Tuesday, 26 October 2021

Tom Van Der Borght presented new luxury collection at Hyeres Festival, France


Designer Tom Van Der Borght presented his "Time for Love" collection at the 36th edition of Hyères Festival from 15 to 17 October 2021 in the south of France.  The collection was realised in close collaboration with Le19M, Chanel’s legendary “ateliers des Metièrs d’Art” and with the support of  Premiere Vision, the Paris-based international trade fair for professionals of the garment and textile industry.

As an independent artist, with a focus on fashion, textile, graphics, video, installation and scenography, Tom was winner of the 35th festival of Hyères last year when his universe was the essence of his inspiration, described as a kind of "take it or leave it".  For this new season, Tom invites us to enter his universe of wearable pieces, with his own twist on the notion of ready-to-wear.  At first glance, the colours and bold patterns appear tribal.  Not to be missed are vibrant knits, unconventional city suits, and sports-inspired separates for the non-gender specific, trans-seasonal collection.

The new collection entitled "Time for love" carries a message that clothing becomes a living metaphor of the connection between humans while seeking to make a transition between his two collections.




Note how pearls are used, like earrings attached to the clothes, patches of peaches on the green and purple. On one hand we find his love for sportwear and on the other hand his love for delicate materials and details.


To maintain his attention to details, Tom has collaborated with Maison Lesage, Hubert Barrere, House of Paloma and Maison Michel. Tom creates an important hat collection to share a message: the oversize hats are his answer to the Covid situation, he reckons. Rather than covering the mouth, the eyes are covered. For instance, one can find the iconic double hat on the first image above, which was a first in terms of realization for Maison Michel.

 

Tom considers sustainability is a responsibility that we have to take, it is something that has to come from the inside.

Not working on seasons and gender, Tom Van Der Borght does not specify who will wear his clothes. and prefers to create lasting pieces that one will wear for a long time. He believes, his version of new luxury is the future of luxury.

Monday, 25 October 2021

London Decorative Antiques & Textiles Fair brings back the magic, hail organisers

It was great news that the Decorative Antiques and Textiles Fair was an astounding success, according to the organisers, as it returned to Battersea, London from 28 September to 3 October 2021 as its first event since January 2020.

While the UK’s battle with the pandemic is not yet over, visitors were eager to buy and the Fair was as busy as ever with the volume of sales described as spectacular, right across the board, from painted country antiques to sparkling glass and silverware, early collectors’ items, folk art and traditional English furniture, twentieth century designer pieces, lighting, mirrors, textiles and works of art. 

Even on the first day,  the movement of stock was unparalleled and reports filtered through of some dealers selling out their entire stand.  Visitors included new customers, trade and private collectors, decorators and interior designers from the UK and around the world, including Americans and Europeans.

Well-known faces seen at the fair included actors Michelle Dockery, Eddie Redmayne, Stockard Channing and Nichola McAuliffe, as well as Bob Geldof, Guy Ritchie, and David Beckham.  

Among trade buyers and decorators the Fair welcomed Chelsea Textiles, Steven Gambrel (NY, USA), Peter Mikic, Annie Waite, Olga Polizzi, Guy Goodfellow, Paolo Moschino, John Minshaw, Flora Soames, Rose Tarlow (USA), Edward Hurst, Max Rollitt, Harry Apter (Apter Fredericks), Gil Schafer of the US architectural and design practice G.P. 

Schafer Architect, Gallery Half (LA), Alidad, Rita Konig, Nina Campbell, Tammy Connor Interior Design (Charleston, South Carolina, USA), Emma Ainscough, Saffron & Scarlet and Seventh House gallery in LA.  Summing up the week, Organiser Darren Hudson commented on the quality of visitors to the Fair.  



Exhibitors whose stock mixes all periods, antique to modern, made very strong sales. Nick Jones who had his best Fair ever said he was "lost for words, it has been so successful, and I’ve been thrilled to see all the regulars I always see at Battersea. We have had international decorators and trade buying in force.”  He made sales across the board, of cabinet furniture, mirrors, and lights, adding “it has been well attended by serious people looking to spend money. Every major decorator was here on opening day, as well as Americans.”  Sales by Thurstan included an important 1950s desk by Pierre Jeanneret  to a private UK client. Violet Grey with garden-related stock had their best-ever Fair, with sales including a large glazed 1920s French painted store display cabinet and a group of large decorative 1960s ceramic pineapples. 

Foster & Gane had their best ever Fair and made plenty of sales to US trade buyers (including to “the hot new gallery in LA”  Seventh House), mainly of C20th furniture, including a Kaare Klint leather sofa to an existing customer (a decorator with their client), but also a large Aubusson carpet.  

Dealers in twentieth century stock were very happy too, including Gwen Pilard of Quindry and Il Paralume.  Catherine Despas from France and Dorian Caffot de Fawes both had their best ever Fairs. Philip Varma made sales across the board, especially mirrors and lighting, and met an important new US trade buyer from Los Angeles.  New participant ODE Interiors also reported that lighting had sold strongly and Caroline de Kerangal reported her best ever first day including sales of a floor lamp by Pietro Chiesa to a well-established interior designer and met a number new US decorators.  

Organiser Jane Juran said “despite everything that might have worked against us – COVID concerns, Brexit issues, fuel shortages, gridlocked London streets, roadworks, storms and, finally, the London Marathon, we welcomed many thousands of visitors to the Fair, and we are thrilled it has proved one of the most successful yet for many dealers, in the volume of business achieved.  We must praise our exhibitors for putting on a truly spectacular show.”

Dealers antique furniture and larger objects also reported very good fair, with sales that included a life-sized bronze figure of Mercury, the star piece on the stand of Vagabond, as well as a group of Regency stone garden statues; both went to private clients. French Country Living London sold a pair of bowed glazed doors from a French chateau to a new buyer; while Richard Nadin sold the largest oval table he has ever seen. Peter Bunting was very happy with sales among which were an Elizabethan painting and a C16th Spanish polychrome seated Madonna. Drennan & Sturrock sold a large C19th mirror while new exhibitor Christopher Hodsoll sold a pair of marble Georgian mantelpieces as well as a pair of Piranesi prints of Trajan’s column to a US customer.  Martin D. Johnson Antiques sold a vast array of furniture and garden items across their range including a large C19th French pharmacy cabinet. Many exhibitors reported their best ever Battersea Fairs including Maison Artefact, John Bird, Nadin & Macintosh, Foster & Gane and Nick Jones.  

Richard Steenberg, M. Charpentier, Home Bothy, Nic McElhatton, William Cook Antiques, Fontaine Decorative Antiques, David Bedale and new exhibitor Brown Elliott, offering traditional and decorative antiques, all reported very good sales.  Early and vernacular pieces sold well too, by dealers Joanna Booth who sold a group of medieval French carved chestnut heads circa 1400 to a regular collector, a circa 1700 Mortlake tapestry depicting milkmaids to a private buyer, and a circa 1520 Italian illuminated manuscript fragment to a new US customer.  

Dealers of both antique and C20th designer furniture, as well as contemporary art sold well too, to new and existing clients.  

Textiles dealers reported brisk sales to decorators, including Su Mason, Aaron Nejad Gallery, Bleu Anglais and new exhibitors Owen Parry and Tribal Art & Textiles. Joshua Lumley made impressive rug sales including two large Ushak carpets in vivid colours.   Dealers offering specialist and collectors’ items reported a very good week including Linda Jackson Decorative Antiques & Silver and Mark Stacey Antiques.

Anthea A.G. Antiques (jewellery) reported good sales, while On-Reflection Mirrors Ltd said “We had an exceptional first day, and sales remained good thereafter; we’d sold over half our stock by Friday.”    

Craig Carrington, standing at the Fair for the first time, offering Grand Tour objects, was pleased with sales to new customers, including a neo-classical enamelled stoneware urn by Muller of Paris, a company renowned for many of the decorations on the buildings of Paris. 

Art also sold well around the Fair.  Julian Simon Fine Art said all their sales were made to new clients, who were private buyers. David Brooker had sold period and modern art, bronzes, and a tapestry. Other art dealers reported strong sales were Joost van den Bergh with Asian art and objects, Osborne Gallery with traditional paintings and antique frames, Ottocento with modern and contemporary art.

Saunders Fine Art, specialising primarily in Scandinavian modern works,  sold several antique Windsor chairs and other furniture as well sold C20th Swedish ceramics and early C20th textile weavings to trade and private buyers.

The Trade Shopping Service instigated by the Organisers was a great success too, with four leading overseas trade buyers making the most of virtual visiting; between them they purchased more than 80 items for export reported the organisers.

Summing up the week, Organiser Darren Hudson commented, “The volume of sales around the Fair has been gratifying."

The next Winter Decorative Antiques & Textiles Fair will take place from 25 to 30 January 2022 at Battersea, London again.

Photos of the Decorative Antiques & Textiles Fair in September 2021 by Lucia Carpio for MyFashionConnectGlobal.

 

Decorex Returns In London To Reunite The Interior Design Community and Celebrate International Design Excellence

Photo from Decorex

Decorex
in London prides itself as Europe’s leading high-end interior design show that has been uniting the interior design community for 43 years, and this autumn, the trade fair “triumphantly returned with a portfolio of the very best names in luxury design and interiors”, throwing its doors open at Kensington’s Olympia London 10-13th October 2021. 

Photo from Decorex

The centerpiece of the show was interior designer Sara Cosgrove Studio’s circus themed bar, The Circus, a whimsical and fun space that was a talking and meeting point for guests to enjoy. Under a 1.5 metre glittering mirror ball, Sara and her team chose exotic drapes and hand-painted motifs for the bar, creating a ‘welcome back’ atmosphere following a year of virtual design events.  Photo from Decorex

Creating a celebratory atmosphere, the four-day event provided a premier platform for key designers and suppliers to connect with new and familiar faces whilst discovering and nurturing new talent and future trends.

“Decorex wouldn't be possible without the continued support of our community. We’d like to give a big thank you to all of those that were involved in 2021’s edition – from our ground-breaking exhibitors, dedicated designers of our features, the speakers who shared their expertise and every visitor who came to celebrate design.” -  Sam Fisher, Decorex Event Director.


This year’s show highlighted a carefully curated pool of high-end luxury brands which showcased collection launches and exceptional craftsmanship across a mix of products and designers. After a gap of ‘real life’ events across the industry, brands were thrilled to be back at Decorex and used the show to launch never-seen-before collections and pieces.

“It's good to be back after two years away and great to see so many happy faces! The show has surpassed our expectations and has a high calibre of visitors.” - Bart Folens, Export Manager, Vincent Sheppard.


This year, a judging panel of industry experts awarded the coveted Decorex 2021 Stand Awards. Belgian brand of fine wallcoverings, Omexco won the Best New Product Award and Best Sustainable Product was awarded to Natural Mat for their British-made, organic mattresses, beds and bedding. Lighting studio, Kinkatou were awarded Best New Exhibitor and the Best Stand Award was awarded jointly to John Cullen Lighting and The Beardmore Collection. The Ticks All the Boxes award was won by eco-friendly paint brand, Argile couleurs de terre.

The Decorex Talks Programme held during the event covered a range of topical discussions from a lineup of over 70 speakers. Speakers included British designers Lee Broom and Richard Brendon, The Repair Shop’s Jay Blades and interior designers Kelly Hoppen, Sophie Ashby, Jo Littlefair and Shalini Misra.









For the first time Decorex featured a live art installation giving visitors the opportunity to witness a unique mural come to life across the first few days of the show. Artist Jan Erika took to the show floor to create a unique piece of art in her distinguished and bold abstract style. 









In collaboration with Decorex exhibitor Argile, Jan used two shades of paint from their collection to create a unique piece on a 10-metre wall. “I’m excited to feel the buzz this year – post pandemic and appreciate all of the incredibly talented designers and new collections,” comments Jan Erika.

For those unable to attend in person, the October show will be shortly followed by a virtual event, Decorex Virtual from 16-18th November which will feature all exhibitors from the live show plus the engaging talks, a vast product catalogue, online meeting facilities and a 3-D exhibition walk-through created by the UK's leading creator of 360 Virtual Tours, Venue View.

“The opportunity to get live feedback from important and influential customers is invaluable and we can't wait to be back next year.” - Tim Doyne, Managing Director, Pooky Lighting

Decorex will return to Olympia London next year, from 9-12th October 2022.

Photos by Lucia Carpio for MyFashionConnectGlobal unless otherwise noted.

Monday, 18 October 2021

Future Heritage a key fixture of Decorex showcased some of the best of British-based designers and makers

London designer Adam Nathaniel Furman 
being photographed against his own huge brilliantly-coloured,
abstract rug "Capricciosa" made in collaboration
with East London’s FLOOR_STORY. 
Photo by Lucia Carpio for MyFashionConnectGlobal.
While this dreadful pandemic is not over, the creatives among us working in design, arts and crafts, are in much need of positive personal contact.  

Thus the return of Future Heritage, a key fixture of the hotly awaited Decorex 2021 trade event for upmarket interior professionals, was greeted with a warm welcome in October at London Kensington Olympia.  

Featuring a number of creative designers’ work to entice trade visitors on the look-out for unique projects, Future Heritage showcased some of the best of British-based designers and makers, selected to showcase their new work for the show.

Large-scale glass platters by Amanda Simmons in the foreground.  Backdrop shows
hanging rug Capricciosa 
by Adam Nathaniel Furman who was inspired by pizza, one of his favourite foods during lockdown, when creating this rug, says the designer. 
Photo by Lucia Carpio for MyFashionConnectGlobal.

Corinne Julius, a renowned arts and design critic who is also founder and curator of Future Heritage, said her aim was to “bring much needed joy and delight” to this year’s show.  “For this year’s show I have chosen makers and designers who celebrate colour and pattern, but who also revel in the power of touch, something most of us have been deprived of during Covid,” says Corinne.

“My selection is based on their ability to produce innovative pieces that push the boundaries of contemporary craft. I also chose people who can work in partnership with commissioning interior designers and architects on their own projects, be they private or public. This year I wanted to be celebratory.”  

Corine started Future Heritage as the central feature at Decorex in 2014.  This year’s selection covers traditional skills reworked in contemporary ways alongside new technologies ranging from blacksmithing to digital.

Adam Nathaniel Furman shows off his furniture collection,
t
he Beiruti for Beit Collective reimagining the traditional
Lebanese craft of furniture cane weaving known as “Khayzaran”. 

Photo by Lucia Carpio for MyFashionConnectGlobal.

A leading exponent of the joys and benefits of colour and ornamentation is Adam Nathaniel Furman, a trained architect, artist and designer, whose designs span public spaces, installations, interiors and even mugs and shopping bags.

For Future Heritage, London-based Adam has designed three new bespoke collections; including a huge brilliantly coloured, abstract rug based on one of his private drawings and made in collaboration with East London’s FLOOR_STORY. 

As part of his installation, Adam presented a unique collection of colourful chair and stool that featured plastic cane using traditional Lebanese caning techniques and wooden frame made in collaboration with Beit, which used techniques that are not affected by Lebanon’s shortage of electricity supply.

An armchair and rocking chair will be added to the collection.

Baalbek by Adam Nathaniel Furman is a collection of porcelain vessels for Beit Collective
" inspired by the ancient allure of the great ruins of Baalbek in Lebanon, and the cosmopolitan vibrancy
of its capital Beirut."  Photo by Lucia Carpio for MyFashionConnectGlobal.
Glassbule beam pendant and table lamp by
Adam Nathaniel Furman
Photo by Lucia Carpio for MyFashionConnectGlobal



Also on show is a series of new glass free-standing and suspended lights produced in partnership with Derbyshire-based lighting manufacturer, Curiousa and Curiousa.








Anna Ray and her loop creation.

Continuing the celebration of colour and pattern is textile artist Anna Ray, winner of the 2021 Brookfield Properties Crafts Council Collection Award. Anna, who specialises in colourful soft sculpture, created three large wall hangings/screens, along with two existing works made from her stuffed hand-painted and digitally printed textiles. 

Hand-painted glass screens by Kate Mastri displayed against the wall, while
in the foreground is a selection of large-scale glass platters by
Amanda Simmons.  Photo by Lucia Carpio for MyFashionConnectGlobal.

Colour is hugely important for architectural glass designer and artist, Kate Maestri who typically collaborates with prestigious architects in the UK and abroad. For Future Heritage, Kate creates a series of new hand-painted glass screens for the domestic interior, a departure from her usual architecturally focused work which is often seen in the public realm. The screen measures 150cm wide x 180cm high and is made up of five individual glass panels. These can be placed either separately or together, to create new spaces and shapes within a wide range of interior settings.  

“My colour palette for this piece is drawn from the natural world. A wave of luminous blues, greens and turquoise flows across the surface of the glass to evoke a sense of sky, sea and landscapes,” says Kate.

Amanda Simmons
Light and colour are key to the work of glass artist Amanda Simmons who plays with gravity forming in the kiln. Amanda manipulates mass, heat, colour and time to create complex, elusive work that has intense colour and pattern and reacts to the light it’s placed in. For the show she is creating a brand new series of large-scale glass platters whose colour and pattern derive from her time spent in Australia.

Designer and engineer Moritz Waldemeyer is a digital maker, who has collaborated with some of the world’s most renowned brands as well as top architects and fashion designers to create captivating digital installations. 

An installation "True Love" by Studio Waldmeyer, featuring a canopy of giant butterflies, dancing and swaying amongst mesmerising digital candles designed by Mauritz  Waldemeyer - inspired by Persian poet Attar of Nishapur -formed a welcoming focal point at Decorex 2021.  Tropical garden created by Wild at Heart.
Photo by Lucia Carpio for MyFashionConnectGlobal.

For Future Heritage in conjunction with Mayice Studio, London based Moritz designed a brand new chandelier based on a large-scale version of his digital candles. 

Installation "True Love" by Studio Waldmeyer
Photo from Decorex.

Moritz also created a dramatic, suspended luminous pathway of digital candles to lead visitors into Future Heritage from the main hall and is also responsible for the delicate, welcoming installation "True Love" to Decorex, featuring giant butterflies and digital candles.

Daniel Freyne

At the other end of the craft continuum is Daniel Freyne, a recent graduate and QEST scholar who uses traditional blacksmithing techniques that he pushes in new ways to create metal vessels. These have the look of ceramic or leather and cry out to be touched. They range in scale from the handheld to the majestic. Daniel's series of over-sized ‘Transition’ metal vessels are shown alongside another new series of mixed-sized vessels called ‘Perceptions’. He is also creating sculptural works whose fragmented surfaces allude to the fractious experiences of many of us during Covid and the consequential impact on mental health.

Frances Pinnock
Frances Pinnock

Maker Frances Pinnock uses traditionally oak tanned leather from the only surviving British tannery to produce it, to create extraordinary asymmetrical leather vessels that she makes using adapted hand-stitching saddle-making techniques. For Future Heritage, she shows off even bigger scale works including a large sculptural piece.

Intelligent re-use of materials is also a key element of the show. Marco Campardo is an inventive designer-maker, who specialises in the re-purposing of materials. He has created a series of new tables and seating, made from discarded wood sheets by Italian company, Alpi. These combine spontaneous assembly and careful manual finishing. Marco works with offcuts and materials that are discarded, layering them to create solid colour. He is also making one off ‘Split Selfie’ mirrors made of recycled aluminium and reclaimed wood especially for Future Heritage.

Fabio Hendry's range of designs using Hot Wire Extensions.
Photo by Lucia Carpio for MyFashionConnectGlobal.

Fabio Hendry an experimental designer is similarly pre-occupied with intelligent re-use of discarded materials. He specialises in developing new materials and processes, such as using waste SLS 3D nylon powder, a material that is currently not recycled, to create new and contemporary works. Inspired by the way a vine grows around a tree, he reuses the material to create lights in organic bone-like structures built around a wire. He shows a series of free-standing, wall-mounted, table and suspended lights as well as furniture, including seating and a wall mirror and console.

Marco Campardo

Metal is the ultimate recyclable, and young metalsmith and jeweller, Callum Partridgem showcases a series of candelabra in angular, modernist and geometric shapes, using precious and everyday metals including steel, brass, silver and gold for his contemporary metal work.  Meanwhile Marco Campardo features furniture using Api wood.

Large wall hangings by Anna Ray
along side oak leather artworks by Frances Pinnock.
Photo by Lucia Carpio for MyFashionConnectGlobal.
 
 
Future Heritage, the ‘show within a show, reveals unique pieces created by designers who have pushed their creativity to the limits to produce new and unexpected work, often combining traditional materials with innovative new processes. 

“I so enjoy the creativity, commitment and enthusiasm of contemporary makers,” says curator Corinne Julius, who continuously spots and helps new makers fulfil their potential as well as encourages mid-career makers to extend their practice and develop new projects.

“Future Heritage is a wonderful opportunity to share their skills with a wider audience who are in a position to commission them for their own projects. Since the start, many of them have sold work or have been commissioned by Decorex visitors."

Sunday, 17 October 2021

A thought-provoking message in The Monkey Puzzle Tree's new designer print

British award-winning company The Monkey Puzzle Tree has launched a new print for a collection of furnishing fabrics thanks to its collaboration with Yorkshire artist and illustrator Alexis Snell.

"All Tomorrow’s Futures" from The Monkey Puzzle Tree is available in three monochrome colourways - Ocean Blue, Lobster Orange and Seaweed Green, each providing a vivid pop of colour against an unbleached cotton linen background.
Photo by Lucia Carpio for MyFashionConnectGlobal.

The Monkey Puzzle Tree's booth at 
Decorex 2021 where the new
"All Tomorrow’s Futures"  range was launched.
Photo by Lucia Carpio for MyFashionConnectGlobal.

Just launched at the Decorex 2021 high-end interior design trade fair in early October 2021, the “All Tomorrow’s Futures” range is a locally-produced textural artisan print depicting the impact of humans on the natural world.









Ms Alexis created the thought-provoking design to explore the juxtaposition between the natural and industrial worlds.  Hidden within the hand-carved lino cut pattern is a subtle message about humankind’s impact on the planet.  Flocks of swallows morph into aeroplanes and factory fumes mingled with skulls and snakes. 

"As an artist, I can’t make that much difference to climate change, but what I can do is create images that make people think about what’s happening to our planet. The name refers to the fact that the future of our planet could go in two different ways. We’ve got to act now to prevent disaster,” said Alexis, who sketched out the original design for ‘All Tomorrow’s Futures’ in pencil before hand carving it onto a lino block and printing it by hand. 

A specially commissioned cotton-linen fabric with a handcrafted, bouclé-like feel was woven on the Lancashire/Yorkshire border and the pattern was screen printed at a heritage mill in Cumbria.

All Tomorrow’s Futures is available in three monochrome colourways - Ocean Blue, Lobster Orange and Seaweed Green, each providing a vivid pop of colour against an unbleached cotton linen background.

As a printmaker working in linocuts, Alexis is well known for her darkly humorous and characterful illustrations which have been featured in everything from a cast bronze table which was commissioned by the V&A Museum, to a recent Doctor Who book for the BBC.




Alexis has collaborated with The Monkey Puzzle Tree on a number of popular designs including 'How the Leopard got his Spots' velvet (available as cushion covers and lampshades) and 'Passion Flower' wallpaper.

The Monkey Puzzle Tree is known for their award winning artist designed fabrics and wallpapers with a twist and a conscience.  

Founded by Charlotte Raffo in 2017, the business pays a 20% royalty to their artists to help provide them The Monkey Puzzle Tree with a passive income, and the unique designs are manufactured in the North of England, supporting traditional industries and maintaining high environmental standards.  

Earlier this year, it was awarded a Design Guild Mark for 2021 for its “Hit the North” real cork wallpaper, as seen in this picture on the left.