Craft Exhibition: "The Architecture of Nature: Geometry, Structure & Space at the Garrison Chapel, Chelsea Barracks

London Craft Week maybe officially over for 2024 but there is still time to enjoy The Architecture of Nature: Geometry, Structure & Space at The Garrison Chapel, in Chelsea Barracks, running until May 27th 2024.

The exhibition of geometric structures on display were built as part of a recent course offered by The King's Foundation School of Traditional Arts, which explores traditional craft techniques. 

The Architecture of Nature: Geometry, Structure & Space delves into the distinctive geometry found in nature and its influence on philosophical thought, scientific theories, and art and architecture throughout history, featuring immersive three-dimensional polyhedral structures created in a geometry workshop.

Through these impressive polyhedral structures, the exhibition investigates how patterns in nature and space manifest, demonstrating how geometry shapes art, craft, and the rhythms and structures of life—from towering buildings to the delicate symmetry of flowers. 

The exhibition also explores the symbolism of geometry and its connections to philosophical and scientific theories, referencing the works of Plato, Leonardo da Vinci, and Johannes Kepler.

Photos by Lucia Carpio

Craft and Sustainability: Repurpose, reuse adnd repair craftsmanship showcased at Selfridges during London Craft Week

Selfridges’ new permanent RESELFRIDGES destination in the Accessories Hall at its London Oxford Street location offers a unique opportunity to explore unusual gifts, keepsakes, and collectables. During London Craft Week, visitors can witness artisans, makers, and innovators using creativity and craftsmanship to repurpose, reuse, and repair unwanted items and waste materials.

Throughout the week, May 13 - 19 2024, visitors can purchase a select range of unique pieces and observe demonstrations of specialist craft techniques and innovative new methods of making.

Emily Frances Barrett

One featured artist is Emily Frances Barrett, a jeweller who transforms lost or found objects into beautiful multidisciplinary jewellery and art pieces. 

Emily Frances Barrett

Emma works with discarded treasures, whose scars reveal glimpses into the past, finding beauty in everything from forgotten jewels to discarded buttons.

WYP PYM

WYP PYM - Waste Yarn Project with Celia Pym - is a collaboration between Siri Johansen, co-founder of the Waste Yarn Project, and textile artist Celia Pym. They explore playful, resourceful design and celebrate slow craft through handmade knitted clothing and accessories.

Allday Goods is a kitchen knife company that repurposes plastic waste destined for landfills into lifelong products. Their mission is to raise awareness and encourage a rethink of our relationship with waste.

Tessa Silva

British-Brazilian artist Tessa Silva examines the impact of material use on society by creating delicate, one-of-a-kind art objects from milk proteins.

Inspired by the medieval history of her hometown, London, Ciara Bowles combines ancient techniques with vibrant colors to create timeless jewellery pieces. Her work emphasizes ethical production and craftsmanship using reclaimed and recycled materials.

Blast Studio

Blast Studio, based in London, excels in transforming leftover coffee cups into futuristic furniture and architecture. They use 3D printing technology to turn discarded waste into sustainable furniture and interior products, such as lampshades and containers.

Anabela Chan, a fine jeweller, champions laboratory-grown gemstones, blending sculptural designs with science, and Lucie Gledhill creates unique jewellery from recycled metals using traditional techniques and chain-making, exploring material relationships through low-tech design approaches and a slow creation process.

Finally, the King’s Foundation offers specialist training programmes in heritage and craft skills. At Selfridges, shirts donated by Turnbull and Asser were embroidered by graduates using expert embroidery techniques.

Photos by Lucia Carpio

Craft and Culture: Kuwait's Sadu heritage and craft highlighted through contemporary designs at London Craft Week 2024

Despite the pressures of modernity, Sadu culture remains a vibrant part of Kuwait’s cultural landscape. Modern designers and artists draw inspiration from traditional Sadu patterns, incorporating them into contemporary art, fashion, and design.

This fusion of old and new ensures that the rich heritage of Sadu continues to evolve while maintaining its historical essence. This is evident in this week's London Craft Week, hosted by the Kuwait Embassy in London, under the title "Beyond the Loom: Contemporary Sadu Expressions." The event, held under the auspices of the Al Sadu Society, highlights the society's recent efforts to preserve this cultural heritage of Kuwait.

The Sadu culture in Kuwait is deeply rooted in the Bedouin traditions of the Arabian Peninsula. "Sadu" weaving is practiced by the Bedouin tribes, where portable and practical items were essential for a nomadic way of life.  Sadu is particularly known for its vibrant geometric patterns and the use of camel and goat hair. 

Seetah Al-Marni presents Sadu Scarfs each measures 325 x 31 cm boosting striking Sadu patterns. 

Further research has revealed that the Sadu culture in Kuwait is deeply rooted in the Bedouin traditions of the Arabian Peninsula. The term "Sadu" refers to a traditional form of weaving practiced by the nomadic Bedouin tribes, particularly known for its vibrant geometric patterns and the use of camel and goat hair. This cultural heritage plays a significant role in the social and economic life of Bedouins and has been preserved and celebrated in Kuwait.

In 2011, the traditional weaving of Al Sadu was inscribed on the UNESCO List of Intangible Cultural Heritage in Need of Urgent Safeguarding. This recognition highlights the importance of the craft and the need to preserve it in the face of modernization.

A selection of home and fashion items featuring Sadu weaving techniques, as well as  hand-crafted jewellery,in silver band in gold, silver and enamel were among the exhibits at  "Beyond the Loo:  Contemporary Sadu Expressions."

The exhibition at the Kuwait embassy during London Craft Week tells a story of cultural continuity and artistic innovation through crafted art produced by Kuwaiti artisans.  Much of the crafts shown involve Sadu weaving, a craft that involves using a ground loom, and the techniques have remained largely unchanged for centuries.  The weavers, mostly women, create intricate designs that often incorporate symbolic motifs representing their environment, such as desert landscapes and animal tracks.

The modern designers and artists showcased have meticulously incorporated traditional Sadu patterns into their designs, creating a seamless blend of old and new for a contemporary lifestyle, with remarkable results.

Muneera Al-Sharhan presents Hayakom, a Sadu seating set

Muneera Al-Sharhan's Hayakom, is a seating set with cushions in striking geometric Sadu patterns and vibrant colours, handcrafted, adapted and reimagined for modern living, "interpreting Sadu weaving in a way that suits her needs and surroundings, adopting a playful approach to its creation. " 

Kawthar Al-Saffar presents Crisscross Trays,

Kawthar Al-Saffar presents Crisscross Trays, designed "to elevate the intricate skill of master weaver Mutaira's Sadu without appropriation of her original process."  These sculptural trays add three dimensional framing to Mutaira's rectilinear textiles.  Made by both dual-casting and Sadu weaving which have high limitations, informing the design to produce unique objects that personify the inherent beauty of these local constraints.

Laila Al-Hamad presents Tital

Laila Al-Hamad shows Tital a set of incense burner made in marble and sandstone, known in Arabic as mubkbar, apparently one of the few objects that has survived the test of time.  The idea was to create a handmade piece that combined the useful and the beautiful, allowing one to connect to the ritual and the object, the material and the form, and most importantly to the handmade nature of craft.

Ali Al-Yousefi presents Forest of Shapes 

Ali Al-Yousefi presents Forest of Shapes inspired by the Shajara pattern, the central and most elaborate pattern of Sadu textiles.  Ali's unique 3D printed game Forest of Shapes invites users to participate in the Sadu process.  This game interprets the tactile component of Sadu weaving and combines it with the forms of the Shajara pattern, allowing users to create shape after shape using multi-coloured blocks.

Muneera Al-Sharhan presents Sadu Collection silver jewellery

Also show off Sadu traditional patterns to great effect are hand-crafted jewellery,in silver by Muneera Al-Sharhan and in gold, silver and enamel by Farah Bastaki, as well as incense burners in marble and sandstone by Laila Al-Hamad and in gold brass by Hussein Al-Rushaid.  Hanadi Al-Marzouk presents a selection of Sadu cups in ceramic.  There is also a Sadu bench by Manal Al-Maimouni made in wood with woven wool detailing.  Husam Al-Rushaid presents a "pyramid" item made in black iron while Alia Al-Fares presents Aljazi, a collection of travertine natural stone columns.

Farah Bastaki presents "Yalmah" jewellery in gold, fine silver and enamel.

Hussein Al-Rushald presents Sadu incense burner in gold-brass.

Hanadi Al-Marzouk presents Sadu cups in ceramic.

Manal Al-Maimouni presents Sadu beanch in wood with woven wool detailing.

The exhibit at the Kuwait embassy demonstrates that the Sadu culture in Kuwait exemplifies the resilience and creativity of the Bedouin people.  It represents a rich tradition that bridges the past and present, ensuring the preservation and celebration of Kuwait's cultural heritage for future generations.

All photos by Lucia Carpio

Craft and Culture: Dale Chihuly's vibrant glass sculptures for all to admire at Chelsea Barracks, London

Celebrated American glass sculptor Dale Chihuly has garnered acclaim throughout his 60-year career for his groundbreaking and expansive installations. Renowned for his ability to redefine the boundaries of glass as an artistic medium, Chihuly's creations often evoke organic forms with their intricate and vibrant designs.  

Within the meticulously landscaped gardens of Chelsea Barracks is Chihuly's the pièce de résistance, the "Electric Yellow and Deep Coral Tower," offset against the greenery and giant glass balls.

During London Craft Week 2024, May 13 - 19 2024, the general public with great interest in crafts has the opportunity to admire a selection of Chihuly's works in bright and cheerful colours sited within the lush outdoor grounds of the upmarket residential development, Chelsea Barracks, in the heart of Belgravia, London, just moments away from the River Thames. 

"Amethyrst Reeds, 2004! by Dale Chihuly is presented in deep hues of violet and vivid magenta atop logs of raw wood to incorporate an element of contrast between the tall, sleek stalks of glass and the rough grain of wood, set within the water feature of Mulberry Square.

These installations, characterized by their exploration of form, light, and space through the medium of glass, are created in deep amethyst, aqua blue and amber, or striking hues of electric yellow and orange, crafted from blown glass and supported by steel, providing striking contrast while harmonizing with their surroundings.

Curated by New Public, this latest project at Chelsea Barracks aligns with the development's ethos of seamlessly blending modern architecture with the site's rich historical heritage. 

Visitors entering Chelsea Barracks from Chelsea Bridge Road are welcomed by Chihuly's "Amethyst Reeds, 2024".

Among the highlights are three of Chihuly's works situated in Mulberry Square, including the  "Amethyst Reeds, 2024", which greets passersby along Chelsea Bridge Road.  According to descriptions accessible through a QR link, Reeds made their debut during the ground-breaking 1995-96 Chihuly Over Venice project.  Reminiscent of the icicle forms common in his chandeliers and towers, Reeds is described as the most extreme expression of this elongated form, at up to three metres tall each.

Chihuly's Electric Yellow and Deep Coral Tower standing majestically amongst the greenery of the Mulberry Square garden at Chelsea Barracks.

Further within the meticulously landscaped gardens lies the pièce de résistance, the "Electric Yellow and Deep Coral Tower," a captivating creation dating back to 2017.  This soaring creation of upstretched tendrils in radiant yellow and coral hues of hand-blown glass forms affixed to a steel armature evokes flames and though, static, suggests a riot of writhing movement. This tower was previously sited at Gardens by the Bay in Singapore in 2021, and Chihuly at Biltmore in Asheville, North Carolina, USA in 2018.

Another striking work is "Mulberry Square Fiori" (2024) or is it Mille Fiori, Italian for thousand flowers.  The arrangement of glass in various shapes add vibrancy to the lush green gardens, with the appearance of living forms.  According to descriptions, it captures the unrestrained vitality of a July garden in a tribute to Chihuly's beloved late mother, Viola, a master gardener and colour fanatic.

The "Aqua Blue and Amber (2011)" chandelier resting on a !"quad pod" suggests it is a heavy sculpture. 

Another of Chihuly's installations at Chelsea Barracks, the "Aqua Blue and Amber, 2011" chandelier supported by a !"quad pod" steel frame, commands attention in Whistler Square near the Pimlico Road entrance. Described as a cascade of glass combining long, trailing tendrils and bulbous, marine globes in cheery shades of blue, gold and citron, playful in both form and palette.  This had previously been sited in the US, in Desert Botanical Garden, in Phoenix, Arizona in 2021 and the Dallas Arboretum and Botanical Garden in 2012.

This particular piece draws parallels to Chihuly's celebrated installation at the historic Victoria and Albert Museum in Knightsbridge, London, titled "Chihuly: Reflections on Nature." It was originally showcased in a 2001 exhibition that featured several of Chihuly's iconic glass sculptures and is now suspended high and mighty from the domed ceiling of the V&A museum's atrium at its Cromwell Road entrance, captivating visitors to this day.

"Chihuly: Reflections on Nature"
at the Victoria and Albert Museum.

As for the transformation of Chelsea Barracks in Belgravia from its origins as a late 19th-century military barracks for the British Army into a luxurious residential enclave has been a journey marked by both historical reverence and modern reinvention. Despite initial controversies and opposition from various quarters regarding its redevelopment, the site has emerged as a testament to the seamless integration of heritage preservation and contemporary design, offering residents and visitors alike a glimpse into London's rich past and vibrant future.

All images by Lucia Carpio.

Craft and Culture: London Craft Week, May 13 to 19, spotlights on artisans and unique craft traditions from around the world

London Craft Week, running from May 13 to 19, is celebrating its 10th anniversary and has invited partners worldwide to partake in its annual celebration of exemplary craftsmanship. 

Image from London Craft Week 2024

With a focus on both the lesser-known artisans of local craft traditions and the innovative interpretations of established practices by contemporary makers, LCW honours the unsung heroes while highlighting the evolution within the craft landscape.

Crafting Japan, one of the key highlights of London Craft Week 2024.

Dedicated to offering fresh experiences, the programme showcases crafts from under-represented region from around the world.

This year's lineup includes weaving from Kuwait, and embroidery from Yemen.  Amidst the perennial favourites like Japan and Korea, visitors can delve into a myriad of disciplines and artisans, from meticulously handcrafted baskets to the ancient art of mother-of-pearl inlay and traditional Korean Jogakbo patchwork. 

“It seems like yesterday that The King & Queen launched the first London Craft Week in 2015. Now, in our tenth year, we host over 225,000 visitors, 520 events and 700 artists and makers. Our aims remain the same: to bring alive exceptional craftsmanship from across the UK and around the world by tapping into the energy, diversity and serendipity of our city. In a small way, I hope we have in turn contributed to London’s cultural credentials and reinforced the importance of making.” – LCW Chairman, Guy Salter.

Image courtesy of Meisterstrasse Handmade.

Also the Austrian Pavilion presented by Meisterstrasse Handmade, will open at the Austrian Embassy on Tuesday 14 May is dedicated to Salzkammergut, providing glimpses into one of the most famous rural areas in Austria.  It will host a series of events at 18 Belgrave Square, featuring the rich local craftsmanship from Bad Ischl and the Salzkammergut region, designated as this year's European Capital of Culture. 

From May 14 - 19,  Meisterstrasse Handmade showcases a curated range of craftsmanship.  This year’s mission statement is ‘building bridges between East and West’. Traditional manufacturers and innovative craft businesses from Austria welcome master craftspeople from Germany, the UK, Japan, Thailand and Malaysia, including H.M. Queen of Pahang, Malaysia's Royal Pahang Weave Foundation.

Visitors can explore an array of objects, including mouth-blown glass, crystal chandeliers, perfumes, handmade tiles, wooden tables, table linen, hats and headdresses, traditional porcelain and ceramics, handmade caskets, cushions, handprinted and handwoven fabrics, jewellery and more. The curation is divided into three themes: interior design and architecture; sustainable living; and Austrian hospitality and crafts.

Five remarkable makers from the Bad Ischl and the Salzkammergut region will introduce their craft traditions as well as their approaches to a new future of craftsmanship. 

Cavalier Finn is featuring a roster of international artists during London Craft Week 2024.

Among the highlights, Cavaliero Finn is celebrating 20th anniversary. Visitors can expect to see work by a roster of internationally acclaimed artists including ceramicists Annie Turner, Matthew Chambers, Ashraf Hanna, Ikuko Iwamoto, Akiko Hirai, Frances Priest, Sophie Cook, Mimi Joung, Mizuyo Yamashita, Björk Haraldsdóttir, Sarah Purvey and Nicholas Lees; metal sculptors Cecilia Moore, Juliette Bigley, Simon Gaiger and Helen Carnac; textile artists Sara Brennan, Caron Penny, Katharine Swailes and Isabel Fletcher; wood sculptor Robert George; and work by a number of painters whose paintings are exhibited in dialogue with the craft works.

Art and Craft: London Craft Week - May 13 -19 Celebrates 10th anniversary with a rich programme spanning the capital

From May 13th to 19th, 2024, London Craft Week (LCW) will celebrate British and international creativity, bringing together 750 established and emerging makers, designers, brands, and galleries from London and beyond.  LCW promises a curated showcase sure to captivate craft enthusiasts and aficionados alike.

Across various genres covering craft, art, design, luxury, fashion, and accessories, a diverse array of immersive experiences, original exhibitions, masterclasses, workshops, and demonstrations will unfold, offering boundless opportunities for exploration. As the highly anticipated 10th-anniversary edition approaches, anticipation builds for the multitude of experiences awaiting attendees.

While spontaneous delights abound, many events boast limited capacity and require advance booking. Interested visitors should go to the LCW website  to secure their tickets and delve into details of the programme.  For real-time updates, visitors and followers can stay tuned to @londoncraftweek as the excitement mounts.

Unspun image courtesy of The Mills Fabrica,
the Official Innovation Partner of London Craft Week.

Celebrating a decade of creative exploration, LCW pays homage to visionary artisans pivotal in shaping the event's evolution, while also casting a gaze toward emerging trends and innovations set to define the craft landscape. Notably, collaborations with exceptionally talented artists and makers from across the globe, alongside esteemed cultural institutions and renowned brands, promise to enrich the experience.

The work of renowned American artist Dale Chihuly
will be among the highlights of London Craft Week 2024 to be shown in the Chelsea Barracks.
Here is a hanging sculpture by Chihuly
in the grand entrance of London's Victoria and Albert Museum.
Photo by Lucia Carpio 

Reflecting on the journey since its inception in 2015, Guy Salter, Chairman of LCW, reminisces, "It feels like just yesterday that The King & Queen launched the first London Craft Week. Now, in our milestone tenth year, we welcome over 225,000 visitors to experience 520 events featuring 700 artists and makers. Our mission remains unwavering: to celebrate outstanding craftsmanship from across the UK and beyond, leveraging the vibrancy, diversity, and serendipity of our beloved city. In our own small way, I believe we have contributed to London's cultural tapestry and reinforced the significance of the craft."

Among those stepping into the spotlight are forward-thinking artisans and brands championing sustainable materials and innovative practices to minimize their environmental footprint. Once again, LCW partners with The Mills Fabrica as its Innovation Partner, presenting an exhibition spotlighting 12 Planet-Saving Innovations across key themes such as climate change, water, land use, chemicals, waste, and microplastics.

As the Official Innovation Partner of London Craft Week, The Mills Fabrica invites visitors into the realm of sustainable innovation with a compelling lineup of events hosted in King’s Cross. Leading the charge is Fabrica X's newest exhibition, "Planet-Saving Innovations," unveiling the top 10 sustainable innovations and their impact on ecological priorities. From garments dyed with bacteria to accessories crafted from plants and cutting-edge materials derived from proteins and fungi, bespoke installations offer a glimpse into a harmonious future for fashion and textiles.

“Beyond the Loom: Contemporary Expressions of Sadu” is a unique showcase at the Embassy of Kuwait that will tell a story of cultural continuity and artistic innovation through meticulously crafted Art produced by Kuwaiti artisans.
The exhibition showcases the skilled translation of geometric patterns, vibrant colors, and cultural motifs from Sadu textiles into the realm of furniture and crafts, resulting in a stunning fusion of heritage and creativity, with each piece narrating a tale of cultural pride and artisanal expertise.
Photo from LCW website.

The LCW programme also features collaborations with leading material innovators, industry experts, and brands united in their commitment to advancing sustainable innovation in fashion and textiles. Through events with NFW, Colorifix, unspun, Positive Luxury, and The Woolmark Company, visitors are empowered to join the movement toward a just and sustainable future for both people and the planet.

Highlighting the international dimension of this year's festival will be an exhibition showcasing the work of Kuwaiti artisans, hosted by the Kuwait embassy. Titled "Beyond the Loom," the exhibition pays homage to the rich traditions of Sadu weaving, a craft steeped in history and nurtured by generations of dedicated practitioners. Originating from the demands of nomadic desert life, Sadu weaving embodies the art of transforming scarce resources into intricate and cherished community treasures, showcasing the beauty and significance that emerge from simplicity and ingenuity.

In the contemporary pieces on display, traditional Sadu motifs intertwine with modern aesthetics, showcasing the artisans' remarkable ability to bridge heritage with contemporary design. This fusion marks a vibrant evolution in Kuwaiti artistic expression, capturing the essence of adaptability and artistic innovation. "Beyond the Loom" transcends mere exhibition; it offers a meticulously curated journey through time, seamlessly blending past and present to illuminate the enduring influence of traditional arts on Kuwait's cultural landscape. It stands as a testament to the enduring impact of tradition on contemporary art and design, celebrating the richness of cultural heritage in shaping the artistic narrative.

LCW is also set to host a craft symposium at the London Victoria & Albert Museum in South Kensington, featuring panel discussions and keynote speeches by leading figures in the field. Delving into topics such as the evolving craft lexicon over the past decade, digital innovation, the transmission of skills through apprenticeships, and the intersection of craftsmanship and luxury, the symposium promises insightful exploration and dialogue.

Culture and Art: American artist Dale Chihuly's glass sculptures will be featured during London Craft Week May 13 - 19 2024

The itinerary for London Craft Week (LCW)'s much-anticipated 10th-anniversary edition is ready to be revealed and will be officially launched to the public on Monday 25th March 2024 for booking of events.  The public can also follow @londoncraftweek to receive the latest updates as we draw closer to the festival.

Slated to take place across London from May 13th to 19th, 2024, LCW is marking a decade of creative exploration with this year's carefully curated lineup reflecting on the profound evolution of the craft sector over the past ten years. 

The work of renowned American artist Dale Chihuly
will be among the highlights of London Craft Week 2024.

It pays homage to the visionary artisans who have been instrumental in shaping this transformation, while also casting an eye toward the emerging trends and innovations that will shape the next chapter of craftsmanship.  Particularly worth noting are collaborations with an array of exceptionally talented artists and makers from around the globe, alongside London's esteemed cultural institutions and renowned brands.

Reflecting on the journey since its inception in 2015, Guy Salter, Chairman of LCW, shares, "It feels like just yesterday that The King & Queen launched the first London Craft Week.  Now, in our milestone tenth year, we welcome over 225,000 visitors to experience 520 events featuring 700 artists and makers.

"Our mission remains unwavering: to celebrate outstanding craftsmanship from across the UK and beyond, leveraging the vibrancy, diversity, and serendipity of our beloved city. In our own small way, I believe we have contributed to London's cultural tapestry and reinforced the significance of the craft."

In May this year, one of the key happenings of LCW will be an opportunity to admire the work of renowned American artist Dale Chihuly who is known throughout his illustrious 60-year career for utilising glass as his primary medium to explore the interaction of form with light and space. 

Within the grounds of the luxurious residential complex in Chelsea Barracks, located in Belgravia, London, will be the inaugural edition of the public art initiative "Modern Masters." This free outdoor programme will feature a selection of works by Chihuly, strategically positioned throughout the complex.  This first exhibition of "Modern Masters" invites the public to immerse themselves in Chihuly's captivating glass sculptures amidst the architectural splendor and public grounds of Belgravia.

Greeting visitors in the Grand Entrance of the V&A museum in London, is a spectacular chandelier by American artist Dale Chihuly,  suspended from the domed roof.

Chihuly is no stranger to London as his amazing work can currently be admired at the Victoria and Albert Museum (V & A) in South Kensington, London.  Adorning the Grand Entrance of the iconic museum, suspended from the domed roof is a spectacular chandelier, specifically crafted by Chihuly and his team.

Named the Rotunda Chandelier, this masterpiece is part of Chihuly's renowned "Chandelier" series, inspired by Venetian chandeliers. With its approximately 2000 components, comprising blown glass and steel, and weighing an impressive 1724 kilograms, it stands as the largest in the series, crafted in Seattle, USA.

And in May this year, as in previous years, in partnership with LCW, the V&A South Kensington will have a museum-wide programme featuring an array of events. Visitors can witness demonstrations spanning various galleries, from weaving to silversmithing, couture, ceramics, and woodwork. 

LCW will also host an international craft symposium, offering panel discussions and keynote speeches by leading figures in the field. Topics will include the expanded craft lexicon of the past decade, digital innovations, the legacy of skills passed through apprenticeships, and the intersection of craftsmanship with luxury.

Photos by Lucia Carpio