed in the exhibition space to cancel sound".

At Towner, Leung's presentation also features a baby monitor installed in the art store, broadcasting live to the exhibition space, and a wall drawing representing the hours that Leung can dedicate to working in her studio.  There is also a row of children's toy houses and toy household items.  These installations reflect on the realities of an artist role as a mother and highlight her interest in the time, labour and support structures required to make and maintain artworks.

The jury particularly commended the warm, humorous and transcendental qualities that lay behind the sleek aesthetic and conceptual nature of Leung's work, as well as her commitment to challenging the way art is produced and circulated.

*Turner Prize, one of the best-known prizes for the visual arts in the world, aims to promote public debate around new developments in contemporary British art.  Established in 1984, the Prize is awarded to a British artist for an outstanding exhibition or other presentation of their work in the previous twelve months.

Members of the Turner Prize 2023 jury are Martin Clark, Director, Camden Art Centre; Cédric Fauq, Chief Curator, Capc musée d’art contemporain de Bordeaux; Melanie Keen, Director of Wellcome Collection; and Helen Nisbet, Artistic Director, Art Night. Alex Farquharson, Director of Tate Britain, was chair of the 2023 jury.

The Turner Prize winner will be awarded £25,000 with £10,000 awarded to the other shortlisted artists.

The Turner Prize, established n 1984, aims to promote public debate around new developments in contemporary British art. It is named after the renowned British painter JMW Turner (1775-1851) and is awarded each year to a British artist for an outstanding exhibition or other presentation of their work.

Turner Prize 2023 is curated by Noelle Collins, Exhibitions and Offsite Curator at Towner Eastbourne.  It is one of the major events of Towner 100, a year-long centenary celebration of arts and culture across Eastbourne.  Towner Eastbourne kicked off the year of celebration with Barbara Hepworth: Art & Life earlier this year until September 2023.  Coinciding with the Turner Prize is Eastbourne ALIVE - a wide range of public art commissions and events taking place across the town.

All photos at the Turner Prize 2023 exhibition/ Towner Eastbourne by Lucia Carpio. Others are appropriately credited.

Tuesday 26 September 2023

Interior design: Shepel' opens new showroom in London's Design Centre in Chelsea Harbour

Shepel’ from Ukraine has been welcoming potential clients to view their luxury furniture designs and top rate workmanship, at their new showroom in London's Design Centre in Chelsea Harbour, opened in time to benefit from the Focus/23 event held from September 18th to 22nd.

Offering a one-stop-shop service, co-owner Alex Shepel, who co-founded the company with his wife Helen eight years ago, said the company provides complete packages that range from designing spaces to suit the needs of customers through to the designs of individual furniture, manufacturing the custom-made furniture to fill the spaces, a wide selection of materials and fabrics, and furnishing accessories to complete the look.  Both husband and wife were trained in interior design and work with a team of experiences craftsmen and makers.



One of their key brands is Atelier Helen for kitchens, featuring traditional craftsmanship that combines the latest technologies and trends for high-end luxury interiors to meet the discerning tastes of an international clientele.

The company also prides itself on their ability to provide design and a wide range of meticulously-made furniture for all rooms in a property. 

Despite the ongoing conflict in their native war-torn country, Shepel said the company and its workers have continued to soldier on and have all capabilities, including support services for shipping and importation, to fulfil their orders, from start to finish.  In addition the London, the company is represented in Bucharest, Romania as well as in Germany for clients there as well as Austria and Switzerland.  Clients span all over Europe, as well as the US and the Middle East.

All photos by Lucia Carpio.


Sunday 24 September 2023

New Launch: Tom Dixon showased Hypermobile exhibition at Coal Office, promoting new Portable lights; Zara Hadid Designs and Porro were also on show

British iconic home and lifestyle product designer Tom Dixon delighted fans and interior design buffs with his exhibition: HYPERMOBILE during London Design Festival (LDF) this September.

Visitors were able to explore the brand's Shop and the Studio's Headquarters in King’s Cross, spanning 11 arches and spaces within The Coal Office, and immerse themselves "in the worlds of portability, miniaturisation and rechargeability", as the British designer celebrated the launch of PORTABLE lights in the Hypermarket.

The Portables come in various designs  such as a shape that take after its popular Melt ceiling pendant lamps, and a range of finishes, and provide up to 10 hours of battery life after fully-charged.  Another version is the Bell shape that also comes in various finishes: gold, silver, black and copper.

The Portables come in limited-edition screen-printed packaging designed by Regular Practice, created exclusively for LDF.  


Tom explained: 'The Portables were inspired by the changing demands of society. They symbolize the general shift towards flexibility and blurred boundaries between work and play, indoor and outdoor settings and increased flexibility in all our electrical devices, including personal transport, communication, entertainment, and more."








Other highlights of HYPERMOBILE exhibition included a Broadcast studio, a FAT Cinema, a Mobile Dinner, a Techno Lab and a HYPERMARKET with Melt PORTABLES available in limited-edition screen-printed packaging created especially for LDF.









Also on show at the Coal Office premises at Tom Dixon were tableware from Zaha Hadid Design, and furniture units from Porro of Italy.

Zaha Hadid Design

Zaha Hadid Design

Porro

Porro

All photos by Lucia Carpio.

Textiles and Exhibition: Ditchling Museum of Art + Craft of East Sussex hosts major exhibition honouring founding textile designer and her partner

One of the main textile exhibits presently on show at Ditchling Museum of Art + Craft in its current exhibition - Double Weave: Bourne and Allen's Modernist Textiles* - is a piece of history linked to the celebrated Royal Festival Hall in London's Southbank Centre, built as part of the Festival of Britain, a national exhibition held in 1951 to boost morale and celebrate British culture in the aftermath of World War II. 

While the Festival was intended to showcase British design, art, and technology, the designers and makers of the vast curtains (shown above and at right) commissioned for the auditorium of the Festival Hall, were not credited in any of the Festival Hall's historical record.  







However a photograph accompanying the exhibited curtain at the Ditchling Museum does show the same curtain in the background when the then Princess Elizabeth attended the first concert of the National Federation of Jazz Organisation at the Festival Hall in 1951.  The photographer of this picture is also unknown.




Ditchling Museum of Art + Craft

Ditchling Museum of Art + Craft, in celebrating its 10th anniversary of its major redevelopment, is now proudly honouring its founding textile designer Hilary Bourne and her partner (in life and creative practice) Barbara Allen  who were the original designers and makers of the said curtains produced when they won the competition for the project in 1951.

Hilary Bourne and Barbara Allen in 1951, setting up a loom. 
Photo courtesy of Ditchling Museum of Art + Craft


The weight and thickness of the original curtains, measuring two metres by two metres, reflect their role in controlling the acoustics in the concert venue at the Royal Festival Hall.


E-J Scott explains the network of of women textile designers in the modernist movement. 

Curator of the exhibition, producer and academic  E-J Scott said the designers Bourne and Allen are billed as two of the most significant textile designers of the modernist period, yet they remain largely unknown - until now.  The exhibition now gives space to their story and speak to the invisibility of women as leading modernist designers.

The pair ran an internationally successful textile studio, designing and making a variety of fabrics for major British retail establishments, from tweed for Fortnum & Mason, to furnishing fabric for Heals and scarves for Liberty's, as well as the interiors of the UK's first jet planes.

After winning the commission to design and make curtains for the Royal Festival Hall, Bourne and Allen won the commission to make the costumes for the multi-Oscar winning 1959 film Ben Hur.  Scott said the two designers quoted an outrageous price for the challenging project thinking that film producers at MGM would not take them on.  An exhibit at the Ditchling Museum shows the costume Bourne and Allen created for Ben-Hur main star Charlton Heston, but however the designers were not credited in any literature associated with the movie.

The Ditchling exhibition rectifies the accomplishments of Bourne and Allen with a wealth of examples of their work who were pioneers in developing new constructions as well as using new yarns, such as lurex.  It also highlights textiles from other non-European cultures that has informed the duo's creativity and through their own research and clever insights became part of their modernist textile developments.  

Textile historian Dr Jane Hattrick said she discovered in her meticulous research on the influence of the Bourne and Allen, a network of female textile creators who were instrumental in the modernist textile movement of the 20th century.  A special section of the exhibition - Map of intimacies: Women's Networks of Love, Friendship and Textile Practice demonstrates the intricate connections among the network of designers.  The exhibition speaks to how women's close working intimacy in the modernist movement informs creative pursuits. 

Other co-curators who also worked with Scott on the exhibition included textile historian Veronica Isaac (course leader MA Fashion Curation at UAL), Shelley Tobin (textile curator and dress historian), Jane Trais (women's historian) and Suzanne Rowland (costume historian).

Objects on display are from Ditchling Museum of Art + Craft’s collection, with some key loans from other institutions. Work by two contemporary artists will complement the exhibition. 

Omeima Mudawi-Rowlings' "Drawn to the Light" installation in the
Introductory Gallery leading to the Double Weave exhibition in Ditchling Museum of Art + Craft

Accompanying the Double Weave exhibition is an immersive installation - Drawn to the Light - by textile artist Omeima Mudawi-Rowlings MBE in the Introductory Gallery, featuring textiles coloured with natural dyes using techniques pioneered by Bourne and Allen. It explores Mudawi-Rowlings' own experience as a Black deaf artist with Sudanese heritage, using layering of text and images in English, BSL and Arabic.  The installation is comprised of lanterns and a pathway of personal symbols and meanings.  The experience of being seen and not seen, and of textiles often being dismissed as "domestic" or "women’s work" is part of this story. 

Poppy Fuller Abbott
 with her textile creation inspired by Bourne and Allen.

In addition, Sussex-based weaver and dyer Poppy Fuller Abbott (pictured left) has also created textile samples in the style of Bourne and Allen’s work.  Visitors can also watch a film of Poppy at work on the loom at the exhibition. 

Poppy studied Textile Design in London, where she specialised in weaving at Central Saint Martins. After graduating, she began studying natural dyes, and received the Clothworkers Award at Cockpit Arts, where she had a studio for 2 years. Her practice, POP Studio, is based at Studio50 in Hove.

Steph Fuller, Director, Ditchling Museum said “In this 10th year since the creation of Ditchling Museum of Art+ Craft in its current form, it’s the perfect moment to celebrate Hilary Bourne our co-founder, and showcase the fantastic Modernist textiles she created with her partner Barbara Allen.  This is a rare chance to see this work and discover their Modernist legacy, alongside a new textile installation by Omeima Mudawi-Rawlings which references their lives and techniques, bringing them into a new contemporary context.”


*Double Weave: Bourne and Allen's Modernist Textiles at Ditchling Museum of Art + Craft runs until April 14th 2024.

Ditchling Museum of Art + Craft is home to a permanent collection that showcases the work of artists and crafts people living and working in Ditchling – a village which nurtured some of the 20th century’s most innovative and creative ideas in crafts and design. The museum presents two new exhibitions a year alongside the permanent collection.

Photos by Lucia Carpio at Ditchling Museum of Art + Craft unless otherwise noted.

Cultural events and Interior designs: Shoreditch Design Triangle 2023 plays host to both progressive and formal creative designs during London Design Festival

Shoreditch just north of the financial district of London - the City - has long established itself as an inspirational district for post-industrial spaces and new developments led by architects and the creative industries, joined by professionals in the arts, retailers, as well as cutting-edge restaurants of international culinary cuisines.  Its design scene continues to evolve and inspire, making it a dynamic and influential part of London's cultural fabric.

As part of the London Design Festival, the Shoreditch Design Triangle 2023 returns for the 15th consecutive year with a comprehensive programme of events and a host of product launches, exhibitions, installations, workshops, open studios and much more to showcase the area's distinctive creative scene.

SCP

SCP, a producer of high quality contemporary furniture, lighting, textiles and accessories established in London in 1985 by Sheridan Coakley,  presents Soft Power, an exhibition of sustainable design and enduring ideas at the SCP Showroom during the London Design Festival. 

SCP

Soft Power features four different shows under one roof.  Among the main exhibits on the Ground Floor of their Curtain Road Showroom is a new collection by British architect and designer John Pawson for Wonderglass, an Italian family owned company founded in 2013 by father and son Maurizio and Christian Mussati  who promote and preserve the skills and techniques of the Venetian master glassmakers.  The show also features Berg, a coffee table, alongside three different lighting designs; Sleeve, Horizon and Pendant Tube.

Berg at SCP.


Also shown is Sons of Beasley by Carl Clerkin and Alex Hellum, following the success of The Beasley Brothers Repair shop by Carl Clerkin (and friends) at the Eternally Yours exhibition at Somerset House last year. Carl went onto present Sons of Beasley at the Material Matters exhibition at the OXO Bargehouse during LDF.  This time, SCP invited Carl and Alex back to continue the Sons of Beasley experiment, this time, focusing on making chairs and stools, items that are notoriously difficult to make at a price that anyone can afford.  Visitors are able to enjoy a fully equipped live workshop on the ground floor of SCP, staffed by Carl, Alex and friends, all of whom will be making things by-hand, from offcuts, components and materials donated by various furniture manufacturers. 

On the 1st floor of the SCP showroom is the new SCP 2023 Collection is by Matthew Hilton, Philippe Malouin, Donna Wilson, Wilkinson & Rivera and Terence Woodgate. This collection is exclusively of sustainable upholstery designs; sofas and armchairs, all made by-hand at SCP’s specialist upholstery factory in Norfolk, England.  This year, for the first time ever, all of the SCP designs on show are foam free. Foam, being petrochemical based, is the key unsustainable material in modern upholstery, and SCP believe it has to be removed from products to ensure they are truly sustainable.  The 2023 Collection features four new sofas and three new armchairs, "blending together the ornate with the restrained, the extravagant with the classical, in a collection that explores soft power."

Over at the newly expanded showroom/retail shop of Lee Broom, one of the UK’s leading product designers and a premium global design brand, are new editions of the designer's highly acclaimed lighting pieces to complement his brand of luxury furniture. 

Lee Broom

The new editions include the Altar Wall Light and Chant Surface Light, as well as best sellers such as Vesper, Orion, Aurora Ring, and others.

Lee Broom

Showing in the Vitra and Artek showroom, in the basement, is the Hackability of the Stool, developed by Tokyo-based architect Daisuke Motogi of DDAA Lab.  Motogi has had fun creating 100 ideas altering the classic Stool 60 designed by Alvar Aalto in 1933.  This fundamental of furniture items has been in continuous production since its inception and 2023 marks its 90th anniversary.






As explained, Motogi and his creative lab DDAA initiated the project Hackability of the Stool back in 2019, when commissioned to create a space for a community for collective impact initiatives. When asked to provide 150 stools for visitors attending a large-scale event, Motogi and DDAA Lab decided to invite members of the community to discuss what a stool actually is, identifying which functions it should have. 

During a workshop, the participants brought up numerous suggestions, which were consolidated into the idea of a multifunctional stool. Instead of designing a new product, DDAA Lab opted for adding the requested functions to an already existing stool: Artek’s Stool 60, defined as "a masterpiece of modernist design, for the fact that it is made of wood, thus easy to modify, and stackable, thus easy to store."  Hackability of the Stool is on until 6th October.

Tala

In the heart of the thriving Shoreditch triangle is the new permanent showroom of light-bulb specialist Tala.  The space, designed by local architect Thomas Longley, space was formerly a men's fashion boutique.  The showroom features recycled and low-impact materials throughout, and caters for both end consumers and trade professionals. 

Tala

Shoreditch's transformation from historically a working-class and industrial area to a hub of creativity, culture and innovation, can be traced back to the 1990s when artists, musicians, and creative entrepreneurs began to move into the area, attracted by its affordable rents and industrial spaces. This influx of creative individuals laid the groundwork for the neighborhood's transition into a creative and design-focused community.

As Shoreditch gained popularity among creative professionals and entrepreneurs, it started to undergo a process of gentrification. Abandoned warehouses, factories, and Victorian buildings were repurposed into art galleries, studios, co-working spaces, and fashionable boutiques. This regeneration brought about a mix of new businesses, residents, and visitors, reshaping the neighborhood's identity.

The large central bar of the recently opened Shoreditch branch of the
"Sticks 'N' Sushi" restaurant known for its  
unique fusion of authentic Japanese flavours and sleek Scandinavian design.

As a result of the influx of creative minds, the neighborhood became known for its avant-garde art galleries, cutting-edge fashion boutiques, and innovative architectural projects. The diverse range of design disciplines found in Shoreditch includes graphic design, industrial design, fashion design, digital media, and more.

The neighborhood's fusion of creativity, innovation, and entrepreneurship has influenced other parts of London and even other global cities seeking to cultivate similar creative hubs.

All photos by Lucia Carpio.