London Event: Design Centre Chelsea Harbour Stages London Design Week 2026 with a Celebration of Creativity

London Design Week 2026 has officially opened at the Design Centre, Chelsea Harbour, in London transforming the venue into a vibrant showcase of contemporary creativity, craftsmanship and design innovation.

More than 100 free “Access All Areas” events are taking place throughout the week, hosted by the centre’s showrooms and invited House Guests. The programme features panel discussions, presentations of new collections, artisan demonstrations and professional development sessions aimed at designers and enthusiasts alike. 

Ralph Lauren Home unveils the new Spring 2026 collection: Meadow Lane during London Design Week  2026
at the Design Centre, Chelsea Harbour. 

To discover fresh ideas that shape the future of design, click HERE to explore the full programme.

Among the highlights is a talk on 11 March by Inge Moore, founder of Muza Lab. Titled “The Age of Tactility: Mastering Touch in Experience-led Design,” the presentation explores the growing importance of sensory elements in modern interiors. 

Inge Moore, founder at Muza Lab

Moore will examine how tactile materials and subtle design details influence comfort, perception and emotional connection in spaces increasingly shaped by experience-led design.

Luxury lifestyle brand Ralph Lauren Home is also unveiling its Spring 2026 collection, Meadow Lane, during the event. Inspired by coastal living, the collection combines casual elegance with a sense of timeless romance, evoking the atmosphere of a relaxed seaside home.

Craftsman showing how it is done at George Smith

Craftsmanship is another central theme of the week. At the showroom of George Smith, visitors can attend “From Frame to Finish: The Art of Upholstery,” where a master upholsterer will demonstrate the construction process behind one of the company’s best-selling pieces. The live demonstration offers insight into the traditional techniques and precision involved in creating high-quality upholstered furniture.

The art of Setting the Scene with creative floral arrangements.

Floral design also features prominently in the programme. At the new Design Emporium Collective, floral designer Paul Hawkins, founder of Paul Hawkins Flowers, will lead a session on creating immersive tablescapes. The demonstration will cover everything from arranging seasonal flowers to adding finishing touches that elevate the dining experience.

Throughout the week, registered visitors can also join guided “Walk and Talk” tours, offering an insider’s look at the latest collections and the newly introduced Design Emporium Collective.

With its extensive programme of talks, demonstrations and exhibitions, London Design Week 2026 aims to inspire professionals and design enthusiasts while showcasing the ideas shaping the future of interiors.

All images from Design Centre Chelsea Harbour, London Design Week 2026.

New Launch: Linwood Unveils Chesil Weaves Collection, Bringing Textured Calm to Modern Interiors

British interior furnishings brand Linwood Fabric has unveiled a new collection of textured woven fabrics, Chesil Weaves, aimed at bringing understated depth and calm to contemporary interiors.

Chesil Weaves Collection from Linwood

The launch comes at a time when many people, amid the pressures of a fast-paced and technology-driven world and ongoing international uncertainty, are increasingly drawn to comforting, nostalgic ideas of “slow living”.

Sofa uphostered in Strata, Cafe Crema, with matching cushions, from Linwood's Chesil Collection
The woven fabric features subtle horizontal detailing showcasing an interplay of yarns to create depth and texture, giving this versatile upholstery and curtain fabric a relaxed, artisanal feel. Its understated structure suits curtains, blinds and upholstered pieces where texture is present but never overpowering.

The Chesil Weaves collection is defined by tactile yarns, gentle patterning and subtle tonal variation. Together, the complementary designs create a look that feels relaxed yet refined. Rather than relying on bold motifs, the fabrics favour softly decorative surfaces that highlight the natural beauty of woven texture, helping interiors appear layered, tranquil and thoughtfully composed.

Lamina, Carmine, from Linwood's Chesil Collection
A woven fabric with a gentle chevron rhythm and subtle tonal contrast. The interplay of yarns creates depth and movement, giving the fabric a relaxed, tactile character. Suitable for headboards and upholstery.

Woven in Italy, the fabrics combine decorative appeal with everyday practicality. While the collection has been developed primarily for upholstery, several designs are also suitable for curtains and other soft furnishings, offering durability alongside a refined aesthetic for modern homes.

Tidal, Cyan, from Linwood's Chesil Collection
A softly textured woven fabric with a gently rippled surface and subtle tonal variation. Interlacing yarns create movement and depth, lending this upholstery and curtain fabric a relaxed, organic character. Particularly well suited to sofas, armchairs and classic dressed windows in calm, natural schemes.

The range is presented in a harmonious palette of tonal shades designed to work easily with both plains and patterned textiles. Whether used individually or combined within a broader scheme, the fabrics provide designers with a versatile way to introduce texture and depth without overwhelming a space.

All images from Linwood Fabric

Trade Fair Report: Première Vision Paris February 2026 Signals Industry Resilience Amid Global Volatility

At the close of its February edition, Première Vision Paris reported strong international engagement at the fair, held from 3–5 February 2026 at Parc des Expositions in Paris Nord Villepinte. The event convened decision-makers, manufacturers and designers from major European, Asian and American markets, reaffirming both the fair’s global reach and Paris’s centrality to the fashion and textile industry’s international dialogue.

Against a backdrop of economic fragility and geopolitical strain, organisers at GL events’ Fashion Division said the edition demonstrated the sector’s capacity to mobilise, exchange intelligence and construct collective responses. Over three days, sustained business meetings and high-level discussions signalled what the organisers described as genuine forward momentum, even as companies navigate tightening margins and recalibrated growth strategies.

Cost pressures reshape the value chain

Conversations across the show floor underscored a structural shift: cost pressure is now embedded throughout the value chain. Adjusted volumes, deferred commitments and more demanding commercial terms are compelling companies to prioritise risk management and financial equilibrium.

Yet price competition alone no longer defines procurement strategies. Industrial reliability, delivery performance, financial solidity and continuity of partnerships are increasingly decisive. Two parallel dynamics were observed. 

Retail-oriented brands continue to pursue strict optimisation, exploring new sourcing territories while maintaining tactical caution. Meanwhile, premium and luxury houses are consolidating established collaborations, tightening supply chain control and investing selectively in innovation to underpin long-term growth.

Across segments, responsible innovation has moved from aspiration to prerequisite. The emphasis is on pragmatic, scalable and immediately actionable solutions rather than speculative experimentation.

Education and craftsmanship in focus

Responding to concerns over declining technical expertise, Première Vision strengthened its educational mission during the February session, welcoming a significant cohort of students. The initiative reflects a strategic commitment to safeguarding textile know-how and reinforcing the skills pipeline underpinning industrial excellence.

The edition also marked the launch of the Réseau d’Excellence Mode & Beauté des Entreprises du Patrimoine Vivant, aligned with the Fashion & Luxury Strategic Committee’s agenda. The network underscores the strategic importance of craftsmanship, industrial resilience and cross-sector cooperation in a high-pressure market environment. Organisers highlighted the growing influence of the Fashion Division in convening creative stakeholders while addressing structural industry transformation.

Territories of Savoir-Faire: Japan, Portugal and France

Under the banner “Territories of Savoir-Faire!”, the exhibition spotlighted three countries—France, Portungal and Japan—through a curated visitor route, conferences and cross-border dialogues in the Prospective Area. The thematic focus reflected a wider recalibration of commercial and cultural geographies, as global trade patterns shift and traditional production scales are reassessed.

France: heritage and hybridisation

France’s fashion ecosystem—spanning ateliers, museums, schools and couture houses—was presented as both historical bedrock and experimental laboratory. Centuries-old techniques such as Leavers lace and embroidery from Calais and Caudry were juxtaposed with contemporary reinterpretations by a new generation of artisans blending tradition with counter-cultural influences.

Regional catalysts and incubators, including the Tremplin Mode et Textile, were highlighted alongside established lace makers and embroiderers. The European Flax and Hemp Alliance guided visitors through the French and European flax value chain, detailing agricultural practices, processing stages and environmental metrics from cultivation to finished textile.

Portugal: vertically integrated sustainability

Portugal emerged as a case study in structural sustainability. Textile clusters in the north, particularly around the Ave and Cávado valleys, demonstrate high vertical integration—from yarn to finished garment—supported by investment in advanced machinery, digital garment passports and AI-assisted quality control.

A central institutional presence was CITEVE, the Vila Nova de Famalicão-based technology centre founded in 1989. At the fair, CITEVE presented experimental silhouettes developed under its Be@t (Bioeconomy at Textiles) project, integrating Digital Product Passports to enhance transparency and traceability. The initiative, including a partnership with Agromethod Labs on hydroponic cotton cultivation, aims to transition Portugal’s textile sector towards a circular and bio-based model.

Manufacturers showcased innovations ranging from closed-loop dyeing systems and water reduction strategies to new plant-based fibres derived from eucalyptus, coffee waste and tree bark—illustrating a shift towards regenerative and biofabricated materials.

Japan: nature-minded mastery

Japan’s presentation emphasised a philosophy of long-term stewardship and reverence for material integrity. Rare fibres such as Hasumi linen from Shimane and traditional indigo and plant-based dyeing techniques reflected a culture attentive to the “tamashii”, or soul, of objects—their ageing and transformation over time.

Collaborations featured prominently. French artisans in residence at Villa Kujoyama and participants in the Edo Tokyo Kirari programme demonstrated cross-cultural exchange, while kimono upcycling projects by students from Polimoda and Osaka Bunka highlighted reinterpretation of heritage garments.

The Japan Fashion Week Organization curated a dedicated space, including a “Japan Exhibitors Collection” and a virtual reality immersion into wool production in the Bishu region, renowned for its textile expertise. The fair’s Grand Prix, Excellence Award and Special Prize this year favoured a materials-driven approach, with denim and wool in focus.

Prospective Space: innovation narratives

Three enclaves within the Prospective Space offered thematic exploration:

• Living Legacy, where intergenerational and cross-cultural collaborations reinterpret ancestral techniques;
  

• Active Know-How, foregrounding playful subversion and stylistic reinvention;

• Organic Intelligence, examining biotechnology, mycelium, biofabrication and regenerative design as pathways to reduced waste and evolutionary material development.

Through these curated narratives, Première Vision Paris positioned itself not only as a sourcing platform but as a strategic observatory—interpreting emerging signals, consolidating partnerships and enabling informed decision-making.

In a period marked by trade disruption and economic recalibration, the February 2026 edition reinforced Paris’s enduring role as a global convening point. From upstream raw materials to downstream creative application, the fair presented localised models of production and knowledge as blueprints for a resilient, innovation-led future.

Images by Lucia Carpio

Product Launch: Bobbi Beck goes for gold with new William Morris Wallpaper Collection

Bobbi Beck, a British design & print studio specialising in sustainably-made luxury wallpaper, has newly launched William Morris Gold wallpapers, a collection that places a refined gold twist on some of the most iconic Morris patterns, bringing a fresh decorative perspective to home interiors.

AS one of the most influential figures in decorative arts, Victorian designer William Morris was a leading voice in the Arts and Crafts movement; he pushed back against industrial mass production, championing craftsmanship, beauty, and integrity in design.  He transformed wallpaper and textiles into serious art forms, creating nature-inspired patterns featuring flowers, vines, birds, and foliage arranged in richly layered, rhythmic repeats. Among his most celebrated designs are Strawberry Thief, Willow Bough, and Trellis — all of which have inspired Bobbi Beck’s new Gold collection.

The new range has been developed as a celebration of design heritage and elevated craftsmanship, exploring how gold can add richness and depth to patterns that are already deeply expressive. The refined finish introduces a sense of luxury that feels considered rather than ornate, enhancing the visual impact of each design while remaining true to its origins.

James Mellan-Matulewicz, Creative Director at Bobbi Beck says “Gold wallpaper brings a unique sense of warmth to a room, it doesn’t just sit on the wall, it interacts with light and the atmosphere around it. The subtle glow of the gold finish makes spaces feel richer and more inviting.”

“Morris’s patterns continue to inspire 160 years on, they resonate with a desire for authenticity and character in interiors that feels just as relevant now as it did then. Reinterpreting these designs with gold brings a new layer of excitement honouring the intricacy and originality of his work” explains Mellan-Matulewicz, who is also a founding member of Bobbi Beck in Cornwall.  Its wallpaper is designed and produced in-house using FSC-certified paper and toxic-free inks. Its dedicated design and production studio runs on 100% renewable energy.

This luxurious collection breathes a luminous new life into the iconic botanical patterns of the 19th century, blending the intricate organic forms of the Arts & Crafts movement with a modern, sheen metallic palette. Featuring beloved designs such as Bough and Strawberry Thief, each roll is rendered in a rich, honeyed gold that shifts beautifully under varying light conditions. The collection offers homeowners a way to infuse their spaces with a warmth that feels both timeless and decidedly bold.

The collection offers remarkable versatility, effortlessly adapting to a wide range of interior styles and architectural settings. In a grand, traditional dining room, the gold-on-gold patterns provide a long-lasting effect that honors the heritage of William Morris, while in a sleek, contemporary living space, they act as an impactful, metallic statement piece.

Mellan-Matulewicz says to style the William Morris Goes Gold collection, aim for a “Modern Maximalist” aesthetic that balances the wallpaper’s ornate shimmer with deep, saturated colours. This approach reflects a clear shift in current interior trends towards more bold, personality-led decorating, where spaces are designed to tell a story rather than fade into the background.  By giving these iconic designs a gold twist, the collection presents a fresh perspective on a celebrated legacy, demonstrating how Morris continues to feel relevant in today’s homes.

Modern maximalism embraces richness and confidence, creating the perfect counterpoint to the gold detailing, allowing the wallpaper to feel opulent yet grounded. Rather than matching everything precisely, the focus is on curated contrast, mixing textures, layering materials to create depth and dimension. Ultimately, these wallpapers are designed to take centre stage, setting the tone for expressive, character-filled spaces.

Copenhagen Fashion Week: Marimekko Showcases Bold Expression of Pattern and Heritage

Finnish fashion and lifestyle brand Marimekko unveiled its Spring/Summer 2026 collection in a  runway show that merged bold pattern expression with industrial performance art on August 7 at Copenhagen Fashion Week.

Staged in a former industrial site along Copenhagen’s harbour, the venue’s raw, utilitarian backdrop created a dynamic contrast to the vibrant, energetic summer collection. Known for its iconic prints and colours, Marimekko explored playful proportions and carefully balanced compositions in what the brand called a “performative expression of pattern.”

 

The SS26 collection draws deeply from the art of printmaking, with overlapping lines and layered textures forming ever-changing, human-made motifs. This visual rhythm was accompanied by a specially produced industrial soundscape, created from recordings at Marimekko’s textile printing factory in Helsinki and mixed by Finnish musician and artist YSI. The result was a multisensory experience that blurred the boundaries between fashion, art, and performance.

Creative Director Rebekka Bay described the collection as a transformation of familiar ideas into new, unexpected forms. 

“We re-formulate some of Marimekko’s most perennial styles and silhouettes and turn known ideas into something entirely new,” said Bay. “This is seen in a new version of the iconic Marimini dress from the 1960s — now reimagined as a playful summer co-ord set.”

The collection featured a vivid palette of pinks, greens, and summer blues — from peony and cherry blossom to hydrangea and spirulina — punctuated by accents of pistachio, peach, and zesty lemon. The garments created poetic interplay between femininity and pragmatism, mini and maxi, soft layering and utilitarian edge. Every look was paired with contrasting adidas Tokyo footwear, emphasizing the collection’s theme of unexpected harmony.

Central to the showcase was a celebration of the 70th anniversary of Marimekko’s most enduring design icon: the Jokapoika shirt, originally designed by Vuokko Eskolin-Nurmesniemi in 1956. Known for its genderless silhouette, distinctive silver buttons, and bold Piccolo stripe, the shirt was reintroduced with modern interpretations. Variations included cropped silhouettes, enlarged prints, multicolored designs, and utilitarian dresses — all while paying homage to the hand-painted origins of the Piccolo pattern, where overlapping brushstrokes create a unique third hue.

Founded in 1951, Marimekko remains globally recognized for its original prints and vibrant use of colour across fashion and home décor. With around 150 stores worldwide and an online presence in 35 countries, the brand continues to build on its legacy of artistic integrity and design innovation.

The SS26 show reaffirmed Marimekko’s place at the intersection of craft, culture, and contemporary style — celebrating its heritage while boldly pushing the boundaries of pattern and proportion.

All photos by James Cochrane, at Copenhagen Fashion Week SS26 edition.

Design Inspiration: Rewilding Takes Root: From Garden Design to Interior Trends in SS25

The once-niche concept of rewilding—the restoration of ecosystems to a self-sustaining, natural state—is now reshaping everything from garden design to high-end interiors. Originally associated with large-scale conservation efforts, rewilding now influences urban parks, private gardens, and increasingly, the world of home design.

At its core, rewilding emphasises the reintroduction of native species, the return of natural processes, and a reduction in human management. In landscape and garden design, the approach manifests through the use of meadows, hedgerows, ponds, and deadwood, with an emphasis on biodiversity, seasonal change, and ecological function. Plants are often native or self-seeding, and maintenance is minimal—guided more by the rhythms of nature than strict horticultural control.

From ILIV - Rewilding Collection - Blind in Wild Garden Cotton Chintz.
Pelmet in Little Bud Sky

Now, this nature-led ethos is inspiring interior designers and textile houses in their Spring/Summer 2025 (SS25) collections, where wild beauty, ecological materials, and organic textures are shaping a new aesthetic language.

Among the season’s standout launches is the Rewilding collection from ILIV, the Lancashire-based British textile company known for its trend-driven designs. This collection channels the rustic elegance of untamed landscapes with painterly botanical florals, delicate embroideries, and tactile weaves. Offered in six evocative colourways—Chintz, Coral, Cornflower, Eden, Forest, and Sky—it reflects a palette pulled directly from nature’s canvas.

From ILIV - Wildflower Fields Moonstone fabric in  in Coral colourway, part of the Rewilding Collection. 

Also embracing the wild is Divine Savages, the Bath-based British design house renowned for bold wallpapers and home accessories, gifts and limited-edition art prints. Their recently-launched Rewilding Collection includes the Wild Wild Woods Grasscloth Wallpaper, a digitally printed painterly design in soft greens, blues, and pinks, in eco paper made from 79% renewable fibres. The line extends to complementary furnishing fabrics and lampshades, reinforcing a holistic approach to eco-conscious interiors.

From Divine Savages - Wild Wild Woods Grasscloth Wallpaper
part of the Rewilding Collection
Printed bespoke to order by the metre.

In the world of garden design, rewilding is more than a trend; it's a shift in philosophy. Celebrated garden writer Clare Foster, known for her thoughtful advocacy of biodiversity and climate-aware gardening, brings the concept to life in her latest book, Pastoral Gardens (Montgomery Press, Nov 2024). The book presents 20 international gardens and more than 250 photographs, with essays exploring themes of habitat, ecology, and natural design. Foster champions "managed naturalism"—gardens that appear wild but are skillfully curated to support wildlife while maintaining aesthetic integrity.

Pastoral Gardens published by Montgomery Press
Author: Clare Foster  Photographer: Andrew Montgomery

Foster emphasises managed naturalism—gardens that look wild but are carefully curated to be both ecologically functional and aesthetically pleasing.    Rather than abandoning gardens to nature, the book advocates working with nature, allowing ecological processes to flourish under the guidance of a gardener or land steward.

Likewise, Thomas Hoblyn, an award-winning designer and Chelsea Flower Show veteran, incorporates rewilding into a broader vision he describes “gardens with purpose.” His planting schemes favour native-rich communities and sensory design, supporting pollinators, mental wellbeing, and place-specific ecology. His 2025 Chelsea Flower Show entry, Garden of Compassion, created for Hospice UK and Project Giving Back, was awarded Silver-Gilt. The garden fused Mediterranean plants—scented, silvery, and textural—with sculptural elements to create a tranquil sensory experience for palliative care settings.

Interior design in SS25 embraces similar values. Rewilding has become a conceptual framework for reimagining interiors as living, breathing ecosystems. Designers are favouring biophilic principles—bringing the outside in through the use of living walls, indoor gardens, and plant-forward spatial planning.

The so-called “Home Biome” trend, as noted in recent reports, redefines homes as interconnected systems. Terracotta, jute, linen, and organic forms dominate material palettes, while curved furniture, soft pastels, and botanical motifs offer a grounded, sensory-rich environment.

Colour stories mirror the landscape: deep forest greens, earthen browns, and soft sky blues pair with fresh spring pastels like mint and lavender to reflect nature’s transitions. Beyond aesthetics, material ethics play a central role: reclaimed timber, recycled textiles, mycelium, cork, seaweed, and stone are favoured for their environmental credentials and their imperfect, tactile beauty.

Iconic Event: London Victoria & Albert Museum's Dazzling Cartier Exhibition Showcases Royal Jewels, Celebrity Icons, and Unseen Treasures

Just opened at London's iconic V&A Museum is a breathtaking new exhibition, offering a once-in-a-generation look at the splendour of Cartier.  This is the UK’s first major exhibition in almost 30 years dedicated to Cartier jewels and watches, exploring how the Maison became an unparalleled force in the jewellery and watch world. 

Among the standout pieces are Queen Elizabeth II’s Williamson Diamond brooch, set with a rare 23.6-carat pink diamond; the Scroll Tiara, worn at the Queen’s coronation and later by Rihanna on the cover of W Magazine; Grace Kelly’s engagement ring from the Monaco Princely Palace Collection; a sinuous snake necklace worn by Mexican film star María Félix; and the iconic Crash wristwatch, designed by Cartier London in 1967.

This retrospective exhibition titled simply Cartier is a must-see treasure trove for lovers of design, history, and timeless glamour. The exhibition runs until November 16.  

With over 350 objects on display, this exhibition brings together an extraordinary collection of jewels, watches, historic gemstones, and archival drawings, including loans from His Majesty The King, the Royal Collection, major museums, and private collections worldwide.

Designed by British architect and artist Asif Khan MBE, the exhibition is conceived as a “dreamscape where art and science converge,” with Cartier’s creations suspended in light, sound, and time.   

Visitors will journey through Cartier’s evolution from the turn of the 20th century—when the founder’s grandsons Louis, Pierre, and Jacques transformed a Parisian family business into a globally recognised house of design and craftsmanship—to its enduring status as a cultural icon adored by royalty, aristocrats, and stars of cinema, music, and fashion.

The exhibition unfolds across three main sections, tracing the rise of Cartier’s distinctive style, its pioneering innovations in design and watchmaking, and its lasting image as “the jeweller of kings and the king of jewellers.” A special focus is given to the history of Cartier London, culminating in a stunning finale of tiaras.

Exhibition curators Helen Molesworth and Rachel Garrahan, said: “Cartier is one of the most famous jewellery houses in the world. This exhibition will explore how Louis, Pierre and Jacques Cartier, together with their father Alfred, adopted a strategy of original design, exceptional craftmanship and international expansion that transformed the Parisian family jeweller into a household name. 

"With its world-class jewellery collection, the V&A is the perfect stage to celebrate the pioneering achievements of Cartier and its transformative ability to remain at the centre of culture and creativity for more than a century. We are excited to be able to share with visitors some of Cartier’s most famous creations as well as revealing previously unseen objects and archive material that further enriches our understanding of a jewellery house that continues to influence the way we adorn ourselves today.”

All images courtesy of Victoria & Albert Museum, London.

Textiles Fair: Première Vision Paris to celebrate craftsmanship and reveal the SS26 fashion trends in its February 2025 edition

From February 11 to 13 2025, professionals in the textile and fashion industries will gather at one of the sector’s premier events—Première Vision Paris—hosted at the Paris Nord Villepinte Exhibition Centre (Parc des Expositions). This internationally renowned trade fair will celebrate craftsmanship and innovation, uniting key players from across the creative and sustainable fashion spectrum, from mass-market brands to luxury labels. 

Only companies selected by Première Vision’s rigorous selection committee, composed of industry professionals, buyers, and in-house experts, are granted the opportunity to exhibit. This careful curation guarantees a high-quality showcase that reflects the diversity of the market, from mass production to luxury.

Visitors will have the chance to preview the new Spring-Summer 2026 collections presented by exhibitors and explore the latest advancements in textiles, leather, accessories, and design. They will be able to meet over 1,060 professionals from around 40 countries, including Italy, France, Spain, Portugal, Japan, the United Kingdom, Belgium, Korea, Turkey, China, and more, according to the organisers.

PV Paris photo

A highlight of this February edition is Maison d’Exceptions (MEX), an annual showcase dedicated to rare and exceptional artistry. Featuring 20 artisans and workshops from around the world, the space will spotlight unique techniques—both contemporary and traditional—that define the pinnacle of craftsmanship.

PV Paris - Maison d'Exceptions - February 2024
Photo by Lucia Carpio

Returning to show at MEX are Kashida, Berbrand SRL, Ricami Laura S.R.L.,  Shimogawa, Kasagi Fiber Studio, Kossu, STEL SCP, Studio 1886 SAS, Atelier Seiran, Omi-Jofu, Atelier Aurélia Leblanc Création Textile,  Aurélia Le Blanc, Superlativa, Cécile Feilchenfeldt, Cécile Gray, and Stel Ornements. In the leather category, artisans such as Audrey Bigouin, Hors Studio, and Studio Loann push the boundaries of traditional craftsmanship by blending it with contemporary innovation and eco-responsible practices. These creators repurpose scraps and waste materials into striking designs, exploring vibrant textures, intricate entanglements, and delicate color palettes. Their work elevates imperfection, transforming constraints into opportunities for creativity while merging aesthetics with respect for materials. The resulting creations are both sculptural and functional, offering an inspired fusion of fine craftsmanship and modern design.

New exhibitors here will include Antonin Mongin (France): Textilization of rare fibers (hair, horsehair, raffia, sisal), and production of plant-based faux furs; Audrey B. Studio (France): Braiding, cutting, folding, embroidery, and 3D modeling; Hélène Dashorst (Netherlands): Hand weaving; Onao (Japan): Development of new materials from Japanese paper, using traditional techniques like Yuzen, gilding, and embossing; Shenzhen Liangzi Fashion Industrial (China): Hand-dyed silk with an ancestral method using a Chinese medicinal plant; Soy Como Soy (Germany): Straw weaving techniques; and TDS (Switzerland): Screen printing and fabric enhancement.

Photo by Lucia Carpio

Première Vision establishes itself as a trailblazer for future trends, with its fashion team crafting innovative and visionary insights each season. These insights provide a forward-thinking perspective on emerging creative currents and industry innovations.

Photo by Lucia Carpio

Central to this process is the development of an exclusive colour range, which serves as the foundation. This palette is created in collaboration with French and international experts, who draw inspiration from emerging influences in art, design, and materials. The result is an inspiring and dynamic colour palette that acts as a guiding tool for professionals in the fashion industry and beyond.

Desolina Suter, Fashion Director of Première Vision said: "The development of fashion trends is a subtle alchemy of intuition, analysis, and collaboration. It’s a process where every detail matters, from the vibrancy of colours to the impact of cultural movements. By listening to the heartbeat of the world—whether from the arts, technology, or societal transformations—we can capture the essence of the moment and translate it into visions that inspire, connect, and transform the fashion industry. Creating trends is, above all, about imagining tomorrow with the tools of today."

PV Paris organisers have since July 2024 streamlined  the fair's two-hall layout, encompassing eight distinct sectors —Accessories, Designs, Fabrics, Leather, Maison d’Exceptions, Manufacturing, Smart Creation, and Yarns across the two halls to cater to the needs of the creative and responsible fashion markets.

Photo by Lucia Carpio

The new layout is designed to enhance visitor flow, fosters stronger business connections, and ensures a smoother experience with shorter, more efficient routes, say the organisers. 

Two Fashion Forums to Explore

1. Inspiration Forum (Hall 5)

An immersive space dedicated to the major trends of the Spring-Summer 2026 season, the Inspiration Forum places a special emphasis on cutting-edge craftsmanship. Visitors will find highlights such as airy structures, constructions enhanced by new 3D technologies, lightweight designs for summer protection, and more. It celebrates artisanal work and sustainable creativity across all specialties, including Fabrics, Leather, and Accessories.

A key feature in Hall 5 this season is the presentation of embroidery by specialist Louise Robert, in a dedicated space.  Ms Robert will present her creations and perform live embroidery demonstrations on Söktaş fabrics using Ensar threads throughout the fair. 

2. Sourcing Solution Forum (Hall 6)

This forum is designed to simplify the process of selecting suppliers and materials for collection development. Organized by specialty, it covers a wide range of product categories, including prints, embroidery, lace, silks and jacquards, shirting fabrics, denim, casual wear, city wear, woolens, knitwear, sports and outdoor apparel, and lingerie.

Additionally, the forum features dedicated spaces for yarns, manufacturing, and an eco-innovation area spotlighting materials with a low environmental impact. It provides a comprehensive sourcing solution for brands seeking both quality and sustainability in their product offerings.