Wednesday, 4 November 2026

Awards: British Wool Finds New Purpose in Construction, Horticulture and Product Design

The 2026 Innovation in Wool Awards have recognised three businesses demonstrating how British wool can be adapted for applications well beyond its traditional markets, from rigid acoustic building materials and peat-free horticultural products to innovative bedding design.

Selected from five finalists, this year's winners highlight the potential of wool as a versatile, renewable raw material for industries seeking alternatives to conventional synthetic and resource-intensive materials. The awards also underline an important challenge for the British wool industry: creating new commercial markets that make better use of the fibre, particularly coarser wool that has fewer established outlets in traditional textile manufacturing.

Wull Technologies received the main award for LAMDA, an innovative rigid material manufactured entirely from British sheep wool. SilviBio took second place for PROPA, its wool-based peat-free growing medium, while Devon Duvets was awarded third place for its Folding Pillow, which rethinks the construction and functionality of a familiar household product.

Re-engineering wool for construction

Wull Technologies' Lamda
Photo by Mark Waugh

The winning innovation from Wull Technologies challenges the conventional perception of wool as a soft, flexible fibre. Its LAMDA technology transforms British sheep wool into a rigid, self-supporting material without the need for additional binding agents. Unlike conventional composites, the process uses no plastic binders, synthetic carrier fibres, resins, starches or latex. Instead, the wool itself provides both the structure and the binding mechanism.

The technology's first commercial application is LAMDA Hush, a range of acoustic panels and baffles designed for interior environments. The company has already supplied acoustic baffles to the Sister Building in Manchester, demonstrating that the material has progressed beyond the prototype stage.

Further potential applications include rigid packaging and thermal insulation systems for both internal and external use, although these will require additional testing and accreditation.

Of particular significance to the British wool sector is the opportunity to create higher-value uses for coarser grades of wool, which can be difficult to place in traditional textile markets. At an indicative density of approximately 140kg per cubic metre, LAMDA incorporates around 140kg of clean British wool into each cubic metre of finished material.

The development has attracted wider environmental recognition, with Wull Technologies also nominated for The Earthshot Prize 2027.

Wool offers an alternative for horticulture

SilviBio's Propa - lettuce block

SilviBio's second-placed PROPA growing medium explores wool's potential in horticulture, where the search for viable peat-free alternatives is gaining urgency. With restrictions on peat use in professional horticulture due to take effect from 2030, the industry faces the challenge of finding substrates that can replicate peat's physical structure and moisture-management properties.

SilviBio has developed a system incorporating wool into a growing medium designed for peat-free production. Its technology combines mechanical processing to create mouldable structures with biotechnology intended to support plant growth and reduce fertiliser requirements.

Wool's natural ability to retain moisture, combined with its mechanical strength and biodegradability, makes it a promising material for this application. PROPA is designed to offer improved water retention and transplantability, while providing the potential for a scalable supply chain.

The project illustrates how wool's inherent properties could be harnessed in a sector far removed from its established fashion and interiors markets, opening up another potential avenue for commercial demand.

Rethinking the everyday pillow

Devon Duvets - Sunlit cotton pillows on warm linen

The third award went to Devon Duvets, a family-run business based in Devon, for its Folding Pillow. Rather than developing a completely new material, the company has focused on improving the design and functionality of an everyday bedding product through considered construction.

Made using British wool and natural cotton, the pillow features separate wool-filled sections, unfilled hinge areas and an integral pocket. This allows it to fold over itself in different configurations, providing varying levels of support to suit individual preferences.

The construction also makes the pillow easier to open out and air between uses, while allowing the entire product to be washed when necessary without removing the wool filling. Combining British wool with local craftsmanship, the design demonstrates how product innovation can extend the usefulness and longevity of familiar household products.

Creating new commercial markets for wool

Established in 2018, the Innovation in Wool Awards recognise advances in wool-related products and technologies, with particular emphasis on commercially viable applications. Judging criteria include the benefits to British sheep farming, the use of British wool fibre and the contribution of British manufacturing.

The 2026 judging panel was led by Dame Mary Archer and included representatives from The Woolmen Livery Company, The Company of the Merchants of the Staple of England, The Lord Barnby Foundation and the Campaign for Wool.

Commenting on the three winning projects, Sir David Wootton of The Woolmen Livery Company highlighted their different approaches to innovation, from transforming wool's physical properties into a rigid material to developing an alternative growing substrate and rethinking the construction of a familiar household product. He noted that their common strength was the development of applications in which wool serves a specific functional purpose rather than simply being an ingredient.

The awards are funded by The Woolmen's Company Charitable Incorporated Organisation, The Company of the Merchants of the Staple of England Charitable Trust and The Lord Barnby Foundation, with support from the Campaign for Wool.

For Campaign for Wool Chairman Ian Maclean MBE, encouraging new applications and markets is essential to the future of the industry and the British farmers who produce the fibre. He welcomed the winners' ability to combine wool's natural properties with fresh thinking and a willingness to challenge conventional applications.

The three projects demonstrate that the future of wool may increasingly depend on looking beyond its established role in clothing, textiles and interiors. By translating its natural characteristics into practical, performance-led solutions for construction, horticulture and consumer products, these businesses are helping to broaden the fibre's commercial relevance.

Ultimately, the challenge will be to turn promising innovations into scalable, commercially competitive products. The 2026 awards provide encouraging evidence that British wool has considerable potential to play a wider role in the development of more sustainable materials and manufacturing.

Friday, 30 October 2026

Fabric innovations: Denim Première Vision in Milan Explores New Creative and Technical Frontiers with BOTTER Collaboration

As the denim industry continues to navigate changing consumer expectations, sustainability challenges and the demand for greater product differentiation, the relationship between creative design and technical innovation is becoming increasingly important. Against this backdrop, Denim Première Vision will use its Milan edition, taking place on 25–26 November 2026 at Superstudio Più, to explore how collaboration across the supply chain can generate new directions for denim.

Bringing together 60 carefully selected exhibitors representing the entire denim value chain, the event will place material research and creative experimentation at the centre of its offering. A major highlight will be DENIM, RECAST., an ambitious collaborative project developed with avant-garde fashion label BOTTER, founded by designers Rushemy Botter and Lisi Herrebrugh.

More than a designer showcase, the initiative reflects a growing recognition that innovation in denim depends not only on new materials and production technologies, but also on closer interaction between designers, textile specialists and manufacturers. By bringing these different areas of expertise together, Denim Première Vision aims to demonstrate how creative concepts can be translated into commercially relevant material developments and garment solutions.

Bridging creative vision and industrial expertise

©Photographer: Aliocha Boi / Stylist: Omaima Salem / Creative direction: Benjamin Grillon / For: BOTTER / With the contribution of HOWA CO. LTD

DENIM, RECAST. explores new possibilities for denim through textile developments, experimental washes and finishes, printing, bonding and innovative garment constructions. At its heart is an open atelier designed to expose the research and technical processes that normally remain behind the scenes, from initial inspiration and material selection to experimentation, prototyping and garment development.

The project also offers a new perspective on BOTTER's established creative philosophy of Caribbean Couture, which draws on the cultural richness and resourcefulness of the Caribbean, combining these influences with precise tailoring, technical research and a strong commitment to environmental responsibility. Rooted in the designers' heritage, this approach considers clothing not simply as a product, but as an expression of culture and identity.

For BOTTER, the collaboration provides an opportunity to investigate how a familiar material such as denim can be reinterpreted through different textures, treatments and combinations. For the manufacturers involved, it offers a platform to apply their technical knowledge to a designer-led creative challenge, potentially opening up new applications for existing technologies and production capabilities.

BOTTER founders.

“We are drawn to the way surfaces evolve under the influence of their environment and over time. This inspires us to experiment with textures and processes, allowing unexpected qualities to emerge from the material. It is an ongoing exploration of how a familiar material can take on new expressions,” said Rushemy Botter and Lisi Herrebrugh, founders of BOTTER.

The relationship between BOTTER and Première Vision dates back to 2018, when the designers won the Première Vision Grand Jury Prize at the 33rd Hyères Festival with their menswear collection Fish or Fight, selected by a jury chaired by Haider Ackermann. Their return through this new initiative reinforces a shared interest in craftsmanship, material innovation and the creative potential of textile development.

Making innovation visible

The open atelier will be a central feature of the Milan presentation, functioning as a combination of creative studio, material library and experimental laboratory. Rather than displaying only finished garments, it will reveal the different stages of development, including fabric research, experimental printing and bonding, washing tests, garment constructions and prototypes.

©Photographer: Aliocha Boi / Stylist: Omaima Salem / Creative direction: Benjamin Grillon / For: BOTTER

Early-stage trials will be presented alongside more advanced developments, illustrating how ideas are tested, adapted and refined through technical dialogue. Some investigations will result in dedicated materials and processes for BOTTER's forthcoming collection, while others will remain exploratory.

This emphasis on process is significant for an industry in which innovation is often communicated through finished products, new collections or technical claims. By making the experimentation itself visible, Denim Première Vision is highlighting the importance of specialist knowledge and the collaborative relationships required to turn creative ambitions into viable textile and garment developments.

©Photographer: Aliocha Boi / Stylist: Omaima Salem / Creative direction: Benjamin Grillon / For: BOTTER

The project brings together a carefully selected group of industry partners, each contributing a specific area of expertise.

ISKO and Kahiara are involved in selecting and developing the denim fabrics that will form the material foundation of the project and support BOTTER's upcoming collection. ACM Next Printing is investigating printing and bonding technologies to create new surfaces and material combinations.

Japanese specialist HOWA contributes its expertise in artisanal washing, denim garment production, knitwear and garment dyeing, while Tonello is exploring advanced washing technologies, including more sustainable processes and innovative finishes. M&J Genesis brings its knowledge of authentic denim laundry processes and manufacturing, supporting garment construction, development and finishing.

The research also extends to accessories and cross-category material applications. BAP Buttons is developing exclusive buttons made from antique coins, introducing distinctive details that reflect BOTTER's design language. Portuguese textile specialist Lemar, recognised for its expertise in swimwear fabrics, is investigating the combination of denim and swimwear, exploring the potential of different textile structures, performances and material identities.

Together, these contributions demonstrate how innovation can emerge from combining established manufacturing capabilities in unexpected ways, rather than relying exclusively on entirely new materials or technologies.

International sourcing reflects the breadth of the denim supply chain

Alongside the BOTTER initiative, Denim Première Vision will present an international sourcing platform reflecting the diversity of the global denim industry. Fabric and denim mills account for 60% of the 60 exhibitors, with garment manufacturers representing 16% and accessory suppliers 6%. The remaining offering includes specialists in chemicals and fibres.

The exhibitor profile underlines the continuing importance of fabric development and material expertise within the denim supply chain, while also providing access to garment production and complementary components.

The Mediterranean region will be strongly represented, with Italian and Tunisian manufacturers forming an important part of the offering. Türkiye will have a significant presence with 10 exhibitors, while Asia will also be well represented through seven Chinese companies, six Japanese mills and two exhibitors from Bangladesh. New participants include Sumitomo Chemicals and Kahiara.

Established industry names such as Sharabati, Pioneer Denim, Maritas, HOWA, Kuroki and Advance Denim will showcase the range of manufacturing and textile expertise available. The participation of Pakistani manufacturers Asghar Nine and Chottani Industries further broadens the geographical representation.

Responsible production will also feature through initiatives involving the European Recycling Project (ERP) and Chloris, reflecting the industry's continuing attention to sustainability and resource management.

“For the past ten years, our show has been committed to bringing together a carefully curated selection of exhibitors, with quality always at the heart of our approach. Our goal is to offer visitors an enriching and inspiring experience by showcasing the diversity of the denim industry across its entire value chain, from mass-market to premium and luxury segments,” said Fabio Adami Dalla Val, Show Manager of Denim Première Vision.

A broader role for the denim trade show

The Milan edition highlights an evolving role for Denim Première Vision: moving beyond the traditional function of a sourcing exhibition towards becoming a meeting point for creative development, technical exchange and industrial innovation.

The BOTTER collaboration is particularly relevant in demonstrating how designer-led experimentation can give manufacturers new perspectives on their capabilities, while offering designers direct access to the specialist knowledge needed to realise more ambitious concepts. Such exchanges can help strengthen the connection between design and production at a time when differentiation, material performance, craftsmanship and more responsible manufacturing are increasingly important to the industry's future.

By bringing together an international selection of suppliers with a hands-on exploration of creative and technical processes, Denim Première Vision is seeking to offer more than a snapshot of the current denim market. DENIM, RECAST. provides a platform to question established approaches to the material and explore how new ideas can emerge through collaboration across the value chain.

Wednesday, 21 October 2026

Textiles and Design Trade Fair: Heimtextil 2027 sharpens its focus on quality, performance and sourcing

New Carpets & Rugs Excellence segment, Comfort & Connect area and Heimtextil Trends 27/28 address changing market demands

Heimtextil, the leading international trade fair for home and contract textiles and textile design, is refining its offering for a market under increasing pressure. The 2027 edition will introduce a new premium segment, Carpets & Rugs Excellence, alongside the Comfort & Connect area and the latest Heimtextil Trends 27/28, reflecting the industry's growing emphasis on quality, functionality, durability and long-term value.

Taking place from 12 to 15 January 2027 in Frankfurt, Heimtextil will present innovations spanning the entire textile value chain, from fibres and yarns to international textile design, finished collections, functional contract textiles and integrated interior solutions.

As consumers become more discerning about price, quality and product longevity, manufacturers and suppliers face mounting pressure to demonstrate the value of their products. Geopolitical uncertainty is also complicating international supply chains, increasing the importance of dependable production partners capable of delivering consistent quality and the required volumes.

Against this challenging backdrop, Heimtextil 2027 is expected to maintain the previous edition's level, with around 2,900 exhibitors underlining the event's international reach and continued relevance to the global textile industry, according to organisers at Messe Frankfurt.

“In a market that is increasingly difficult to predict, quality, reliability and strong personal relationships matter,” says Olaf Schmidt, Vice President Textiles & Textile Technologies at Messe Frankfurt. 

He highlights the importance of experiencing materials first-hand, discussing requirements directly with manufacturers and identifying production partners able to meet buyers' needs. This combination of product expertise, international sourcing opportunities and personal exchange, he says, positions Heimtextil as a strategic partner for the industry.

With its expanded sourcing concepts, dedicated product areas and emphasis on functional and design-led innovation, Heimtextil 2027 is seeking to address the practical challenges facing the textile industry. Its programme combines access to international manufacturing capacity with material research, emerging design talent and solutions for residential and contract interiors, placing quality, reliability and commercial relevance at the centre of the event.

Heimtextil Trends 27/28: performance meets sensory experience

Under the theme Home-Maxxing – The Performance of Everyday Living, Heimtextil and Milan-based design platform Alcova will explore how interior spaces can become more functional and adaptable without placing additional demands on their users

Under the theme Home-Maxxing – The Performance of Everyday Living, Heimtextil and Milan-based design platform Alcova will explore how interior spaces can become more functional and adaptable without placing additional demands on their users.

The Heimtextil Trends 27/28 translate this concept into three approaches to textile and surface design, balancing technical performance with material expression and sensory appeal.

Staged Competence makes performance visible through codes, numbers and micrographics, bringing the language of technical sophistication and durability into the aesthetic of textiles.

Inside, Out reveals how products are constructed, using details such as seams, straps, zips and replaceable covers to make complex technology more accessible and understandable.

Hyper Presence responds to digital overstimulation by emphasising the physical qualities of materials. Natural fibres, rough surfaces, folds and patina bring texture, tactility and the effects of ageing to the forefront.

Together, the trends offer practical direction for retailers, designers and manufacturers developing future collections and interiors. They encourage the industry to communicate performance more clearly, make construction more transparent and give material quality a stronger sensory presence.

To explore the Heimtextil Trends 27/28, click HERE.

Architect and designer Patricia Urquiola will bring an additional creative perspective to the Trend Space, presenting her unique interpretation of the trend theme “The Performance of Everyday Living”. Continuing her material research from previous Heimtextil editions, she will showcase both new works and further developments of existing ideas. Her contribution, alongside Alcova's curatorial direction, reinforces the fair's links with Milan's influential design community.

Architect and designer Patricia Urquiola will present three sculptures: alongside the familiar element “Bambi” in the Trend Space, as Urquiola is developing two new pieces specifically for Heimtextil. 

Carpets & Rugs: a more targeted approach to global sourcing

The Carpets & Rugs segment is being reorganised for 2027 to reflect purchasing and distribution channels more closely, helping buyers identify suitable products and suppliers more efficiently.

Hall 3.0 will combine hand-knotted one-off pieces, quality doormats and flooring solutions with the broader interior concepts presented in Interior Design Concepts: Window, Wall & Floor.

Hall 3.1 will bring together established international manufacturers, including Oriental Weavers with EFCO and MAC, Ragolle Rugs, Balta Industries, Merinos, Verbatex and Welspun. Its proximity to Decorative & Furniture Fabrics will enable buyers from retail, wholesale, department stores, discount retail, hospitality and the contract sector to compare carpets and fabrics when planning complete interior projects.

Halls 11.0, 12.0 and 12.1 will focus on hand- and machine-woven carpets for international volume business.

A key development is the launch of Carpets & Rugs Excellence in Hall 11.0. An independent expert jury has selected international volume manufacturers according to product quality, workmanship and production expertise. The aim is to help buyers identify suppliers whose manufacturing capabilities match their quality expectations and order requirements.

Confirmed exhibitors in Hall 11.0 include Bhadohi Carpets, Hafizia Arts & Crafts, Heritage Overseas and Jaipur Rugs. Teppich de Orienta, Bikaner Handloo Carpets and Rugs Inc. will exhibit in Hall 12.0.

The new premium segment strengthens the sourcing proposition by bringing quality-focused manufacturers into a dedicated area, while retaining the scale and production capacity required by international buyers.

Bed, Bath & Living expands its offer

The new Comfort & Connect area, located in the foyer of Hall 5.1, will bring together premium bed and bath textiles, decorative cushions and home accessories. Participating brands include Essenza Home, Hermann Biederlack, Ibena Textilwerke and Zoeppritz.

Designed as a central sourcing point for specialist bedding retailers, hospitality professionals and contract furnishers, the area will complement the wider Bed, Bath & Living offering in Halls 5.0 and 5.1, as well as part of Hall 4.2. These areas will feature additional brands, collections and suppliers serving the private-label market.

The Smart Bedding segment in Hall 4.0 is also expanding, with more German and European mattress manufacturers expected to participate.

Organised in cooperation with the German Mattress Industry Association, Sleep & Meet will once again bring together leading mattress and sleep-system suppliers. Exhibitors include Auping Germany, Dormiente, EuroComfort Group with Badenia, Brinkhaus, Lück and Schlaraffia, f.a.n. frankenstolz with Heinrich Häussling and Centa Star, and Schwarzwald Schlafsysteme.

Together, Comfort & Connect and Sleep & Meet will create a stronger platform for established brands across the bedding, sleep and home-lifestyle sectors.

Integrated solutions for residential and contract interiors

Heimtextil is also strengthening its emphasis on complete interior concepts for both residential and commercial projects.

In Hall 3.0, Interior Design Concepts: Window, Wall & Floor will bring together solutions for windows, walls and floors. DecoTeam will demonstrate how fabrics, sun protection and flooring can be combined to create cohesive interiors, offering practical inspiration for interior designers and other professionals.

Adjacent to this area, the Design Lounge powered by DecoTeam will feature selected brands translating interior and textile trends into coordinated colours, materials and surfaces.

The wider material offering extends into Halls 3.1 and 4.1, where Decorative & Furniture Fabrics presents an extensive international selection of upholstery and decorative fabrics, outdoor and contract textiles, artificial leather and products from European weavers.

The proximity of these complementary segments will enable interior professionals to compare collections, assess material performance and combine products to meet the specific requirements of individual projects.

Functional textiles for the spaces of tomorrow

Performance requirements vary considerably across hotels, offices, healthcare facilities and retail environments. Heimtextil's Interior.Architecture.Hospitality segment will address these needs by bringing together functional contract textiles, specialist suppliers and industry expertise.

A new Functional Futures Lab, presented in Hall 4.1 in partnership with Future Fabrics Expo, founded by Nina Marenzi, will showcase innovative materials and design solutions for future interior environments, with a particular emphasis on functionality and performance.

An accompanying programme at the Talk Spot will include presentations and guided tours highlighting potential applications, connecting visitors with relevant exhibitors and helping project specifiers identify suitable materials and business partners.

The initiative reinforces the growing importance of textiles that must satisfy practical performance requirements while contributing to the design and user experience of commercial interiors.

Textile Design: established studios and emerging talent

Hall 4.2 will host Heimtextil's extensive Textile Design offering, bringing together international studios presenting patterns, colour palettes and design concepts for home and contract textiles.

Buyers, product developers and creative professionals will be able to assess colours, scales and textures in person, select designs for forthcoming collections and establish direct relationships with designers.

The New Talent Area, curated in cooperation with Jennifer Castoldi of Trendease International, will return for its second edition with more than 30 participants already confirmed. The expanding platform will showcase the work of emerging designers, highlighting new creative approaches, innovative materials and sustainability-led ideas.

Its continued development reflects the importance of connecting established industry players with the next generation of textile design talent.

Global Home targets international production requirements

Through its Global Home segment, Heimtextil positions itself as Europe's largest sourcing platform for home textiles, connecting international buyers with manufacturers serving a wide range of order volumes and market requirements.

Halls 8.0 and 9.1 will feature volume manufacturers, private-label suppliers and country pavilions offering bed, bath and kitchen textiles, while Halls 12.0 and 12.1 will present international manufacturers specialising in window and decorative textiles.

Buyers will be able to review collections, discuss private-label opportunities and negotiate order volumes directly with suppliers.

The Global Home Excellence areas in Halls 9.0 and 11.0 will feature manufacturers selected by an independent expert jury according to defined quality criteria. The initiative is intended to help buyers compare international production partners and identify suppliers capable of maintaining required quality standards at high volumes.

Images: Heimtextil / Messe Frankfurt

Tuesday, 13 October 2026

Interior Trade Fair: Heimtextil 2027: New Talent Area expands showcase of emerging textile design

Therapeutic patterns, mythology, circular materials and contemporary craftsmanship will feature among the themes explored by a growing generation of textile designers at Heimtextil 2027, as the New Talent Area returns for its second edition with an expanded international presence.

Taking place from 12 to 15 January 2027 in Frankfurt, the curated platform will bring together more than 30 emerging designers and creative practitioners from around the world, many of whom will be presenting their work internationally for the first time.

Curated by Jennifer Castoldi of Trendease International, the New Talent Area was introduced at Heimtextil 2026 to provide a dedicated platform for emerging creative talent. Following a strong response to its debut, the initiative is expanding for 2027, with increased participation from institutions and sponsors supporting young designers as they move towards the commercial marketplace.

Located in Hall 4.2, the New Talent Area will showcase projects at different stages of development, ranging from experimental approaches to materials and surface design through to finished products suitable for retail and practical applications. The diversity of the work reflects some of the wider issues currently influencing textile design, including bio-based materials, circularity, sustainability, neurodiversity, heritage and craftsmanship.

The more than 30 participants registered so far represent Canada, China, Denmark, England, Germany, Norway, Scotland, Spain, Switzerland and Wales. While the majority will be making their first appearance at Heimtextil, two previous participants are returning under the New Talents Plus label.

These include Elis Blackwood, whose studio e.L.s designs focuses on contemporary textile art and surface design, and artist, designer and hand embroiderer Severina Seidl. Their return demonstrates how the initiative can provide a continuing platform rather than simply a first opportunity to exhibit at an international trade fair. For emerging creatives, the programme offers the potential to develop industry contacts, strengthen their market position and establish longer-term professional networks.

Mythology translated into textile design

Among the newcomers is colour specialist Hallie Graham, who will present Tales of Lost Wonder, a collection of hand-printed textile wallpapers inspired by Scottish folklore and mythology.

Graham combines traditional craftsmanship with contemporary digital design applications, using techniques including devoré, discharge dyeing and reactive dyeing to create elaborate surfaces. The resulting collection demonstrates how heritage and storytelling can be translated into commercially relevant textile products without losing the character of their handcrafted origins.

Design with a therapeutic purpose

Barcelona- and Zurich-based creative agency Cascavel is taking a different approach, combining design with scientific research, historical archives and contemporary craft.

Its scientific division works with research partners to investigate patterns with potential therapeutic properties, including designs intended to have a positive effect on blood pressure. The approach reflects growing interest in the relationship between the built environment, visual stimuli and wellbeing, and points towards a broader role for textile design beyond purely aesthetic considerations.

Cascavel is also drawing on historical sources through a project to restore and digitise its collection of approximately 60,000 rare books. The archive is being used as a source for new designs with strong narrative qualities, while a third strand of the studio's work focuses on contemporary handcrafted collections informed by trend research.

Turning textile waste into new materials

Circularity is another prominent theme within the New Talent Area, with London-based start-up FibreLab presenting its approach to textile recycling.

Working with companies across the UK, FibreLab develops tailored solutions for converting textile waste into new materials with commercial potential. At Heimtextil 2027, it will highlight a paper material developed in-house and made from 100 per cent recycled textile waste.

Designed for applications including marketing and packaging, the material illustrates the growing emphasis on finding practical end uses for textile waste rather than treating recycling simply as an end-of-life solution. For the textile and interiors sectors, such developments also point towards opportunities to connect waste streams with new material applications and product categories.

A platform for the next generation

The expansion of the New Talent Area comes at a time when the textile and interiors industries are looking increasingly closely at new materials, responsible production methods and alternative approaches to design. By bringing experimental concepts alongside commercially developed products, the platform provides a snapshot of how emerging designers are responding to these challenges while exploring new creative and market opportunities.

For Heimtextil, the initiative also strengthens the fair's role as a meeting point between established industry players and the next generation of creative talent. The growing international participation suggests that the New Talent Area is evolving beyond a showcase of student and emerging work into a platform designed to help new ideas move towards professional recognition and commercial application.

Photos courtesy of Heimtextil

Interior design trend: Decorex 2026: Designer Claudia Dorsch Reimagines the Alpine Chalet for Year-round Everyday Living

An immersive alpine chalet in the heart of London, layered with sumptuous textures, tactile fabrics in rich autumnal hues and the welcoming glow of a cosy fireplace — what’s not to like? Although October’s weather remains relatively mild by seasonal standards, there is something particularly inviting about stepping into this wintery retreat at Decorex 2026. 

Photo: Decorex / Claudia Dorsch

Claudia Dorsch
Created by London-based interior designer and ski chalet specialist Claudia Dorsch, the VIP Lounge, themed ‘Back to the Future, The Chalet Reimagined’, offers a fresh interpretation of alpine living, combining the nostalgic charm of 1970s European ski culture with contemporary design, craftsmanship and understated comfort.

By transforming the VIP Lounge into an immersive alpine retreat, Claudia's installation invites visitors to experience the evolution of chalet design through a considered combination of architectural heritage, contemporary materials and the convivial spirit of European ski culture, says Dorsch.

Running from 11–14 October, Decorex, the premium interiors trade fair at Kensington Olympia, London, provides a platform for Dorsch to challenge conventional perceptions of the mountain home. Moving beyond the familiar association with dark timber, rustic finishes and traditional alpine motifs, her concept presents the chalet as a more architectural, tactile and adaptable living environment, designed for year-round use rather than exclusively for winter holidays.

Photo: Decorex / Claudia Dorsch

Drawing inspiration from the heritage of alpine architecture and the glamour of 1970s skiing in Switzerland, France and Italy, the designer's intention is to offer visitors more than a conventional hospitality space, recreating the atmosphere of a well-established mountain home shaped by time, use and shared experiences.

“I wanted visitors to slow down and experience Alpine rituals,” Dorsch explains. “We have built a home inside an exhibition hall, and my hope is that once you step through the curtain you forget that entirely, and simply feel you are somewhere in the mountains, in a house that has been lived in for years.”

Photo by Lucia Carpio

The project’s title encapsulates Dorsch’s approach to design: revisiting the ideas, lifestyles and craftsmanship of earlier generations while adapting them to contemporary needs. Rather than reproducing a traditional chalet or creating what she describes as a luxury hotel in a mountain setting, she has sought a balance between historical references and modern living.

Photo by Lucia Carpio
The 1970s influence extends beyond aesthetics to the social culture surrounding skiing. For Dorsch, the appeal of the period lies in its emphasis on outdoor pursuits, communal dining, music and time spent with friends, rather than conspicuous displays of wealth. This philosophy informs the lounge’s arrangement and its emphasis on gathering, relaxation and shared experiences.

“I don't begin with style. I begin with behaviour. I don't design rooms. I design rituals,” she says, placing the way people use and experience a space at the centre of the design process.

Photo by Lucia Carpio

The experience begins at the entrance, where a bespoke tapestry by Embroidery by Design incorporates a collection of heritage-inspired badges designed by Dorsch. Visitors pass through a fur-clad threshold and a shimmering silvered-metal curtain supplied by Amron Architectural. Manufactured by Catalan specialist Kriskadecor, the curtain introduces a striking contemporary element while referencing the visual language of 1970s ski culture. Founded in 1926, the company celebrates its centenary in 2026, adding another connection between heritage and innovation.

Photo by Lucia Carpio

At the heart of the chalet, a sculptural suspended fireplace by French manufacturer JC Bordelet, supplied by Caleo, establishes the principal gathering point. Four curved seating areas, inspired by the conversation pits of the 1970s, are arranged around the fire to encourage informal interaction.

Upholstered by Ben Whistler Blue Label, the sofas, armchairs, poufs and bespoke banquettes combine bouclé, sheepskin and leather. Textiles from Romo’s Kirkby Design line, Pierre Frey, Dedar and Misia Paris contribute to the layered material palette, while House of Hackney’s Plantasia wallpaper in tobacco brings a woodland reference into the interior.

Lighting plays an equally important role. Cameron Design House’s sculptural Vetta pendant hangs above the fireplace, while its Pilvi clusters illuminate the bar seating areas. Rechargeable wall and picture lights from Pooky provide softer, more intimate illumination. A bespoke USM room divider introduces structure to the sloping lounge architecture while accommodating books, plants and decorative objects.

The connection with traditional craftsmanship is reinforced by hand-carved mouldings from Ebanisteria Marelli, the Italian family atelier with which Dorsch has collaborated on several award-winning chalet projects. The carved details provide a sense of permanence and continuity, setting the historical foundations against which the contemporary furnishings and lighting are placed.

The chalet is organised into distinct zones that reflect the different rhythms of alpine hospitality. The Bar & Dining Club features a bespoke bar in backlit onyx and burr walnut, created by Orange Tree Joinery, providing a focal point for entertaining and socialising.

Photo: Decorex / Claudia Dorsch

Connected in an adjacent space is the Mountain Terrace that evokes the relaxed atmosphere of après-ski. A DJ supplies the soundtrack for leisurely afternoons from a customisable console by Club Kiva, while deckchairs upholstered in a bespoke stripe of rich red, blue and green, designed by Dorsch with British fabric atelier Colours of Arley, establish an outdoor-inspired setting.

Tom Dixon’s Melt pendants hang overhead, their fluid forms referencing molten rock and melting ice. The lighting reinforces the project’s wider approach: drawing on the natural environment and alpine associations without resorting to literal interpretations of mountain scenery.

Photo by Lucia Carpio

Art and collectible objects are integral to the installation. A varied selection of artworks, ceramics, glass and sculpture has been commissioned or selected from McKay Williamson, 99 Concepts and Nadia Waterfield Fine Art, giving the interior the character of an evolving personal collection rather than a staged showroom.

The sensory experience extends beyond visual design and materiality. Birdsongs on the terrace, the sound of a crackling fire, film footage of mountain life and a fragrance evoking alpine air, pine and resin combine to create a more immersive environment.

For more information on Decorex, click HERE.

Tuesday, 6 October 2026

Art and Culture: Tschabalala Self’s Lady in Blue Brings Colour and Contemporary Womanhood to Trafalgar Square, London

It is a delight to see Tschabalala Self’s sculpture Lady in Blue finally installed and unveiled on the Fourth Plinth in Trafalgar Square, London. A 10-foot-tall bronze depiction of a contemporary metropolitan “everywoman”, she wears a flowing dress patinated in a vibrant lapis lazuli blue, creating an arresting presence against the architecture and historic surroundings of one of London’s most iconic public spaces.

Tschabalala Self’s sculpture: Lady in Blue, taking pride of place in Trafalgar Square, London,
in the company of Nelson's Column.
Photo by Lucia Carpio

Self’s proposal  was voted in the public ballot called by the Mayor of London - Sadiq Khan, so it is particularly satisfying to see the finished work now taking its place in Trafalgar Square.

The Fourth Plinth is regarded as one of the world’s most important public art commissions, bringing new work by internationally renowned artists to the heart of London. Lady in Blue is the 16th commission since the programme began and follows Mil Veces un Instante (A Thousand Times in an Instant) by Mexican artist Teresa Margolles.

Tschabalala Self's Lady in Blue will remain in Trafalgar Square until August 1, 2028. 
Photo by Lucia Carpio
Set against a beautiful blue sky on a warm autumn day, Lady in Blue makes a particularly striking impression. The work pays homage to a young metropolitan woman – a “quotidian figure” reflecting many of today’s Londoners – and was inspired by Self’s desire to bring a contemporary “everywoman” to Trafalgar Square.

Colour plays an important role in the sculpture’s visual identity. Made from bronze, the figure’s dress is painted a vibrant blue, while her jewellery replicates the rich colour of lapis lazuli, a rare rock that has been used as a pigment since antiquity. The intense blue gives the figure an immediate visual presence while also connecting the contemporary work with a much longer history of colour, adornment and artistic representation.

 Tschabalala Self’s Fourth Plinth commission: Lady in Blue in Trafalgar Square, with the National Gallery and St Martin-in-the-Field Anglican Church behind it.
Photo by Lucia Carpio
The work also demonstrates how fashion, art and public sculpture can intersect. The figure’s distinctive silhouette and intensely coloured dress are central to her visual impact, transforming clothing from a simple element of the figure into a powerful statement of identity, presence and self-expression.

Before the final decision was made, maquettes of the seven shortlisted proposals were displayed at the National Gallery, giving the public an opportunity to see the competing designs and cast their votes. More than 10,000 people participated, offering their views and feedback as part of the selection process.

Although the ultimate decision was made by the independent Fourth Plinth Commissioning Group, the public’s votes and comments played an important role in informing its final choice. The result is a monumental bronze “everywoman” whose vibrant blue dress gives the work an unmistakably contemporary visual language.

The New York-based artist is also presenting a concurrent special project in the viewing room at Pilar Corrias Gallery, London, which delves deeper into her concept of the “quotidian figure”. The project runs until 7 November, offering a further opportunity to explore Self’s distinctive approach to representing everyday figures and contemporary identity.

Photos by Lucia Carpio

Tuesday, 29 September 2026

London Event: The Decorative Fair Returns to Battersea with 130 Dealers and a Rich Mix of Design Periods

The Decorative Fair returns to Evolution London in Battersea Park from 29 September to 4 October 2026, bringing together 130 specialist dealers offering an eclectic mix of antiques, fine art, decorative objects, furniture and 20th-century design.

Image: The Decorative Fair - Battersea London

Now established as a major fixture in London’s interiors and collecting calendar, the Autumn Decorative Fair provides a marketplace for decorators, designers, collectors and private buyers seeking distinctive pieces with the potential to give interiors individuality and character.

For dealers, the Autumn edition represents an opportunity to unveil collections accumulated over the preceding months, while for interior designers and decorators it arrives at a key point in the project cycle, when new schemes are being developed and sourced. Large furniture, seating, mirrors and lighting are traditionally among the strong categories at this time of year, alongside the smaller decorative elements that complete an interior.

The breadth of the offering means that visitors can source everything from major furniture pieces and works of art to textiles, ceramics, jewellery and decorative accessories, with the Fair spanning design and craftsmanship from antiquity to the present day for works of art, and from the 16th to 20th centuries for furniture and decoration.

New dealers broaden the offering

Five new participants are joining the Fair this autumn, adding further specialist expertise to an already wide-ranging line-up.

Earl & Rymer will present decorative antiques, art and antique country furniture, while Indigo Antiques specialises in Oriental, Chinese and Indian antiques. Stephen Kalms Antiques brings a focus on fine silver, and Textile Antiques will showcase fine European textiles dating from the 16th to 18th centuries. Furniture Odyssey will concentrate on 18th- to early 20th-century furniture, with particular expertise in upholstered pieces.

They join returning specialists whose offerings encompass a remarkably broad spectrum of collecting categories. These include ethnographica, Spanish antiques and art, contemporary sculpture, vintage Chinese indigo textiles, Brutalist artworks, vintage couture jewellery and bags, treen and folk art, antique prints, British studio pottery by Lucie Rie and Hans Coper, Delftware, African modernism, Art Nouveau glass, antique maps, painted European furniture, fine antique silver, antique frames, post-war British and Scandinavian jewellery, English blue-and-white china and vintage watches.

The result is a deliberately eclectic environment in which historical pieces can sit alongside modern and contemporary works, reflecting the increasingly individual and layered approach to interior design.

Fine art across the centuries

Alongside decorative antiques, the Fair features a substantial selection of fine art dealers covering different periods, styles and media. Visitors will find works ranging from Old and Modern Masters, including still lifes and portraits, to sporting, equine and country-house paintings, contemporary pictures, Modern British artists and Scandinavian modernists.

The established dealer community includes names such as Sans Pretention, Nick Jones, Dorian Caffot de Fawes, Macintosh Antiques, Wakelin & Linfield and Rebecca Christie Miller, alongside a younger generation of dealers including Punch the Clock, 1923 Antiques, Gilbert Bannerman and Brillig & Borogrove.

This combination of established expertise and emerging dealers is central to the Fair's character, bringing together traditional collecting disciplines with a more contemporary approach to sourcing and displaying antiques and design.

John Vanbrugh inspires the Autumn Foyer Display

The Autumn Foyer Display will provide a historical focus, exploring furniture and decoration from the period spanning the lifetime of architect, designer and dramatist John Vanbrugh (1664–1726), whose tercentenary is being marked in 2026.

The display will feature pieces dating from the reigns of Charles II, James II, William & Mary, Queen Anne and the first Hanoverian monarch, George I. It will examine the changing influences on British interiors during this period, including Continental styles brought to Britain by a Court that had spent periods in exile in France, the Dutch Republic and the Spanish Netherlands.

It will also highlight the arrival of increasingly exotic imports from the Far East and the subsequent development of a more distinctly English decorative language during Queen Anne's reign in the early 18th century.

Organised by the Fair's press office with contributions from multiple participating dealers, the Foyer Display changes three times a year, using historical themes to highlight the breadth of specialist disciplines represented at the Fair.

Tribal Art London joins the Autumn programme

The Autumn Decorative Fair will also host Tribal Art London on the Mezzanine. The specialist event brings together dealers presenting carefully selected ethnographic works from across the world.

The display will encompass sculptures, masks, textiles and ritual objects, offering visitors an opportunity to explore artistic traditions and cultural heritage from a diverse range of societies.

With its combination of historical furniture, fine art, textiles, decorative objects and contemporary collecting interests, the Autumn Decorative Fair continues to reflect the increasingly eclectic nature of today's interiors market — where period pieces, modern design and art can be brought together to create highly personal spaces.