Friday, 29 December 2017
Wednesday, 27 December 2017
London Fashion Week Men’s 6th – 8th January 2018.
Craig Green, winner of British Designer of the Year -
Menswear at The Fashion Awards 2017, in partnership with Austrian Crystal maker Swarovski, will show on
schedule alongside British Emerging Talent Menswear winner Charles Jeffrey
LOVERBOY and nominees A-COLD-WALL*, COTTWEILER and Phoebe English MAN.
Also the BFC’s NEWGEN initiative will see London’s brightest
emerging menswear designers showcase their January 2018 collections. Kiko
Kostadinov, Liam Hodges and WALES BONNER will host catwalk shows whilst
Nicholas Daley will host a presentation.
This season Per Götesson and Wood Wood are to show at LFWM
for the first time while Alex Mullins, Edward Crutchley and MAN, the Fashion
East Menswear initiative, will once again hold shows on schedule.
As last season, the main hub of LFWM is The Store Studios,
180 Strand, housing the official BFC Show Space as well as the Designer
Showrooms. As part of the Designer
Showrooms, the DiscoveryLAB will be unveiled for the first time – an experiential
zone for thinkers, makers and explorers across the landscape of technology,
fashion, art and performance.
Wednesday, 13 December 2017
Tom Dixon to launch new SUPER TEXTURE textiles and accessories January 2018
Come January 2018, British interior design label Tom Dixon
will launch its first ever collection of textiles named SUPER TEXTURE, as well
as its most recent innovation in MATERIALISM room scents, all to be officially showcased at the
prestigious Maison & Objet Paris trade fair, , January 19-23 2018.
Continuing the exploration into the construction of cloth,
SUPER TEXTURE dives deep into the weave, the knits and the knots, adding colour
and extra texture to the SOFT and BOUCLE ranges.
Burgeoning adventures begin in print, in embroidery and in
the hand tufting and looping of wool with young emerging talent to produce new
families: ABSTRACT, PAINT and GEO. Three new colours are added to the existing
range – Khaki, Wine and Electric Blue for a reinvigorated exercise in colour
stacking.
Heat-affected CORK, and marble studded TERRAZZO provide
stimulus for two new and diverse scents this season – Dark smoky wood
juxtaposed with fresh zesty fig. Brutalist
and Primitive, these vessels offer a new sensory experience to the Materialism
collection.
Also to be introduced is PLANT, a double headed vase designed for
floral ecosystems, and a miniature edition of the SPIN table candelabra. Both
exploit the process of making, "from the generous possibilities of molten glass
to the heavy-weight iron materiality of British engineering."
Tom Dixon's new collections will show for the first time at Maison & Objet Paris, January 19-23 2018 and will land in stores worldwide from 19 January 2018.
Monday, 11 December 2017
Fashion Museum Bath to launch Royal Women exhibition in 2018
With the world’s most loyal royal watchers anticipating the society
wedding of 2018 when UK’s Prince Harry will tie the knot with Meghan Markel, the
Fashion Museum Bath has timely announced
that it is to stage a new exhibition in 2018, “Royal Women”, celebrating fashion
worn by successive generations of women in the British Royal Family.
Fashion from the era of Queen Victoria are among the current exhibits at the Fashion Museum Bath. Photo © Lucia Carpio 2017 |
The family tree exhibition will include clothing worn by
Queen Alexandra, Queen Mary, Queen Elizabeth The Queen Mother, and Princess
Margaret, featuring items of dress from the Fashion Museum collection, as well
as a major loan from the Royal Collection, lent by Her Majesty The Queen.
Open from February 3, 2018, to April 28, 2019, the “Royal Women” exhibition will examine their sartorial lives, looking at each woman’s unique style, the role they played within the monarchy and how that was reflected in their choice of dress.
Highlights include the wedding dress of Alexandra, Princess
of Wales, a dress and cape made by Hartnell worn by Queen Mary to the wedding
of Princess Elizabeth and Lieutenant Philip Mountbatten, and a grey silk satin
ball gown worn by Queen Elizabeth The Queen Mother.
There are also a number of Christian Dior dresses as worn by
Princess Margaret including a ‘Rose Pompom’ strapless cream silk chiffon day
dress worn to Royal Ascot and a strapless black lace evening dress worn to a
performance of Guys and Dolls at the London Coliseum in 1953.
Elly Summers, the exhibition curator, said: “The Fashion Museum is one of the world’s great museum collections of historical fashionable dress and we are immensely fortunate that amongst its treasures it includes dress belonging to members of the Royal Family; we are equally fortunate in the loan of key pieces from the Royal Collection.”
Dior's slogan T-shirt ensemble is Fashion Museum Bath's Dress of the Year 2017
Whether as a form of protest against social injustices or for raising awareness on special issues, T-shirts with messages and slogans have long been a favourite way for expressing one's opinions and beliefs.
As high-profile sexual harassment scandals around the world continue to make headlines, and women's role in today's society is evolving, it is very apt that UK’s prestigious Fashion Museum Bath (in the historical Roman town of Bath in Somerset) has named an ensemble from Christian Dior’s spring/summer 2017 collection, featuring a white T-shirt with the slogan‘We Should All Be Feminists’ as its Dress of the Year 2017. Traditionally chosen by a respected member of the fashion industry, this year's choice was selected by Sarah Bailey of Red Magazine.
“I think a T-shirt, because it is so basic, is the easiest
way to display your ideas. The slogan ‘We Should All Be Feminists’ takes over
this blank space and plays with the political value of appearances,” said Dior
designer Maria Grazia Chiuri who added she was honoured that her designs had been
selected.
Paired with the T-shirt to complete the ensemble is a black wool jacket and
black tulle skirt and also a black knitted underwear.
Miss Bailey, Hearst Lifestyle group’s editorial director,
explained: “I was very inspired by the appointment of Maria Grazia Chiuri at
Christian Dior. She is the first female Creative Director in the history of the
house and I admired the vigour with which she immediately started challenging
the conversation around women, creativity and the gendering of genius. Her
social media campaign (before we even saw any of her designs)
#TheWomenBehindMyDress – heroing the petits mains in the Dior atelier – was
brilliant, moving and completely on point.
The late Monsieur Christian Dior would be pleased as he helped to launch the Fashion Museum by allowing his first collection to be brought to England to be shown for the museum's benefit at the Savoy Hotel in London in April 1950.
Councillor Paul Myers, Bath & North East Somerset Council’s
Cabinet Member for Economic and Community Regeneration, said: “The ‘We Should
All Be Feminists’ T-shirt ensemble is one of the most talked about fashions of
2017, by Maria Grazia Chiuri, in Dior’s 70th anniversary year. What a wonderful
addition to the outstanding museum collection of historical and contemporary
dress at Bath & North East Somerset Council’s Fashion Museum. We are most
grateful to Sarah Bailey for her careful consideration and for making such an
inspired selection for Dress of the Year 2017. Thank you too to Dior for so
generously donating the ensemble to the Fashion Museum.”
The Dress of the Year Collection at the Fashion Museum began in 1963, when the museum was founded as the Museum of Costume. Since then, a leading commentator and expert on fashion has been invited each year to select an ensemble, or ensembles, from those shown by the world’s designers during international fashion weeks.
Fashion Museum Bath '2016 Dress of the year' by JW Anderson for Loewe. Photo © Lucia Carpio 2017. |
Fashion Museum Bath's 2016 Dress of the Year was an ensemble by JW Anderson. It comprises a cream mohair tweed knitted dress with a leather bustier that Jonathan Anderson designed for Loewe. which came complete with a menswear ensemble.
The Dress of the Year 2017 will be on display at the Fashion Museum Bath until January 1, 2019. It will be the 100th object in the Museum’s A History of Fashion in 100 Objects exhibition.
© Lucia Carpio 2017 |
Blaze Wear’s Explorer and Traveller jackets use THERMOLITE® CORE technology
As many parts of the UK are plunged into deep winter with lots of snow these few days, it is essential to wrap up warmly and keep safe.
Just in time for Blaze Wear, the premium outdoors apparel and wearable heat technology brand.
Where fashion meets functionality, Blaze Wear’s Explorer and Traveller jackets have been made using THERMOLITE® CORE technology, an insulation designed for built-in lightweight warmth, comfort, freedom of movement and durability, ideal for the daily commute or a long walk in the country. As the temperature drops the outerwear also heats up at the click of a switch.
Revolutionary Tri Zone technology is seamlessly integrated into each garment with two panels at the front and one at the back, targeting your core which naturally distributes heat around the body.
Just in time for Blaze Wear, the premium outdoors apparel and wearable heat technology brand.
Where fashion meets functionality, Blaze Wear’s Explorer and Traveller jackets have been made using THERMOLITE® CORE technology, an insulation designed for built-in lightweight warmth, comfort, freedom of movement and durability, ideal for the daily commute or a long walk in the country. As the temperature drops the outerwear also heats up at the click of a switch.
Revolutionary Tri Zone technology is seamlessly integrated into each garment with two panels at the front and one at the back, targeting your core which naturally distributes heat around the body.
The jackets come with an internal and re-chargeable battery pack with three different heat settings, cool, medium and hot. These battery packs have the added benefit of allowing you to charge your phone while you are on the go.Blaze Wear has also developed a Heat Therapy range with advanced therapeutic deep tissue technology that delivers targeted, penetrating heat and provides effective relief from ailments such as Raynaud's, arthritis, muscle strain and general joint stiffness, aches and pains, says Blaze Wear’s CEO, Nick Bradley,
Friday, 8 December 2017
Ultra Violet is the PANTONE Colour of the Year 2018
Global colour authority PANTONE has announced that their Colour of the Year for 2018 is Ultra Violet, described as one of the most magical and decadent colours due to its "distinctive and complex purple shade that fascinates and intrigues” while conveying originality and ingenuity,
“We are living in a time that requires inventiveness and imagination. It is this kind of creative inspiration that is indigenous to PANTONE 18-3838 Ultra Violet, a blue-based purple that takes our awareness and potential to a higher level,” said Leatrice Eiseman, Executive Director of the Pantone Color Institute.
“From exploring new technologies and the greater galaxy, to artistic expression and spiritual reflection, intuitive Ultra Violet lights the way to what is yet to come.” Complex and contemplative, Ultra Violet suggests the mysteries of the cosmos, the intrigue of what lies ahead, and the discoveries beyond where we are now, said Eisemann, adding that the vast and limitless night sky is symbolic of what is possible and continues to inspire the desire to pursue a world beyond our own.
"The Colour of the Year is one moment in time that provides strategic direction for the world of trend and design, reflecting the Pantone Color Institute’s year-round work doing the same for designers and brands.”
Mylands Paint made-to-order and available only on the Mylands website and through their factory shop. |
“As individuals around the world become more fascinated with colour and realize its ability to convey deep messages and meanings, designers and brands should feel empowered to use colour to inspire and influence. ”Enigmatic purples have also long been symbolic of counterculture, unconventionality, and artistic brilliance. Musical icons Prince, David Bowie, and Jimi Hendrix brought shades of Ultra Violet to the forefront of western pop culture as personal expressions of individuality.
“The Pantone Color of the Year has come to mean so much more than ‘what’s trending’ in the world of design; it’s truly a reflection of what’s needed in our world today,” added Laurie Pressman, Vice President of the Pantone Color Institute. “As individuals around the world become more fascinated with colour and realize its ability to convey deep messages and meanings, designers and brands should feel empowered to use colour to inspire and influence. ”
Pantone, a wholly owned subsidiary of X-Rite, Incorporated, is provider of professional colour language standards and digital solutions.
Wednesday, 6 December 2017
Congratulations to ethical shoe brand Po-Zu! No. ONE again!
Ethical British shoe brand Po-Zu is once again ranked top of the ethical index for shoe & trainers brands for the 11th year. Having passed their annual independent audit for another consecutive year means that Po-Zu comes highly recommended by The Good Shopping Guide.
Along with multiple sustainability awards, including Best Ethical Fashion Brand 2017, the brand has emerged as a true ethical and sustainable footwear, producing men and women’s vegan shoes and non-leather shoes, ethically handcrafted in Portugal in line with ethical and sustainable standards, using natural materials – including cork, coconut fibre, latex, organic cotton, pure wool tweed, and chrome-free leathers.
The brand’s foundation of ethical principles begins with its mission to change the trend for fast fashion and mass-production of shoes which is eating up resources and exploiting vulnerable workers.
This year Po-Zu also released a collection of official Star Wars branded footwear including a funky range of Rebel Alliance boots and shoes for men, women and children who are fans of the popular sci-fi series.
Monday, 4 December 2017
British craft on show in Miami
BRITISH CRAFT – THE MIAMI EDIT 2017
Brought to you by The New Craftsmen and the Crafts Council
This amazing piece of furniture makes you want to just give it a big hug. Called My Big Fat Sofa, it is by Charlotte Kingsnorth, a multi-disciplinary designer and industrial artist who reinterprets traditional materials and techniques to create unexpected forms and effects. Kingsnorth has revisited upholstery methods to create My Big Fat Sofa, a biomorphic seat.
Charlotte is among a new wave of British rising stars and emerging talents in contemporary British craft who will be exhibiting this week at the inaugural FORM Miami, 6–10 December 2017.
This international showcase of British Craft brings 10 rising stars of craft in the UK to South Beach for a four-day exhibition featuring some of the most exciting emerging talents in contemporary British craft. These unique pieces are fine craft collectors' items, including furniture, sculptural vessels, artworks and installations, many of which are on display for the first time outside the UK.
Brought to you by The New Craftsmen and the Crafts Council
This amazing piece of furniture makes you want to just give it a big hug. Called My Big Fat Sofa, it is by Charlotte Kingsnorth, a multi-disciplinary designer and industrial artist who reinterprets traditional materials and techniques to create unexpected forms and effects. Kingsnorth has revisited upholstery methods to create My Big Fat Sofa, a biomorphic seat.
Charlotte is among a new wave of British rising stars and emerging talents in contemporary British craft who will be exhibiting this week at the inaugural FORM Miami, 6–10 December 2017.
This international showcase of British Craft brings 10 rising stars of craft in the UK to South Beach for a four-day exhibition featuring some of the most exciting emerging talents in contemporary British craft. These unique pieces are fine craft collectors' items, including furniture, sculptural vessels, artworks and installations, many of which are on display for the first time outside the UK.
"Referring to both the tactile and emotional qualities that craft evokes, this body of work by a selection of British makers demands the engagement of head, heart and hand. The innate tactility and sensorial materiality of craft is distinct and unique, and this presentation invites you to journey through and discover the pioneering processes these makers have employed to conceive this exciting showcase."– Catherine Lock, Creative Director, The New Craftsmen
Jewels in the colour of Christmas from Anabela Chan
Top: A playful in-between-finger Orion ring in 9 ct rose gold, hand-set
with a trilogy of floating laboratory-grown created gemstones, including a
princess cut ruby, heart-cut rose tourmaline and a pear-cut violet amethyst.
Bottom: Stunning Berry earrings in 18 ct rose and white gold
vermeil with 18 ct gold earring posts, hand-set with laboratory-grown created
gemstones including pear cut sky blue topaz, sugarloaf pink sapphires
and cabochon royal blue sapphire drops with prong and pave-set white
diamonds and a freshwater pearl.
All from London jeweller Anabela Chan.
Photos from Anabela Chan.
Friday, 1 December 2017
Two spectacular light shows over Hong Kong’s Victoria Harbour this December
Hong Kong’s famous picturesque Victoria
Harbour with its magnificent skyline is set to be even more spectacular this December with the staging of two light shows – the new version of the internationally acclaimed nightly multi-media A Symphony of Light and the winter version of the Hong Kong Pulse
Light Show – from 1st to 28th December 2017.
Hong Kong skyline by night as viewed from Kowloon. |
The two extravaganzas,
best viewed from the Tsim Sha Tsui waterfront in the Kowloon side, will brighten up Hong Kong’s
Christmas atmosphere with dynamic lighting effects and the illusion of an wintry setting at the Hong Kong Cultural Centre.
The new version of A Symphony of Lights features dynamic
rays of light sent out in rhythm from 40 buildings and locations on both sides
of the Victoria Harbour. The new show incorporates a variety of exciting
lighting effects such as coloured searchlights, lasers, and all-new beam lights
sent out like a special fan-shaped lighting effect from the roof of the Central
Government Offices and the Revenue Tower. Ten LED panels on a number of
harbourside buildings are for the first time joining the multi-media show,
displaying images and messages to encourage audience participation.
The show is complemented by music from Asia’s leading
classical orchestra the Hong Kong Philharmonic Orchestra, providing visitors
with a thrilling and unforgettable sound-and-light experience. The 10-minute
show begins at 8pm every evening.
This is immediately followed by the winter version
of Hong Kong Pulse Light Show - an 8-minute performance - at the Hong Kong Cultural Centre. The 3D
projection show begins with a snowstorm which covers the Hong Kong Cultural
Centre in snow and ice and blows away the numbers on the Clock Tower, stopping
time just before Christmas arrives.
An ingenious dragon then sets out to find the missing
numbers which are scattered across Hong Kong landmarks. The dragon eventually
finds them and restarts time to save Christmas. During the show, the piazza is
decorated with snowing effect along with glowing LED balls and a giant crystal
ball.
Photos © Lucia Carpio 2017
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