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Zandra Rhodes' Top Brass 2 design features her signature pink colourway for Heal's newly launched own-label fabric collection. |
This design above is by British designer Zandra Rhodes. Entitled Top Brass 2, it was originally designed in 1963 for the British furniture and home furnishing store Heal's and was created while Rhodes was still studying at The Royal College of Art London. The medal motif was inspired by a David Hockney painting and the bold colour palette is representative of the Pop Art period. Rhodes is one of the designers whose designs are featured in Heal's newly launched own-brand fabric collection.
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Cressida Bell’s decorative Trees is richly detailed and heavily
influenced by the 1930s and 1940s trends.
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While
Heal's stocks a number of top designer brands,
including the likes of Missoni, Marimekko, Osborne and Little and Ralph
Lauren, now, for the first time since
the 1970s, Heal’s has launched its own fabric range, championing design talents
both from the UK and the European continent.
Pia Benham, Heal’s Head of Fabric & Design comments: “As
part of the relaunch of Heal’s historic fabric department, we wanted to extend
our current fabric offering. We hope the new collection will help further
strengthen our fabric department’s position as the destination for unique and
exciting designs, a place that can inspire our customers and enable them to
make their homes a beautiful place to live in. We also wanted to inject fun and
excitement into our Heal’s fabric design once again, by working with
established as well as emerging designers – in the same way we did in the 1950s
and 1960s.”
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Lady
Jane by Petra Börner is designed to resemble a scattered bouquet of rough cuts
from the garden. The idea was derived from horticultural images taken from
vintage books. |
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Tea
Time design by the late Diana Bloomfield reflects the 1950s period in which it
was first designed. |
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Cloud
by Emily Patrick, based on one of the designer’s own paintings, a sky study,
features her strong brushwork creating a tranquil painted effect |
In addition to fashion designer Zandra Rhodes, the line-up includes textile artist Cressida Bell,
figurative painter Emily Patrick, textile expert Paul Vogel, silk weaver
Ottilie Stevenson, from the archive of the late Diana Bloomfield (with the help
of her daughter Julia and her graddaughter-in-law Linda), as well as French
illustrator Malika Favre, Swedish textiles designer Petra Borner, and Danish
designers Hvass & Hannibal.
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Hvass & Hannibal’s Herbarium uses the forest as its main
theme for a distinctively Scandinavian feel.
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Malika
Favre’s exotic Peacock Flower is a bold, geometric interpretation of a floral
theme. |
While the designers ingeniously use colour and patterns to
highlight their individual style, some have been inspired by Heal’s heritage
for this exclusive collection, others have taken ideas from vintage sources, drawing inspiration from fabric archives, or take inspiration from decorative arts, nature and even
jewellery. Geometrics and nature are popular themes.
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To
design this Zig Zag pattern, Ottilie Stevenson looked to Art Deco jewellery in particular the shapes and lines created by
the gold chain links of 1940s necklaces. |
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A
design from Paul Vogel’s Stripe series, inspired by Heal’s own archives but
uses Spring 2014’s colour trends to give it a modern twist. |
Some of the designs are in 100% cotton hopsack, such as
those by Zandra Rhodes’ Top Brass 2, Hvass
& Hannibal’s Herbarium, and Malika Favre’s Peacock flower, others are in a
cotton/linen/nylon mix.
Many people probably do not know that Heal’s has been going for more than two centuries. Presently with six stores in the chain selling a wide range of furniture, lighting, interior furnishing, homewares and garden products, Heal’s started out as a feather-dressing business. Its flagship has been at the Tottenham Court Road location in London since the mid 1800’s , and today it also sells its products on-line.
To coincide with the launch of their own-brand fabric collection, Heal’s has introduced a coordinating home accessory line, Heal’s 1810, to complement the new
offering. Named after the year in which
the company was established, Heal’s 1810 includes kitchen textiles, trays, cushions
and stationery, all of which feature selected patterns from the new fabric
range.
Pia Benham adds, “It’s been a wonderful journey working with all
the designers on our new fabrics, and we loved their designs so much that we
decided to go further with some of the patterns and apply them to home
accessories. As such, we have produced a whole new collection around those
patterns, and that’s exactly how Heal’s 1810 came about.
“We wanted to give our customers different options to
incorporate those patterns into their design schemes, whether it be using our
new fabrics for soft furnishings and light upholstery, or introducing Heal’s
1810 accessories to their homes for a simple style update.”
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