Beneath the steel beams and cobblestones of Knippelsbro (Knippel Bridge in English) - a place steeped in personal history - Caro Editions unveiled its Spring/Summer 2026 collection with a show that was equal parts fashion, memory, and poetic resistance.
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Caro Editios designer and founder Caroline Bille Brahe flanked by two of her models. Copenhagen Fashion Week Photo by James Cochrane |
Titled “Under the Bridge,” the presentation held on August 4 - day one of Copenhagen Fashion Week, marked a deeply intimate return for designers Caroline and Frederik Bille Brahe, who were married in this very spot. Years later, the bridge now served as the emotional and symbolic foundation for a show that explored the intersection of romance, public space, and soft rebellion.
In a raw, urban setting beneath one of Copenhagen’s busiest thoroughfares, Caro Editions built a dreamscape of tenderness and texture. Flowing silk dresses, hand-embroidered garments, and veiled silhouettes evoked memories of bridalwear, while simultaneously subverting traditional tropes. The bride here was not bound to convention — she was a symbol of visibility, activism, and individuality, inspired in part by Yoko Ono’s Brides on Tour.
“There’s lots of black, a first for me,” said Caroline Bille Brahe. “But also glorious colours and contrasts. I was thinking about wedding guests of all kinds — different ages, sizes, styles. Rich silks in workwear shapes. Comfortable, glamorous, real.”
One of the most talked-about moments was the finale: a bride in a lace hoodie, a silk windbreaker, and custom Crocs — Caro’s idea of a down-to-earth muse, ready to dance all night. This wasn’t a traditional wedding procession. It was a playful yet profound meditation on the joy of showing up — as yourself, in full colour.
Soundtracking the show was a custom composition by Frederik Valentin. His mix of punk and pop created a sonic collage, echoing the show’s nostalgic thread — a fragmented love story slowly unfolding into something melodic, emotional, even euphoric.
This season also saw a standout collaboration with British heritage brand Mulberry. In a celebration of reuse and reimagination, Caroline reworked vintage Mulberry bags into eight one-of-a-kind designs — adorned with Caro’s signature silk bows, embroidery, and contrasting linings. “In my generation, if your mother had a Mulberry bag, you were lucky,” Caroline recalled. “Now I’ve made my own — with the lining on the outside instead of hidden. It’s all about turning memory inside out.”
“I resist the idea of the Caro girl,” said Caroline. “I don’t want to put anyone in a box. I want people to fall in love with a piece of our world and make it their own. That’s the essence of Caro Editions.”
With Under the Bridge, the brand didn’t just deliver a fashion show — it delivered a love letter. To Copenhagen. To memory. To presence. And above all, to the quiet power of showing up — together.
All photos by James Cochrane, at Copenhagen Fashion Week SS26 edition.
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