Showing posts with label scarves. Show all posts
Showing posts with label scarves. Show all posts

Thursday, 10 March 2022

Designer Rory Hutton adds new designs to his popular Garden Collection of scarves

Just in time for nature’s launch of Spring and the approaching Mother’s Day celebrations in the UK, textile designer Rory Hutton has looked ahead to the warmer months with a new range of scarves to add to his Garden Collection.  As always, his designs are enriched with inspiration from iconic garden designers and their amazing themes, as well as mythical stories.

Silk scarf: Gertrude's Garden
by Rory Hutton.
Rory said over the long dark months of January and February, he has been busily distracting himself with the joys of summer, looking ahead to bountiful gardens ablaze with flowers and colour.  

The result is three new scarves (as shown below) which draw inspiration from Vita Sackville-West’s White Garden, Gertrude Jeykll’s colourful borders and the mythical Flora, Roman goddess of flowering plants. All three new scarves in 100% silk, measure 90 x 90cm, have rolled edges and are made in Italy.

Rory said, “I hope these scarves will inspire sartorial gardeners everywhere and become the accessory of choice for tea on the lawn or an afternoon spent weeding and pruning!”, quoting English author and garden designer Vita Sackville-West who once said “Flowers really do intoxicate me” this is a sentiment that Rory Hutton can certainly agree with. For Spring/Summer 2022 the designer is adding three new designs to his popular Garden Collection.


The first scarf in this trio is called Vita’s White Garden and features the above quote together with another from Vita Sackville-West, "Still, no gardener would be a gardener if he did not live in hope". 

Vita Sackville-West designed a white garden at her home, Sissinghurst Castle in the county of Kent. The garden is now iconic and widely regarded as one of the first modern gardens in Britain. 
 
Rory says, ‘I’ve always been drawn to this idea, a white garden is as much a study of green as it is of white and I can’t imagine anything more calming than being surrounded by the subtle beauty of white and green on a summers day.’
 
Formal parterres and knot gardens dominate the center of this design and are surrounded by an array of white flowers in bloom. ‘I have poured my longing for such a space into this design’.

The next scarf is Gertrude's Garden, inspired garden designer Gertrude Jekyll. Influenced by the Arts & Crafts movement, Jekyll created some of the most celebrated Edwardian and early twentieth century gardens. Particularly noted for her explosions of colour, Jekyll had a painterly approach to her gardens and her work can be found throughout the British Isles and further afield. A keen plants woman, Jekyll began collecting and cultivating plants at a young age, sourcing interesting specimens from the wild as well as ancient cottage gardens.
 
Of this design Rory says, "This is the most colourful design I have ever attempted, Jekyll has inspired me to be brave!"

The flowers featured in the design were all used by Jekyll in her schemes. The garden bench at the center is in a style favored by renowned architect Edwin Lutyens. Lutyens was a great admirer of Jekyll’s work and they regularly collaborated, her designing the gardens to compliment his buildings.

The cat seated on Lutyen’s bench is a nod to Jekyll's love of feline company, she even included a chapter titled ‘Pussies in the Garden’ in her 1908 book, Children and Gardens.

The third design is entitled Temple of Flora, an ode to Flora, the Roman Goddess of flowering plants. In this design Flora takes centre stage. Holding a garland of flowers she stands in a classical temple. 

Featuring a vibrant red and pink scarf, the colours of roses, Flora’s temple is surrounded by formal parterre and knot gardens with ornately scrolling ironwork marking the perimeter.  The outer borders are filled with a joyful abundance of flowering specimens.

Other features within the garden include a dovecote, birdbath, potted orange tree, a sundial and elegant tulipieres or tulip holders. In front of the temple we can see the gardener’s dog together with her abandoned sun hat and watering can.
All images courtesy of Rory Hutton.

Monday, 8 February 2021

British designers find inspiration from gardening legends and the English countryside

Photo by Lucia Carpio of her own garden.
As lockdowns across the nation persist, the notion of wellbeing-focused design is more relevant than ever.  Organisers at Decorex (the London-based interiors trade fair) have hand-selected a series of trend reports, articles and webinars to keep us motivated and provide insight into how our homes can form the perfect sanctuary.  

As the pandemic continues to disrupt our lives, we also recognise the importance of staying connected with nature, being in our gardens and open spaces outdoors can provide the much-needed balance for our mental wellbeing.  

BBC’s new weekly programme, Your Garden Made Perfect hosted by Angela Scanlon provides valuable ideas on how “to transform tired gardens into idyllic wonderlands”, and has fired up my enthusiasm to embark on my own garden projects once the weather improves of course.  But not everyone has access to a garden and may find inspiration via various means.


Bunny's Garden scarf, 90 x 90 cm, by Rory Hutton,
available online. 
All of his scarves are from prints created from his original lino cuts. 
The three scarves shown here are from the Garden Collection
made in 100% Italian silk.  

British premium textile designer Rory Hutton who is not only an artist but also a historian has revealed he has made the garden theme his main design focus this year, launching with a new collection of scarves that were recently showcased on the Top Drawer On Demand digital event (which is normally held in London.)

Writing in his blog, Rory says although living in central London without a green patch of his own, he had re-connected with the outdoors through rediscovering three truly original 20th century gardening legends: Vita Sackville-West and Lady Rhoda Birley, and American horticulturalist Rachel "Bunny" Lambert Mellon.  


Orangerie Garden scarf by Rory Hutton, available online.



“These women of means managed to landscape, plant and prune with sartorial panache. Bunny enjoyed gardening attire by Balenciaga and Givenchy, Vita preferred farmhand chic in breeches and gaiters, while Rhoda favoured jaunty straw hats with whimsical scarves,” says Rory.  

Even more distinguished than their style were the gardening achievements of these women, Rory writes. "Vita’s gardens at her home, Sissinghurst Castle in Kent, embody the quintessential English Country Garden and lead the way for English garden design in the 20th century.  Charleston Manor (not to be confused with nearby Charleston House, home of the Bloomsbury group) in Sussex, was Rhoda’s home. From the 1930’s she planted and maintained the gardens herself keeping her roses vibrant by feeding them, rather controversially,  her ‘superior fish stew’.  

"Through lino cutting my illustrations of gardening tools, green houses and watering cans, I too managed to achieve a peaceful state of mind. Industriously using one’s hands to create something beautiful is a reward in itself and something I share with these lady gardeners who inspired me.

"Bunny’s gardening skills took her right to the centres of power. Her credits include the Rose Garden at the White House and the Kitchen Garden at Versailles. Her own Oak Spring Farms estate in Upperville, Virginia has been celebrated by both garden and interior designers, horticulturalists and tastemakers during her lifetime and up to the present day. The greenhouse complex at her estate with painted trompe l’oeil scenes of garden implements on the storage cabinets, was a particular inspiration to me, " writes Rory.  

Manor Garden scarf by Rory Hutton.
Through lino cutting his illustrations of gardening tools, green houses and watering cans, Rory managed to achieve a peaceful state of mind. Industriously using one’s hands to create something beautiful is a reward in itself, he said and something I share with these lady gardeners who inspired him. 

As an Irish accessory and print designer based in Glasgow and London, Rory finds inspiration in  history, art, architecture, theatre, opera and dance, lending classic themes a contemporary edge with his distinctive lino print illustrations and use of colour. 

Rory starts his creations as drawings, which are turned into linocuts and hand printed before being digitally composed and coloured. The designs are then sent to Lake Como in Italy where they are digitally printed on to the finest Italian silk.  His collections have included luxury scarves, ties, pocket squares, bow ties and also socks.  His prints have also been licensed by museums and galleries for use on a number of complementary products including tote bags, greetings cards, stationary, ceramics and even soap.





Rory Hutton's hand-rolled Ashurbanipal shawl,
140 x 140cm in Italian silk twill.
Rory has worked extensively with the British Museum,
creating collections for their blockbuster
exhibitions - Troy: Myth and Reality,
I Am Ashurbanipal and Rodin
and the Art of Ancient Greece. 

Rory is much sought after for collaborative work with some of the UK’s most prestigious arts, heritage and cultural organisations, including designing collections tied to blockbuster exhibitions staged at the British Museum, The Wallace Collection, Art Fund, Westminster Abbey, The Royal Ballet and The Royal Collection.   

The striking prints on the Ashurbanipal Shawl shown here were created to celebrate the British Museum's exhibition: I am Ashurbanipal, I am King of the World.

Illustrating traditional Assyrian motifs including Lamassu, a protective deity with the wings of a bird, body of a bull and a human head, the prints were developed from linocuts. 

Rory Hutton has a BA in Fashion Design and an MA in Design History.  He has been named runner-up in the Great British Entrepreneur Awards and was winner of the I-on Magazine Breakthrough Designer of the Year 2017.





Clarissa Hulse's Prairie cushion an English countryside scene
played out in warm orange hues accented by shadowy greys
and embroidered detailing in frost white.
All bed linen, cushions and throws are made from 100% cotton.


Separately, British textile designer Clarissa Hulse has also been inspired by nature and one particular gardener close to her heart.

She has just launched a brand-new collection inspired by the English countryside. Available as bed linen, cushions and matching throws, ‘Prairie’ comes in two colourways - orange and navy.

The new Prairie collection features an English countryside spreads across the fabric in intricate silhouettes of Wiltshire grasses wistfully criss-crossing with wild seed heads.

“The beauty of nature completely fascinates me – I draw most of my inspiration from the countryside.  Perhaps this enthusiasm stems from my childhood – my Greek mother was a keen gardener – she used to let me roam in flower beds while she was gardening and taught me the names of all the species.”

Clarissa Hulse's Prairie bed linen set is available in a classic navy accented with hues of soft blue as well as a deep orange accented with grey. Both are printed on soft, white cotton and finished off with a classic trim.
Packaged in eco-friendly, reusable cotton bags made from the bed linen reverse.

Born in Prague, Clarissa lived a nomadic childhood, spending time in Thailand, Spain, Italy and Greece. This eclectic background has had a huge influence on her approach to colour and design.

Clarissa’s designs are based on her nature photography, which is just as likely to originate from a tropical rainforest as it is to feature leaves from a local London park. Grasses, seed heads, ferns and trailing vines feature heavily in the modern, silhouetted designs, often printed onto natural fabrics such as silk and linen which have been dyed with a trademark ombre effect.

After graduating in textiles from Brighton Art College, Clarissa began to produce hand-printed scarves which became highly sought after on both sides of the Atlantic. This evolved into a line of home accessories, and over the course of fifteen years Clarissa has built the business to become one of the most respected textile brands in the UK.  From a small collection of silk cushions, the range now includes bed linen, lampshades, towels, ceramics, an array of gift items, and two multiple award-winning fabric and wallpaper collections produced in collaboration with Harlequin.

Tuesday, 13 August 2019

Furious Goose launches new "the Planets" collection

In a year when planet Earth celebrates the 50th anniversary of Man landing on the moon, Brighton-based British accessories brand Furious Goose launches a new collection called simply "The Planets" to celebrate the "majesty of the solar system and planetary science in geometry, colour and pattern."

The collection of unisex cosmic scarves will have sci-fi fans and futuristic fashionistas getting all excited, featuring celestial themes ... from Olympus Mons, the largest volcano in the solar system to the auroras of Jupiter, right down to the individual statistics of each celestial body.  Made in the UK, each design was developed through pen and ink sketches, then digitally and meticulously drawn and then refined with bright colours achieving double-sided print.  Each scarf is available in 100 cm in fine Merino Wool and in 65 cm in silk twill, and also in 42 cm square allowing one to use them in a variety of ways, from silk pocket squares,  to neckerchief and headscarf, or for wrapping around a handbag's handle.

Furious Goose was founded in 2016,  created by fashion and graphic designer Patrick Morrison.


Wednesday, 27 March 2019

Samantha Louise Emery launches IKONA / Mirrored Interior - A Collection of wearable art inspired by modern muses

IKONA 9 Malala Yousafzai,
Nobel Peace Prize winner and ardent activist
for women’s rights,
by Samantha Louise Emery.
Artist Samantha Louise Emery presents a new collection of scarves and sarongs based on her series of powerful portraits IKONA | Mirrored Interior. The portraits of 10 modern muses represent the women who have inspired the artist throughout her life.

Emery presents the women in bright abstract forms with their features becoming distinguishable upon closer inspection.

IKONA 7 Caitlin Moran, columnist and candid comedian, by  Samantha Louise Emery.
Each portrait attempts to capture more than just a physical representation of the subject but seeks to reveal the deeper layers of the self and the Feminine spirit, looking to bring awareness to the positive effects of Feminine solidarity, says Emery.
Subjects of Emery's art span from an Anatolian vegetable seller Sadiye to Malala Yousafzai, the Nobel Peace Prize winner and ardent activist for women’s rights, Grammy Award winner Angelique Kidjo.  There's Grammy Award winning musician Laurie Anderson, and British author and outspoken feminist Germaine Greer.
IKONA 4 Germaine Greer, author and outspoken feminist , by Samantha Louise Emery.

IKONA 3 Sadiye, matter of fact, maternal Anatolian vegetable seller by Samantha Louise Emery.
The scarves (28”x38”) and the sarongs (50”x66”) are at samanthalouiseemery.art/.  A portion of all income from the work is donated to the Working Chance charity and the Malala Fund. Working Chance is the only recruitment consultancy for women leaving the criminal justice and care systems. The Malala Fund works to give all girls the chance to an education.
IKONA 6 Krystyne Griffin, prominent jewellery designer and godmother by Samantha Louise Emery.
​Throughout the series Emery incorporates imagery of her own body, displaying her connection with her subject and laying bare her vulnerability as an artist, according to the Emery, the multimedia artist who splits her time between the UK and her studio in Bodrum, Turkey, her spiritual home.
Emery says, “IKONA honours ten women alive today who have inspired my evolution and journey in rediscovering the source of a woman’s power, the Feminine spirit.  I believe in the potential and majesty of female solidarity and feel privileged to live in a time of change, when many women have asserted their Feminine selves and have inspired others through their actions.”

The 10 muses in the series are:
IKONA 1 Laurie Anderson, creative pioneer and Grammy Award winning musician
IKONA 2 Angelique Kidjo, Fearless activist and Grammy Award winning singer
IKONA 3 Sadiye, matter of fact, maternal Anatolian vegetable seller
IKONA 4 Germaine Greer, author and outspoken feminist
IKONA 5 Alanis Obomsawin, spokeswoman for Native American and women’s rights
IKONA 6 Krystyne Griffin, prominent jewellery designer and godmother
IKONA 7 Caitlin Moran, columnist and candid comedian
IKONA 8 Jane Goodall, conservationist and impassioned animal rights activist
IKONA 9 Malala Yousafzai, Nobel Peace Prize winner and ardent activist for women’s rights
IKONA 10 Lucy, artist Samantha Louise Emery


Thursday, 15 December 2016

Nature- the mother of all inspiration.

Close-up of garden-themed embroidery on a dress from Bambah.
The Nature theme as inspiration for fashion, home and lifestyle products has been popular for some time now, so it comes as welcome news when leading colour authority Pantone announced in early December that Greenery is the Colour of the Year 2017.  It is a natural (mind the pun) development since the botanical theme came onto the scene last year and will continue to play a key role in 2017.
Vibrant colours for floral jacquards and brocades for AW17 as presented at Premiere Vision, Paris, September 2016.

Photo © Lucia Carpio
Enchanting garden-themed fabrics for SS17 as seen at Premiere Vision, Paris, February 2016.
Photo © Lucia Carpio
All things floral and botanical were shown in a myriad of fabric bases at the prestigious Premiere Vision textile trade fairs in Paris in February and September this year.
Eden silk scarf by designers Shan Jiang and Ying Wu at Pig Chicken Cow of London. 
Dream girl silk scarf from Cleo Ferin Mercury for SS16.
And throughout the year, botanical prints have been a driving force in interior design.
Terrarium-printed floor cushion from Hothouse.
And then, the notion of incorporating the outdoors and plant life into interior design has become a key driver.
Tom Dixon's Tank vases also available at Heal's.
Photo © Lucia Carpio

Lantern Terrariums from Oliver Bonas.



Friday, 19 August 2016

A kaleidoscopic of rich patterns and digital designs from Melo Designs

UK-based Melo Designs was set up by Brazilian-born artist Luiz Melo and interiors stylist Chris Kane who have a combined design experience of more than 24 years, producing an array of luxury lifestyle and interiors products for both global and niche businesses.
Silk scarf measuring 135 cm x 24 cm in  original Melo artwork, rich in colour and detail. Made in the UK

Luxurious feather filled, our poly velvet cushions,
  50 cm x 50 cm.
Made to order in the UK.  
While Luis have had work sold in London, France and North America and had been inspired by a child experience to create one-off pieces by painting directly onto glassware and ceramics, the two recognised there was more to be done to expand the scope of their unique talent.  Following many months of research, hardwork and creativity, the duo set up Melodesigns.

Distinctive, detailed with a hint of mystery. 

Melo Designs offer a variety of lifestyle products for the home and to wear. Rich in colour, the product range includes silk scarves, cushions, lamp shades, wallcoverings and mugs. The image of each product begins life as a hand-painted design, then shaped and embellished to create a colourful, kaleidoscopic world of pattern and movement, often resulting in a distinctive kaleidoscopic effect.



Statement hand rolled lampshade  40 cm x 26 cm from Melo Desgns.
Made in the UK using fine cotton and cool metallic inlays. 

The duo also offer bespoke services.   All products are designed and manufactured in the UK.



Saturday, 19 July 2014

REW launches new luxury "Scarves"

REW's luxury Concise "scarf" modeled by
fashion designer Amanda Jones. 
Since its launch in 2011, British brand REW (founded by Rachel Emma Wright) has made its mark on the fashion scene with creative scarves and stylish neck-wrap.  In cotton knits, wool and linen, REW's unique scarves are great statement accessories.

Now the brand has just launched a new range of "neck-wear" for autumn/winter 2014/15 that oozes luxury.

Founder Rachel said her signature style of extraordinary scarves are still very popular, but the new collection - which she refers to as "neck couture" takes the decorative neck-wrap to a new level.

REW's luxury "scarf" modeled by
jewellery designer Sarah-Jane Smyth.
REW's new Concise collection (as modeled above and at left here at the SCOOP International London trade fair July 13-15) features distinctively-designed geometric patterns on fine silk twill in coral and blue diamond, chevron or wavy designs, and teaming them with fine soft lamb nappa in light grey, baby blue and black. The palette is soft and alluring.

"By combining these textures with engineered geometric pattern placement, it gives structure and form to the scarves, and the wearer can create a unique personal style by adjusting and fitting the scarves as she likes around her neck," said Rachel.  "The emphasis is on bringing simplicity to the wearer."  

All REW products are designed and hand-made in the UK.

Photos by Lucia Carpio for My Fashion Connect.