Saturday, 6 September 2025

Textile & Garment Trade Fair: Texworld Apparel Sourcing Paris Return to Le Bourget 15 - 17 September 2025

Texworld Paris and Apparel Sourcing Paris will return to the Paris-Le-Bourget Exhibition Centre from 15 to 17 September 2025, organisers have confirmed. The upcoming edition will take place across Halls 2, 3 and 4, bringing together the key segments of Texworld Paris, Apparel Sourcing Paris, and their specialised zones, Avantex and Leatherworld. 

Together, the shows will form a comprehensive sourcing platform for the global fashion industry, spanning the full spectrum from ready-to-wear to high-end luxury.


Organisers will be hosting 1,300 exhibitors at this 57th edition, which has returned to its traditional September slot to better align with buyers' schedules. The event layout will mirror that of the February 2025 edition, which was positively received by both manufacturers and fashion professionals.

With nearly 600 manufacturers expected, Texworld Paris will feature some 600 manufacturers and  suppliers from major textile-producing countries, with China, Türkiye, India, South Korea, and Taiwan being the top five represented nations. The Elite area of the show will be dedicated to high-value-added companies selected by the committee for their excellence in quality, competitiveness, responsiveness, and logistics, as well as new exhibitors, such as Alok Industries from India, known for its premium cotton fabrics for men’s ready-to-wear. 

The Denim sector, which continues to grow, will bring together in Hall 4 (situated between Texworld and Apparel Sourcing Paris) some thirty fabric and finished product companies. 

In the Apparel Sourcing Paris sector there will be 600 exhibitors, compared to 465 exhibitors in the February 2025 edition. This growth is fueled not only by strong participation from China, India, and Bangladesh, but also by a surge in companies from Hong Kong (with over 20 grouped under one shared pavilion) and Pakistan, which will showcase a “Sustainable Pakistan” pavilion with ten socially responsible businesses.

“In today’s tense economic climate, this edition reflects the ongoing reshaping of global supply chains,” comments Julien Schmoll, Marketing & Communication Director at Messe Frankfurt France. “Through regular dialogue with industry players in key fashion cities – Barcelona, London, Milan – we’ve confirmed these sourcing trends. We’re seeing a resurgence of finished apparel offers from countries like China and India, a shift toward near sourcing, a growing demand for product innovation, and diversification of supply. Our role is to connect buyers with the most relevant sourcing solutions.”

Visitors will also discover – or reconnect with – manufacturers from Cambodia, Myanmar (with an official pavilion), Rwanda, Vietnam, and Egypt. The return of these countries to the European market reflects the ongoing shift in sourcing strategies, where quality and flexibility are becoming decisive criteria, according to the organisers.


Near sourcing is set to be a prominent theme at this edition of Texworld Paris, with a notable increase in participation from suppliers based in Central and Eastern Europe. National pavilions from Armenia and Kyrgyzstan will be positioned near the entrance of Hall 3, featuring 11 Armenian and 14 Kyrgyz companies. These exhibitors will present a range of creative products, with a particular focus on the casual and sportswear sectors.

In addition, around 30 manufacturers from countries including Serbia, Romania, the Czech Republic, Portugal, Greece, and Italy will showcase their offerings in the Near Sourcing Hub, also located at the entrance to Hall 3. Each sample in this area will be accompanied by a QR code linked to the FourSource B2B digital platform—an official partner of Messe Frankfurt France—providing visitors with detailed product data and direct access to supplier contacts.

Avantex, the space dedicated to sustainable fashion services, solutions, and forward-thinking businesses, continues to grow in response to strong industry demand. The September edition will bring together 30 companies in the area connecting Hall 2 (home to the trends forum, service zones, and the Agora) and Hall 3. Innovative startups include NIL Textile, focused on recycled and recyclable materials, that will present the first T-shirt made from 100% biobased polylactic acid (PLA) derived from corn, T-Fashion, an AI-powered platform for generative design and trend forecasting, and Materra, winner of the 2024 Avantex Fashion Pitch, which offers a “Cotton-As-A-Service” model supporting sustainable cotton farming and direct brand sourcing.

Avantex will also host three days of talks, round-tables and keynotes to explore the transformation of the fashion industry – covering topics such as circularity, natural materials, generative AI, technical skills, evolving consumer behaviors, and European regulatory changes. New this year, the Agora will host the European event Bio Fashion Innovation Day on Wednesday 17th September, organized by TCBL (an Avantex partner for 3 sessions). This day programme will include keynotes, round tables, workshops, and networking sessions focused on local production, organic materials, eco-design, and more. 

The 8th edition of the Avantex Fashion Pitch will also take place during the show, with finalists presenting to a jury comprising notable industry figures such as Carol Hilsum, Yoobin Jung, Jayne Simone Estève Curé, and Élodie Lemaire Nowinski. The event is held in partnership with IFA Paris and Messe Frankfurt’s Texpertise Network. 

The jury for this edition will include Carol Hilsum (Venture Capital Advisor & LP – Fashion Tech Consultant & Mentor), Yoobin Jung (Ventures Associate – Plug and Play Tech Center), Jayne Simone Estève Curé (Fashion & Luxury Expert & Mentor), Élodie Lemaire Nowinski (Associate Professor & Researcher – France/US/UK) and Claudia Franz (Director Brand management Apparel Fashion & Fabrics and Interior & Contract Textiles, Messe Frankfurt). The deadline to submit applications is 15 July 2025. For more information, click HERE.

Launched in February 2025, the Initiatives zone at the entrance of Hall 4, will showcase innovative and inspiring approaches developed by selected exhibitors. Highlights include live demonstrations by fashion students, from LISAA Mode, who create knit and crochet pieces on-site, emphasizing both design and craftsmanship. Pasari Textiles (India) will exhibit its exceptional handmade embroideries, while the Istanbul Chamber of Commerce will present Turkish textile know-how through contemporary artistic approaches focused on patterns and dyeing. The China Textile Innovation Center (CTIC) will host a space dedicated to highlighting Chinese innovation through a curated selection of designers and brands.

Organisers say this September’s edition reaffirms Paris’s position as a vital hub in the global sourcing calendar, blending international craftsmanship with forward-looking innovation and sustainability.

All images from Messe Frankfurt Paris.

Fashion News: Italian Designers Shine at Dubai Fashion Week as World Mourns Giorgio Armani

The global fashion industry is mourning the death of Italian designer Giorgio Armani, founder of the iconic Armani fashion house. His passing was announced on 4 September. Widely recognised as one of the most influential figures in modern fashion, Armani pioneered red carpet style and built one of the most successful luxury empires in Italy.

The announcement came just a day after Italian fashion was celebrated at Dubai Fashion Week (DFW) with La Moda Italiana Vol. 2. Held on 3 September, the showcase featured six Italian houses presenting their collections on Dubai’s runway as part of “Italian Day in Dubai.” The event was organised by the Italian Trade Agency (ITA) in collaboration with DFW and in partnership with Italy’s Ministry of Foreign Affairs and International Cooperation.

The evening was attended by senior Italian delegates, including Lorenzo Canara, Ambassador of Italy to the UAE; Edoardo Napoli, Consul General of Italy to the UAE; Valerio Soldani, Italian Trade Commissioner; Antonio Franceschini, CNA Head of International Markets; and Gabriella Degano, Confartigianato Head of International Markets. They were welcomed by Khadija Al Bastaki, Senior Vice President of Dubai Design District (d3), and Jacob Abrian, Founder and CEO of the Arab Fashion Council.

In addition to ITA, Italian associations CNA and Confartigianato participated, underscoring Italy’s reputation for craftsmanship, creativity, and enduring influence in global fashion.

The Showcases

Valentina Poltronieri 
Valentina Poltronieri presented her Autumn/Winter 2025-26 collection, Sculpted Simplicity, inspired by abstractionist artist Chad Kouri. Structured tailoring and geometric forms were softened with fluid fabrics, creating wearable sculptures in hues ranging from Veil of Snow to Urban Indigo. The collection marked a new phase of maturity, blending intellectual minimalism with artisanal mastery.
Le Twins
Le Twins unveiled Good Morning, Good Evening, their Spring/Summer 2026 collection designed for versatility from day to night. Relaxed tailoring in poplin, cotton lace, and viscose balanced comfort with elegance, while a warm palette of red, sand, white, and black reflected the rhythm of daily life.
D-Exterior 
D-Exterior reinterpreted its artisanal knitwear heritage for SS26. Lightweight organza and satin met handcrafted details such as macramé lace and shimmering yarns. The palette mixed earthy neutrals with bright accents, presenting a vision of femininity rooted in tradition yet redefined for modernity.
Gil Santucci
Gil Santucci introduced bold, contemporary silhouettes that combined glamour with edge. Daring tailoring, luxurious fabrics, and striking embellishments reinforced the brand’s confident, fashion-forward vision.
Avant Toi

Avant Toi showcased an SS26 pre-collection that bridged 19th-century romanticism with modern experimentation. Ethereal chiffon, metallic finishes, and hand-painted textures evoked garments layered with history and imperfection, culminating in Home Garden, where embroidered florals and tactile knits celebrated nature and authenticity.

BE Nina

BE Nina closed the Italian showcase with Da Nonna Tina, a whimsical SS26 collection inspired by childhood memories. Voluminous skirts, crochet dresses, tailed jackets, and bloomers crafted from vintage textiles captured nostalgia through playful, poetic forms.

Dubai Fashion Week

DFW, co-founded by Dubai Design District (d3), part of TECOM Group PJSC, and the Arab Fashion Council, runs until 6 September. The Spring/Summer 2026 edition continues to highlight the city’s role as a global fashion hub where diverse cultures and creative voices converge.

All images courtesy of Dubai Fashion Week

Fashion Event: Dubai Fashion Week’s (DFW) Spring/Summer 2026 edition sets the tone for boundary-pushing fashion

Dubai, long established as a global hub where fashion, culture, and commerce intersect, reaffirmed its creative influence with the launch of Dubai Fashion Week’s (DFW) Spring/Summer 2026 edition which opened on September 1st. The opening lineup underscored the event’s international scope, bringing together designers from across the region and beyond.

Rizman Ruzaini 

Malaysian duo Rizman Ruzaini opened the runway on the first day with their ‘RIMBA’ collection, a bold presentation that set the pace for the following days, marked the brand’s 20th anniversary and paid tribute to Southeast Asia’s ancient rainforests.  The collection drew on natural themes, with deep greens, earthy tones, and bold accents reflecting the landscape’s flora and fauna. Intricate embroidery and rainforest-inspired textures highlighted the craftsmanship, while silhouettes conveyed a balance of delicacy and strength. Central to the narrative was the Malayan tiger, symbolising resilience and cultural heritage.

Heba Jasmi

Emirati designer Heba Jasmi followed with ‘Born to Rise,’ a polished showcase reflecting the UAE’s growing design voice. The collection reinterpreted femininity through architectural elegance and understated strength. Known for sculptural tailoring and refined craftsmanship, Jasmi balanced fluid silhouettes with precise structure, presenting softness as a form of power.  The palette ranged from gold and desert coral to mint jade and midnight navy, while details included embroidered florals, crystal fringes, layered organza, and body-conscious tailoring. Each made-to-order gown reflected a dialogue between Arab heritage and contemporary couture, underscoring Jasmi’s signature approach to design.

Krèsha Bajaj

Indian designer Krèsha Bajaj then made her DFW runway debut with ‘The Archive of Hidden Things,’ drawing attention for its intricate craftsmanship with couture-level detail. Renowned for her intricate bridal and eveningwear, Bajaj brought her signature craftsmanship to prêt-à-porter, combining artistry with everyday wearability.  The collection unfolded in three chapters—Revelation, Obsession, and Liberation—exploring themes of concealment, expression, and empowerment. Silhouettes shifted from fluid forms to sculptural structures, with a palette of blush, charcoal, antique gold, and burnished copper underscoring the narrative. Sustainability remained central, with small production runs, responsibly sourced fabrics, and remnants repurposed into accessories.

FLTRD

The second day of Dubai Fashion Week highlighted both emerging and established talent. FLTRD opened with ARAD and I AM, a presentation that reinforced its role as a platform for creativity, craftsmanship, and self-expression, while spotlighting diverse voices shaping the Middle East’s fashion landscape.

Erick Bendaña

Nicaraguan designer Erick Bendaña followed with The Sun and The Moon, a couture collection exploring dualities of light and shadow, masculine and feminine. Golden gowns captured the radiance of the sun, while silver creations evoked the mystique of the moon, with celestial motifs of constellations and orbits. The showcase, enriched with jewellery by Panamanian jeweller Michelle Ferrer and rooted in Nicaraguan heritage, transformed the runway into a cosmic narrative of poetry and myth.

Fioletowy Studio 

Indian label Fioletowy Studio made its DFW debut with Elevation, a 30-look collection handcrafted in pure silk and inspired by the metaphor of staircases as symbols of resilience and transformation. Architectural tailoring, cascading ruffles, and layered panels defined the silhouettes, while supermodel and actress Lisa Haydon closed the show as showstopper. The collection underscored the studio’s commitment to artisanal craftsmanship, sustainability, and bold design language.

Chic & Holland

Dutch couture house Chic & Holland unveiled 300 Hours, named for the painstaking labour behind each gown. Precision-cut crystals, sculpted corsetry, and silhouettes ranging from mermaid cuts to princess gowns evoked European royalty and baroque grandeur. The collection reflected founder and creative director Faiza Talat’s vision of strength and softness united in unapologetic elegance.

Maison Novague

Closing the evening, Maison Novague presented L’Écriture du Corps, a couture collection conceived as a dialogue between art and fashion. Working with a palette of ivory, gold, midnight navy, scarlet, and painterly purples, designer Fariba Pourkhajani celebrated confidence through fluid silks and sculpted forms. Each look embodied her ethos of timeless strength expressed through simplicity.

DFW, co-founded by Dubai Design District (d3), part of TECOM Group PJSC, and the Arab Fashion Council, continues through 6 September as the region’s definitive fashion fixture.

All images courtesy of Dubai Fashion Week